Since childhood,William Wordsworth and John Ruskin have developed a very natural love for landscape and scenery.Although they have different ways to interpret what they see and how they feel,they both stick to their g...Since childhood,William Wordsworth and John Ruskin have developed a very natural love for landscape and scenery.Although they have different ways to interpret what they see and how they feel,they both stick to their genuine feelings without pre⁃tension in their poems.Those unpretentious feelings and behaviors,which are crucial to their later development to be remarkable artists,come from their original habit and attitude towards Nature as a child.All their life,they preserved this innocence in their work as a memory of childhood.展开更多
“Yeux Glauques,”the sixth poem of Ezra Pound’s 1920 Hugh Selwyn Mauberley,has been read as an indictment of Victorian viewers’and readers’rejection of Pre-Raphaelite art and poetry,a rejection proleptic of Georgi...“Yeux Glauques,”the sixth poem of Ezra Pound’s 1920 Hugh Selwyn Mauberley,has been read as an indictment of Victorian viewers’and readers’rejection of Pre-Raphaelite art and poetry,a rejection proleptic of Georgian readers’rejection of Pound’s own innovations.This is largely accurate.But the poem’s citation(in its first stanza)of John Ruskin’s“Of Kings’Treasuries”can be read as directing readers’attention to Ruskin’s 1864 lecture,in part an exhortation to examine the etymologies of the words of the texts they read.Such an etymological examination of“glauques”in the poem’s title in effect reinforces a secondary implication of the poem as a whole:that the Pre-Raphaelite movement suffered from its members’failure to convincingly or feelingly represent active female subjectivity.展开更多
文摘Since childhood,William Wordsworth and John Ruskin have developed a very natural love for landscape and scenery.Although they have different ways to interpret what they see and how they feel,they both stick to their genuine feelings without pre⁃tension in their poems.Those unpretentious feelings and behaviors,which are crucial to their later development to be remarkable artists,come from their original habit and attitude towards Nature as a child.All their life,they preserved this innocence in their work as a memory of childhood.
文摘“Yeux Glauques,”the sixth poem of Ezra Pound’s 1920 Hugh Selwyn Mauberley,has been read as an indictment of Victorian viewers’and readers’rejection of Pre-Raphaelite art and poetry,a rejection proleptic of Georgian readers’rejection of Pound’s own innovations.This is largely accurate.But the poem’s citation(in its first stanza)of John Ruskin’s“Of Kings’Treasuries”can be read as directing readers’attention to Ruskin’s 1864 lecture,in part an exhortation to examine the etymologies of the words of the texts they read.Such an etymological examination of“glauques”in the poem’s title in effect reinforces a secondary implication of the poem as a whole:that the Pre-Raphaelite movement suffered from its members’failure to convincingly or feelingly represent active female subjectivity.
