Takeda Taijun(1912-1976)is a representative of the Japanese postwar writers,who has a special affinity for China.During his whole lifetime,he stayed in China for two long periods,of which the period from June,1944 to ...Takeda Taijun(1912-1976)is a representative of the Japanese postwar writers,who has a special affinity for China.During his whole lifetime,he stayed in China for two long periods,of which the period from June,1944 to February,1946 was spent in Shanghai.He was quite productive and created quite a few works focusing on China,especially Shanghai before and after Japan’s being defeated in the Second World War,which became the background of many works.This paper attempts to interpret Takeda Taijun’s experience in Shanghai of that time on the basis of the masterpiece Firefly in Shanghai in his later years.展开更多
The goal of this research is to describe and analyze Shanghai’s fashion during Republic Period. Shanghai’s fashion during Republic Period plays a special role in fashion history of China and Shanghai history. In the...The goal of this research is to describe and analyze Shanghai’s fashion during Republic Period. Shanghai’s fashion during Republic Period plays a special role in fashion history of China and Shanghai history. In the paper, three aspects including the fashion centre of China as well as Far East, men’s fashion and women’s fashion in Shanghai are discussed. The style, textiles, color, decoration and combination of clothing are described. Many costumes from the Clothing Museum at Donghua University and private collections as well as some historical writings, photographs and publications are elucidated and corroborated to give a more detailed description about Shanghai’s fashion during that period.Here are some tentative conclusions. Firstly, Shanghai had always been the fashion center in China even Far East during Republic Period. Modeng was the main reflection of Shanghai fashion. Secondly, the traditional clothing exerted less influence and was less widely used, some kinds and combinations were out of fashion gradually. The fashion was described to be highly stylized, exquisite and concise. Thirdly, the influence of Western Style was further greater. The fashion in Shanghai was almost synchronous with fashion of Paris. Some western clothing was directly used in daily life and the elements of Western Style had an increasingly wide utilization. Fourthly, the New Chinese Style whose representatives were Qipao and Zhongshan Zhuang appeared and popularized in Shanghai. The fashion of Qipao changed frequently. Finally, the fashion in Shanghai called Shanghai Style could be summarized fashionable, exquisite, rapidly changeable, which is harmonious of both ancient and modern, Chinese and foreign.展开更多
By using data of daily electricity consumption and temperature for the period 2003–2007 in Shanghai, the variation of energy consumption and the correlations between energy consumption and temperature are analyzed. T...By using data of daily electricity consumption and temperature for the period 2003–2007 in Shanghai, the variation of energy consumption and the correlations between energy consumption and temperature are analyzed. The results indicate that winter and summer are the two peak seasons of energy consumption due to the urban residential heating and cooling demand. The base temperature of electricity and daily temperature is 10℃ in winter and 22℃ in summer respectively. When the outdoor temperature is below 10℃, the heating demand becomes obvious, and with over 22℃ the cooling demand. The spatial distribution of cooling degree-days(CDD) and heating degree-days(HDD) clearly shows urbanization effects. By the influence of urbanization the central city experiences greater CDD in summer and lower HDD in winter. The projected temperature for 2011–2050 implies a significant increase in CDD and a decrease in HDD. This may have implications on the future energy demand if the current energy consumption pattern does not change.展开更多
文摘Takeda Taijun(1912-1976)is a representative of the Japanese postwar writers,who has a special affinity for China.During his whole lifetime,he stayed in China for two long periods,of which the period from June,1944 to February,1946 was spent in Shanghai.He was quite productive and created quite a few works focusing on China,especially Shanghai before and after Japan’s being defeated in the Second World War,which became the background of many works.This paper attempts to interpret Takeda Taijun’s experience in Shanghai of that time on the basis of the masterpiece Firefly in Shanghai in his later years.
文摘The goal of this research is to describe and analyze Shanghai’s fashion during Republic Period. Shanghai’s fashion during Republic Period plays a special role in fashion history of China and Shanghai history. In the paper, three aspects including the fashion centre of China as well as Far East, men’s fashion and women’s fashion in Shanghai are discussed. The style, textiles, color, decoration and combination of clothing are described. Many costumes from the Clothing Museum at Donghua University and private collections as well as some historical writings, photographs and publications are elucidated and corroborated to give a more detailed description about Shanghai’s fashion during that period.Here are some tentative conclusions. Firstly, Shanghai had always been the fashion center in China even Far East during Republic Period. Modeng was the main reflection of Shanghai fashion. Secondly, the traditional clothing exerted less influence and was less widely used, some kinds and combinations were out of fashion gradually. The fashion was described to be highly stylized, exquisite and concise. Thirdly, the influence of Western Style was further greater. The fashion in Shanghai was almost synchronous with fashion of Paris. Some western clothing was directly used in daily life and the elements of Western Style had an increasingly wide utilization. Fourthly, the New Chinese Style whose representatives were Qipao and Zhongshan Zhuang appeared and popularized in Shanghai. The fashion of Qipao changed frequently. Finally, the fashion in Shanghai called Shanghai Style could be summarized fashionable, exquisite, rapidly changeable, which is harmonious of both ancient and modern, Chinese and foreign.
基金supported by the National Natural Science Fundation of China (No. NSFC70933005)CAS Pilot Special Project (No. XDA05090204)China Clean Development Mechanism Fund (No. 1212117)
文摘By using data of daily electricity consumption and temperature for the period 2003–2007 in Shanghai, the variation of energy consumption and the correlations between energy consumption and temperature are analyzed. The results indicate that winter and summer are the two peak seasons of energy consumption due to the urban residential heating and cooling demand. The base temperature of electricity and daily temperature is 10℃ in winter and 22℃ in summer respectively. When the outdoor temperature is below 10℃, the heating demand becomes obvious, and with over 22℃ the cooling demand. The spatial distribution of cooling degree-days(CDD) and heating degree-days(HDD) clearly shows urbanization effects. By the influence of urbanization the central city experiences greater CDD in summer and lower HDD in winter. The projected temperature for 2011–2050 implies a significant increase in CDD and a decrease in HDD. This may have implications on the future energy demand if the current energy consumption pattern does not change.
