This paper focuses on Chinese sources suggested for a narrative medicine(NM)program,called AfterWards.Dr Lauren Small established AfterWards in 2014 and has been coordinating it since out of the Pediatrics Department ...This paper focuses on Chinese sources suggested for a narrative medicine(NM)program,called AfterWards.Dr Lauren Small established AfterWards in 2014 and has been coordinating it since out of the Pediatrics Department at Johns Hopkins Medicine.In early 2019,she started giving a series of lectures and workshops about AfterWards to Chinese medical educators and clinicians in Beijing and Shanghai.She created an AfterWards Facilitator’s Guide based on Western-language sources for workshop participants.She also started to organize with Jiang Yuhong(Peking Union Medical College)a workshop for Chinese colleagues to be held at Johns Hopkins Medicine in October 2019.They invited the author to participate.The idea was hatched then to develop Chinese source materials following the AfterWards structure for an updated Facilitator’s Guide that Dr Small had initially written.A typical one-hour AfterWards session consists of a specific five-part structure:a literary text or artwork,an associated theme,discussion topics,a writing exercise,and shared reflection.While the content of the program always changes from session to session,the basic structure remains the same.This paper summarizes the types of Chinese sources and their related narrative-medicine themes that were originally selected for inclusion in the updated AfterWards Facilitator’s Guide intended for Chinese colleagues.These sources about coping with sick family members,aging,and illness ranged from the textual(classical Chinese poems on aging and diagnostic forms for training students)and visual(premodern Chinese paintings and murals of medical encounters)to the fictive(novels)and performative(contemporary Asian-American film in English and Chinese-language film and documentaries).展开更多
The poetry and painting of such Pre-Raphaelite artists as Rossetti and Morris are intimately linked in terms of both the theoretic base and the techniques adopted in the process of creation,so much so that the interac...The poetry and painting of such Pre-Raphaelite artists as Rossetti and Morris are intimately linked in terms of both the theoretic base and the techniques adopted in the process of creation,so much so that the interaction between the two could be labeled symbiotic.The paper aims to trace the origin of this kinship by adumbrating the relationship between poetry and painting from ancient Greece to the 19th century,illustrating the art aesthetic of John Ruskin(his defense for poetry and painting as sister arts and his philosophy of beauty in particular)as the foundation for the two target artists'practice,and examining the diverse techniques employed in their artistic production.展开更多
This paper seeks to examine the image and text relationship in TANG Yin＇s scroll of poetry and painting from three aspects： The first aspect focuses upon the schema type of its image and text relationship in physica...This paper seeks to examine the image and text relationship in TANG Yin＇s scroll of poetry and painting from three aspects： The first aspect focuses upon the schema type of its image and text relationship in physical form; the second aspect, explores the text＇s/poetry＇s functions of anchorage and relay while appreciating those images/paintings; the third aspect, traces the semiosis process of image, exploring how image and text as cultural products in the epistemological world mediates with the phenomenological world展开更多
Many aspects have very important effects on garden art,such as landscape poetry,landscape painting,or related poetic theory,painting theory.Among them,the characteristics of the Buddhism of poetry and painting provide...Many aspects have very important effects on garden art,such as landscape poetry,landscape painting,or related poetic theory,painting theory.Among them,the characteristics of the Buddhism of poetry and painting provide a basis on creating Zen State in garden.The ideal state of poetry constitutes the aesthetic realm of garden and its gardening techniques.展开更多
From the perspective of culture-based source,the author considered that the ancient Chinese poetry and paintings not only embodied the harmony and unity thought of man and nature,but also were the emotional attachment...From the perspective of culture-based source,the author considered that the ancient Chinese poetry and paintings not only embodied the harmony and unity thought of man and nature,but also were the emotional attachment of Chinese literati.As a diverse and comprehensive aesthetic art,landscape expressed material and spiritual culture doubly,the spiritual connotation of which was inextricably linked within ancient Chinese poetry and paintings.In addition,ancient Chinese poetry and paintings can be directly used in landscape composition,such as the widely used in plaques,inscriptions,couplets,poems and inscriptions,carved beams and painted pillars,painting with words and so on.Chinese literati integrated the ethereal realm of poetry and paintings into garden art,making landscape endow with poetic charm.Therefore,the landscape revealed the traces of literature and arts in aesthetic idea and taste,pushing Chinese garden to a higher aesthetic realm.This study pointed the right way to the future of modern landscape which advocated ecological and harmonious development.展开更多
Tsangyang Gyatso＇s poems were widely circulated and still enjoy popularity. He was an influential living Buddha （Renpoche） in Tibetan Buddhism and a talented and legendary historical figure. Nowadays, more and more...Tsangyang Gyatso＇s poems were widely circulated and still enjoy popularity. He was an influential living Buddha （Renpoche） in Tibetan Buddhism and a talented and legendary historical figure. Nowadays, more and more scholars, poets and translators have devoted to the study of his works. Here we will focus on discussing the English translation of his poems and their value. We analyze texts of the Tsangyang Gyatso＇s Poems （Chinese-English） and seek to further study the translation principles such as ＂retaining truth, seeking goodness and preserving beauty＂. By doing this, we strive to improve the quality of translation, give consideration to the construction of the four elements such as poetic meaning, emotion, tone and intention, to enable the reader to achieve the senses and the acquisition of images, to provide more perfect translation in the ＂Tsangyang Gyatso Vogue＂, to promote the dissemination and sharing of Tibetan culture and to inject new vitality.展开更多
People have different points of view on the criteria applicable to poetry translation.This paper focuses on what kind of principle should be followed in poetry translation.It starts with a brief introduction of one in...People have different points of view on the criteria applicable to poetry translation.This paper focuses on what kind of principle should be followed in poetry translation.It starts with a brief introduction of one interesting dispute over the standards and criteria applicable to poetry translation.Based upon a brief summary of the two conflicting theories raised by Professor Xu Yuanchong(许渊冲)and Professor Liu Yingkai(刘英凯),this paper compares two Chinese versions of Thomas Hardy’s"The Darkling Thrush"for the purpose of establishing the idea that"faithfulness"should be treated as the paramount principle and criteria in poetry translation.展开更多
The expression of traditional Chinese literati is based on connection, seeking emotion and harmony. With various forms, though, this style of expression shares the same value in some art forms, like traditional Chines...The expression of traditional Chinese literati is based on connection, seeking emotion and harmony. With various forms, though, this style of expression shares the same value in some art forms, like traditional Chinese poetry, calligraphy and paintings, and Chinese architecture. Based on the commonalities of various forms of literature and art, this paper offered an insight into Chinese architecture in light of poetic and pictorial expression of traditional Chinese literati. In order to illuminate the corresponding connection between traditional Chinese poetry, calligraphy and paintings, and Chinese architecture, this paper discussed the expression of Chinese architecture corresponding to the essence of traditional Chinese poetry, calligraphy and paintings respectively from the perspective of philosophy, aesthetics, and culture study of Chinese architecture. Via analogous analysis, which includes the analogy between the emotion of architecture and the feelings in traditional poetry, the analogy between the order of architecture and the spirit of calligraphy, and the analogy between the artistic conception and the picturesque scene, the poetic and pictorial expression of Chinese architecture was clarified. This paper emphasized that Chinese architecture needs to jump out of the concrete image, eradicate the interdisciplinary boundaries, and stress the integration of arts and humanities in a higher level, to express Chinese architecture in a Chinese way. That means making Chinese architecture modern in forms and techniques, and traditional in spirit and artistic conception.展开更多
Tang poetry can be described as the treasure of Chinese culture.For a long time,both domestic and foreign scholars have devoted themselves to disseminating the immortal Chinese cultural heritage and have made great co...Tang poetry can be described as the treasure of Chinese culture.For a long time,both domestic and foreign scholars have devoted themselves to disseminating the immortal Chinese cultural heritage and have made great contributions to the translation of classical poetry.The Everlasting Regret is one of the excellent narrative poems in Chinese classical poetry.It is highly valued by many translators."Three Beauties" principle are the principles of poetry translation proposed by Mr.Xu Yuanchong,in his work On Chinese Verse in English Rhyme.On the basis of the"Three Beauties" principle and translation version of Mr.Xu Yuanchong's The Everlasting Regret,this paper analyzes how to achieve the beauty in sense,sound and form in translation,aiming at providing some reference methods for the translation of Chinese classical poetry.展开更多
基金supported by a Visiting Scholar Fellowship at Max Planck Institute for the History of Science, Berlin
文摘This paper focuses on Chinese sources suggested for a narrative medicine(NM)program,called AfterWards.Dr Lauren Small established AfterWards in 2014 and has been coordinating it since out of the Pediatrics Department at Johns Hopkins Medicine.In early 2019,she started giving a series of lectures and workshops about AfterWards to Chinese medical educators and clinicians in Beijing and Shanghai.She created an AfterWards Facilitator’s Guide based on Western-language sources for workshop participants.She also started to organize with Jiang Yuhong(Peking Union Medical College)a workshop for Chinese colleagues to be held at Johns Hopkins Medicine in October 2019.They invited the author to participate.The idea was hatched then to develop Chinese source materials following the AfterWards structure for an updated Facilitator’s Guide that Dr Small had initially written.A typical one-hour AfterWards session consists of a specific five-part structure:a literary text or artwork,an associated theme,discussion topics,a writing exercise,and shared reflection.While the content of the program always changes from session to session,the basic structure remains the same.This paper summarizes the types of Chinese sources and their related narrative-medicine themes that were originally selected for inclusion in the updated AfterWards Facilitator’s Guide intended for Chinese colleagues.These sources about coping with sick family members,aging,and illness ranged from the textual(classical Chinese poems on aging and diagnostic forms for training students)and visual(premodern Chinese paintings and murals of medical encounters)to the fictive(novels)and performative(contemporary Asian-American film in English and Chinese-language film and documentaries).
文摘The poetry and painting of such Pre-Raphaelite artists as Rossetti and Morris are intimately linked in terms of both the theoretic base and the techniques adopted in the process of creation,so much so that the interaction between the two could be labeled symbiotic.The paper aims to trace the origin of this kinship by adumbrating the relationship between poetry and painting from ancient Greece to the 19th century,illustrating the art aesthetic of John Ruskin(his defense for poetry and painting as sister arts and his philosophy of beauty in particular)as the foundation for the two target artists'practice,and examining the diverse techniques employed in their artistic production.
文摘This paper seeks to examine the image and text relationship in TANG Yin＇s scroll of poetry and painting from three aspects： The first aspect focuses upon the schema type of its image and text relationship in physical form; the second aspect, explores the text＇s/poetry＇s functions of anchorage and relay while appreciating those images/paintings; the third aspect, traces the semiosis process of image, exploring how image and text as cultural products in the epistemological world mediates with the phenomenological world
文摘Many aspects have very important effects on garden art,such as landscape poetry,landscape painting,or related poetic theory,painting theory.Among them,the characteristics of the Buddhism of poetry and painting provide a basis on creating Zen State in garden.The ideal state of poetry constitutes the aesthetic realm of garden and its gardening techniques.
文摘From the perspective of culture-based source,the author considered that the ancient Chinese poetry and paintings not only embodied the harmony and unity thought of man and nature,but also were the emotional attachment of Chinese literati.As a diverse and comprehensive aesthetic art,landscape expressed material and spiritual culture doubly,the spiritual connotation of which was inextricably linked within ancient Chinese poetry and paintings.In addition,ancient Chinese poetry and paintings can be directly used in landscape composition,such as the widely used in plaques,inscriptions,couplets,poems and inscriptions,carved beams and painted pillars,painting with words and so on.Chinese literati integrated the ethereal realm of poetry and paintings into garden art,making landscape endow with poetic charm.Therefore,the landscape revealed the traces of literature and arts in aesthetic idea and taste,pushing Chinese garden to a higher aesthetic realm.This study pointed the right way to the future of modern landscape which advocated ecological and harmonious development.
文摘Tsangyang Gyatso＇s poems were widely circulated and still enjoy popularity. He was an influential living Buddha （Renpoche） in Tibetan Buddhism and a talented and legendary historical figure. Nowadays, more and more scholars, poets and translators have devoted to the study of his works. Here we will focus on discussing the English translation of his poems and their value. We analyze texts of the Tsangyang Gyatso＇s Poems （Chinese-English） and seek to further study the translation principles such as ＂retaining truth, seeking goodness and preserving beauty＂. By doing this, we strive to improve the quality of translation, give consideration to the construction of the four elements such as poetic meaning, emotion, tone and intention, to enable the reader to achieve the senses and the acquisition of images, to provide more perfect translation in the ＂Tsangyang Gyatso Vogue＂, to promote the dissemination and sharing of Tibetan culture and to inject new vitality.
文摘People have different points of view on the criteria applicable to poetry translation.This paper focuses on what kind of principle should be followed in poetry translation.It starts with a brief introduction of one interesting dispute over the standards and criteria applicable to poetry translation.Based upon a brief summary of the two conflicting theories raised by Professor Xu Yuanchong(许渊冲)and Professor Liu Yingkai(刘英凯),this paper compares two Chinese versions of Thomas Hardy’s"The Darkling Thrush"for the purpose of establishing the idea that"faithfulness"should be treated as the paramount principle and criteria in poetry translation.
文摘The expression of traditional Chinese literati is based on connection, seeking emotion and harmony. With various forms, though, this style of expression shares the same value in some art forms, like traditional Chinese poetry, calligraphy and paintings, and Chinese architecture. Based on the commonalities of various forms of literature and art, this paper offered an insight into Chinese architecture in light of poetic and pictorial expression of traditional Chinese literati. In order to illuminate the corresponding connection between traditional Chinese poetry, calligraphy and paintings, and Chinese architecture, this paper discussed the expression of Chinese architecture corresponding to the essence of traditional Chinese poetry, calligraphy and paintings respectively from the perspective of philosophy, aesthetics, and culture study of Chinese architecture. Via analogous analysis, which includes the analogy between the emotion of architecture and the feelings in traditional poetry, the analogy between the order of architecture and the spirit of calligraphy, and the analogy between the artistic conception and the picturesque scene, the poetic and pictorial expression of Chinese architecture was clarified. This paper emphasized that Chinese architecture needs to jump out of the concrete image, eradicate the interdisciplinary boundaries, and stress the integration of arts and humanities in a higher level, to express Chinese architecture in a Chinese way. That means making Chinese architecture modern in forms and techniques, and traditional in spirit and artistic conception.
文摘Tang poetry can be described as the treasure of Chinese culture.For a long time,both domestic and foreign scholars have devoted themselves to disseminating the immortal Chinese cultural heritage and have made great contributions to the translation of classical poetry.The Everlasting Regret is one of the excellent narrative poems in Chinese classical poetry.It is highly valued by many translators."Three Beauties" principle are the principles of poetry translation proposed by Mr.Xu Yuanchong,in his work On Chinese Verse in English Rhyme.On the basis of the"Three Beauties" principle and translation version of Mr.Xu Yuanchong's The Everlasting Regret,this paper analyzes how to achieve the beauty in sense,sound and form in translation,aiming at providing some reference methods for the translation of Chinese classical poetry.
