Stuart Hall is a leading figure in the development of contemporary cultural studies.In his celebrated"Cultural Identity and Diaspora",he mainly discusses the relationship between cultural identity and repres...Stuart Hall is a leading figure in the development of contemporary cultural studies.In his celebrated"Cultural Identity and Diaspora",he mainly discusses the relationship between cultural identity and representation.According to him,there are two kinds of identity,identity as being and identity as becoming.Hall sees the formation of identity as a process of temporary positioning and reposition.He then borrows the metaphor of presence to illustrate the idea of"traces"in our identity.展开更多
This paper discusses eleven key features of Stuart Hall’s life and work:(1)his view that being an intellectual is a serious,often difficult vocation;(2)his commitment to studying the“here and now”—the present conj...This paper discusses eleven key features of Stuart Hall’s life and work:(1)his view that being an intellectual is a serious,often difficult vocation;(2)his commitment to studying the“here and now”—the present conjuncture;(3)his refusal to think of“the cultural”as separate from structures,relations,and practices of power;(4)his dedication to public engagement,including innovative use of television;(5)his practice of collaboration as a mode of intellectual production;(6)his privileging of the essay—the short intervention;(7)his recognition of the importance of oration,rhetoric,and performance—and learning to speak with multiple tongues;(8)his long-term engagements with artists—especially“Black”British artists;(9)his self-reflexive posture;(10)his commitment to practices of humility;and(11)his adoption of a critical-intellectual stance that is simultaneously optimistic and pessimistic.展开更多
20世纪80年代,斯图亚特·霍尔的文化研究范式发生转变,＂编码/解码＂理论也随之淡出文化研究领域。通过对初稿Encoding and decoding in the television discourse（1973）与终稿Encoding/Decoding（1980）文本的对比分析,我们可以...20世纪80年代,斯图亚特·霍尔的文化研究范式发生转变,＂编码/解码＂理论也随之淡出文化研究领域。通过对初稿Encoding and decoding in the television discourse（1973）与终稿Encoding/Decoding（1980）文本的对比分析,我们可以清晰地看到霍尔在1973~1980年,通过对列维-斯特劳斯、早期符号学和语言学的重新启用,以及对葛兰西的再发现,扬弃了＂编码/解码＂理论。他不仅由此发展出了自己的＂接合理论＂,为当时＂文化主义＂与＂结构主义＂僵持不下的局面找到了一条新的路径,而且,也通过话语理论关注了福柯,成为他后期＂表征理论＂的重要源泉。完善后的＂编码/解码＂理论,更多局限于传播学,而霍尔借此萌发出的＂表征理论＂,成为他日后文化研究的重要视角。展开更多
文摘Stuart Hall is a leading figure in the development of contemporary cultural studies.In his celebrated"Cultural Identity and Diaspora",he mainly discusses the relationship between cultural identity and representation.According to him,there are two kinds of identity,identity as being and identity as becoming.Hall sees the formation of identity as a process of temporary positioning and reposition.He then borrows the metaphor of presence to illustrate the idea of"traces"in our identity.
文摘This paper discusses eleven key features of Stuart Hall’s life and work:(1)his view that being an intellectual is a serious,often difficult vocation;(2)his commitment to studying the“here and now”—the present conjuncture;(3)his refusal to think of“the cultural”as separate from structures,relations,and practices of power;(4)his dedication to public engagement,including innovative use of television;(5)his practice of collaboration as a mode of intellectual production;(6)his privileging of the essay—the short intervention;(7)his recognition of the importance of oration,rhetoric,and performance—and learning to speak with multiple tongues;(8)his long-term engagements with artists—especially“Black”British artists;(9)his self-reflexive posture;(10)his commitment to practices of humility;and(11)his adoption of a critical-intellectual stance that is simultaneously optimistic and pessimistic.
文摘20世纪80年代,斯图亚特·霍尔的文化研究范式发生转变,＂编码/解码＂理论也随之淡出文化研究领域。通过对初稿Encoding and decoding in the television discourse（1973）与终稿Encoding/Decoding（1980）文本的对比分析,我们可以清晰地看到霍尔在1973~1980年,通过对列维-斯特劳斯、早期符号学和语言学的重新启用,以及对葛兰西的再发现,扬弃了＂编码/解码＂理论。他不仅由此发展出了自己的＂接合理论＂,为当时＂文化主义＂与＂结构主义＂僵持不下的局面找到了一条新的路径,而且,也通过话语理论关注了福柯,成为他后期＂表征理论＂的重要源泉。完善后的＂编码/解码＂理论,更多局限于传播学,而霍尔借此萌发出的＂表征理论＂,成为他日后文化研究的重要视角。
