Ma Shuilong was a famous composer in Taiwan,both at home and abroad.In 1986,the publication of his concerto,Bangdi,made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York....Ma Shuilong was a famous composer in Taiwan,both at home and abroad.In 1986,the publication of his concerto,Bangdi,made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York.In the field of vocal music production,“Ma Shuilong Songs Collection”reflected the mutual infiltration and integration of Chinese and Western elements,especially the combination of modem techniques and classical poetry so that Chinese ancient poetry art songs would emit unique artistic conception.In view ofhis three works,this article elaborates the oriental connotation in their creation through the study of the poetries involved and further extracts the characteristics of the creation and singing of ancient poetry art songs in order to provide significant references for the teaching of Chinese art songs.展开更多
The existing research of literature on sound description in classical Chinese poetry has predominantly centered around Tang poetry and its lyrical aesthetics,with a particular focus on recurring typified images such a...The existing research of literature on sound description in classical Chinese poetry has predominantly centered around Tang poetry and its lyrical aesthetics,with a particular focus on recurring typified images such as“the call of the cuckoo,”“the howl of the ape,”“the toll of the bell,”and“the pitter-patter of the night rain.”The research paradigm has been somewhat one-dimensional.This paper examines the poems of Fan Chengda,a poet from the Southern Song Dynasty,to showcase the new exploration that Song poetry has made in sound description.Fan’s poetry,characterized by its realistic portrayal of everyday life,offers rich descriptions of the“sounds of urban life”—An imagery closely intertwined with the urban forms and commercial culture of the Song Dynasty.Through detailed narratives,Fan reinforces the emotional connotations and symbolic meaning of this imagery.Departing from the traditional focus on artistic conception prevalent in classical Chinese poetry,Fan’s work highlights the depiction of reality and affinity for everyday life.By presenting real-world sounds in a distorted manner,drawing on the psychological construct of“dreams,”Fan carries forward the artistic expression pioneered by the Northern Song poet Huang Tingjian.Moving beyond the lyrical aesthetics of Tang poetry marked by the“fusion of emotion and the natural setting,”Fan explores a novel approach,articulating his inner world through the medium of sound,showcasing the distinctive artistic qualities of Song poetry.展开更多
基金Jiangsu University Student Scientific Research Innovation Project 2021Key Subject Backbone Teacher of Nanjing Xiaozhuang University 2019-2023Pre-Research Plan of Nanjing Xiaozhuang University 2021-2022.
文摘Ma Shuilong was a famous composer in Taiwan,both at home and abroad.In 1986,the publication of his concerto,Bangdi,made him the first Chinese composer to have a full performance at the Lincoln Arts Center in New York.In the field of vocal music production,“Ma Shuilong Songs Collection”reflected the mutual infiltration and integration of Chinese and Western elements,especially the combination of modem techniques and classical poetry so that Chinese ancient poetry art songs would emit unique artistic conception.In view ofhis three works,this article elaborates the oriental connotation in their creation through the study of the poetries involved and further extracts the characteristics of the creation and singing of ancient poetry art songs in order to provide significant references for the teaching of Chinese art songs.
文摘The existing research of literature on sound description in classical Chinese poetry has predominantly centered around Tang poetry and its lyrical aesthetics,with a particular focus on recurring typified images such as“the call of the cuckoo,”“the howl of the ape,”“the toll of the bell,”and“the pitter-patter of the night rain.”The research paradigm has been somewhat one-dimensional.This paper examines the poems of Fan Chengda,a poet from the Southern Song Dynasty,to showcase the new exploration that Song poetry has made in sound description.Fan’s poetry,characterized by its realistic portrayal of everyday life,offers rich descriptions of the“sounds of urban life”—An imagery closely intertwined with the urban forms and commercial culture of the Song Dynasty.Through detailed narratives,Fan reinforces the emotional connotations and symbolic meaning of this imagery.Departing from the traditional focus on artistic conception prevalent in classical Chinese poetry,Fan’s work highlights the depiction of reality and affinity for everyday life.By presenting real-world sounds in a distorted manner,drawing on the psychological construct of“dreams,”Fan carries forward the artistic expression pioneered by the Northern Song poet Huang Tingjian.Moving beyond the lyrical aesthetics of Tang poetry marked by the“fusion of emotion and the natural setting,”Fan explores a novel approach,articulating his inner world through the medium of sound,showcasing the distinctive artistic qualities of Song poetry.
