Moral Perspective as Depicted in the Archetypes on Divine-Human Perspective of Dianshizhai Pictorial

This article examines the archetypes related to the divine-human perspective in the Dianshizhai Pictorial and uses the basic theory of“Myth-Archetype Criticism”to analyze the concepts of moral perspective and the view of cause and effect reflected in the text.It summarizes the interactive modes and various archetypes of cause and effect in three contexts:gods to humans,humans to gods,and humans to humans,explores the social reality and the relevant views of moral perspective and causality reflected in the illustrated magazine,and reveals the archetype foundation of the narrative of moral perspective retribution in Dianshizhai Pictorial in the three dimensions of psychology,literature,and society.

Psychological Archetypes

Background: Psychological archetypes are according to Carl Jung universal, archaic patterns and images that are derived from the collective unconscious and are the psychic counterpart of an instinct. Besides fundamental Jungian archetypes (persona, shadow, anima, animus, great mother, wise old man, hero, self and self-realization), there may be plenty of other psychological archetypes, existence of which can be deduced indirectly through stories, art, myths, religions or dreams. Purpose: This review article is to discuss the myths of Medusa, Hades and Persephone, as well as psychological archetypes present in art and stories. Methods: Several famous psychological archetypes deducted from myths, art and culture, are presented in this article and discussed from medical, psychological and philosophical perspective. Results: Interpretation of psychological archetypes deduced from here presented myths and works of art are posttraumatic embitterment disorder (Medusa), arranged marriage (Hades and Persephone), duality of human nature (Jekyll and Hyde), shared psychosis (Harley Quinn and Joker), fear, phobias, child abuse and childhood traumas (It), instinctive fear of clinical and psychic/emotional vampirism (vampires), the mystery of time (Langoliers). Conclusion: Psychological archetypes represent the powerful source of artistic and scientific inspiration originating from collective unconscious. Research, discovery and understanding of psychological archetypes may be of great value as these reveal universal human thoughts, fears, desires, tendencies, and problems being present throughout the history of humankind. Investigation of psychological archetypes may significantly improve our knowledge of human psychology.

斯蒂芬·金《绿里奇迹》的原型批评

根据斯蒂芬·金的小说《绿里》改编的影片《绿里奇迹》,虽是1999年的老电影,但至今仍魅力不衰。中文影评多从电影艺术的角度对其审视和欣赏,对影片的人物形象也略有分析,但就人物的原型批评总有意犹未尽之感,因此对影片的解读不免有浅薄之嫌,更折射出对西方文化的认知缺乏,而这种缺乏反过来又成为理解和欣赏这部经典影片的羁绊。进一步解析影片中的人物原型,能够为洞悉影片所要表达的精神内涵提供一次思考之旅。

神话与现实的完美融合——拜厄特小说《太阳的影子》中的神话戏仿解读

作为互文性的重要表现形式,戏仿在后现代主义的艺术形式中广泛存在。本文从拜厄特代表小说《太阳的影子》中对经典神话的戏仿入手,对神话原型夏洛特女士和小说主人公安娜的人物形象、性格特征以及命运结局等方面进行对比分析,探讨了维多利亚时期女性的生存状况以及知识女性找寻自我、重塑自我的艰难过程,进而展示拜厄特借助经典神话的戏仿将现实与历史进行融合的独特艺术手法。

“尸毗救鸽”故事的三元结构与世界流传

随着佛教的传播,尸毗救鸽的故事在欧亚大陆文化史中留下许多文本与变体。从叙事结构看,尸毗王割肉喂鹰贸鸽具备“袭击者、保护者、被保护者”三方元素,并在某些故事中出现了“问答”环节。尸毗救鸽是一个以“利他式牺牲”为文化内核的世界性跨文化原型,“利他”意识与行为来自早期人类认识世界、改造世界的经验,“三元结构”是保护和保证这个内核被不断复制的文化传播机制。不管三元结构在不同时代不同地域变化出多少种表现样貌,其根本都是为了把“利他”这个原型种子传播出去、生长起来。历史故事尸毗救鸽的流传与流布是文化传播研究的典型案例。

人工智能与商业模式创新和演化:研究综述与未来展望

随着人工智能技术的迅速发展和数据量的大幅增长,人工智能在商业模式创新和演化中的作用日益受到企业界和学术界的广泛关注。尽管当前人工智能与商业模式相关的研究仍然处于初步探索阶段,并且主题和内容分散,但是这一领域的研究潜力巨大。本文系统地回顾了70篇国内外关于人工智能与商业模式交汇的既有文献,明确区分出了四大类研究主题:人工智能对商业模式创新的影响、基于人工智能的商业模式原型、人工智能使能的商业模式演化,以及人工智能与商业模式的共演。通过深入分析,本文揭示了当前研究的局限性,并且梳理出了已有研究框架。针对各类研究主题,本文进一步提出了具有重要价值的未来研究方向,旨在为该领域的深入探索和实际应用提供理论支持和实践指导。

Archetype Analysis of Limits-to-growth of Rural Tourism Development in China and Countermeasures

Based on archetype analysis of system dynamics,the limits-to-growth archetype of Peter Senge(one of his eight archetypes) was borrowed,and various influence factors of rural tourism development combined to construct the limits-to-growth archetype which consists of limits-to-growth archetype of scientific planning balance,and limits-to-growth archetype of infrastructure input balance,and limits-to-growth archetype of high-quality staff balance.Through the join of limits-to-growth sub-archetypes,limits-to-growth archetype of rural tourism development in overseas countries were obtained,on the basis of which further researches were carried out to analyze management countermeasures to eliminate limits to growth via rural tourism development.It was stressed that government should play the guiding role,unified planning,scientific management and policy support further enhanced;more efforts should be devoted to the infrastructure construction,and more financial support given by the government;more professional talents should be introduced in multiple ways,and training for present rural tourism staff enhanced.

基于文化原型模板绘图的女式西服肩袖部关系探讨

女式西服的结构与工艺是服装结构设计中的重点与难点,相较于复杂繁琐的西服制作工艺,女式西服的版型校正在整体制作流程中也非常重要。在版型绘制的诸多难点中,由于人体肩、胸、背与上臂之间的关系,前后片肩线、袖笼弧线与袖山之间的校正变化多,掌握多数体型之肩袖的袖笼弧线与袖山的结构关系尤为重要。即使身高相同且数据(绘制原型版所使用的尺寸数据)相同的人,用相同原型绘制相同款式的版型,也会因着装者的身体差异而需要调整版型。重点介绍如何通过肩袖部的校正总结肩部、袖部相关联版型的变化关系。

The Biblical Archetypes in The Bridges of Madison County

The Bridges of Madison County has been always read as a popular love story, or has been associated with the middleaged people's inner worlds. The present paper interprets the novel through archetypal theory. Based on the analysis of archetypal characters and archetypal structures, the paper draws the conclusion that the employment of Biblical archetypes strengthens the tragedy of the novel and provides a new angle in understanding this late 20th novel.

Listen to Wise Old Man The Archetype of Nick Caraway in The Great Gatsby

The Great Gatsby has been one of the most discussed topics,researchers has explored it from various aspects.In the researches,Nick Carraway was mainly seen as a narrator,and the research are mostly focus on the shift of his narrative prospective.Few people noticed that he was totally fit into the definition of the " wise old man".This paper tries to put an eye on the archetype of the hero Nick Carraway,whose figure is thought as in the archetype of the " wise old man".

A Study on Bible Archetypes in Desire under the Elms

Desire under the Elms reveals a tragedy of spiritual and survival desire of human being. O'Neill creates many Bible archetypes in Desire under the Elms. The thesis analyzes and appreciates Desire under the Elms from aspect of Bible archetype to highlight the destructive power of improper desires in Desire under the Elms.

Eliza' s Journey of Disillusionment——An Interpretation of Pygmalion in the Perspective of Myth Archetype

G. B. Shaw names his play Pygmalion by a protagonist in Metamorphoses Book Ten, so that he connects the enlivened ivory statue with the dramatically changed flower girl. Great culture significance was attached to this play. At the same time, the originality which is different from the original myth displays the author's effort to explore female self- creation.

盖尔语文学的民族认同叙事建构

爱尔兰文学发端于盖尔语文学。盖尔语文学中的盖尔语、口述传统和文学原型是爱尔兰历史文化传统中的重要传承。盖尔语作为爱尔兰的民族语言是民族认同的核心要素,在民族认同中发挥着重要的语言建构作用。盖尔语文学的口述传统叙述并传承了爱尔兰的历史、宗教与文化认同。盖尔语文学中爱斯琳诗歌所承载的爱尔兰女性文学原型在爱尔兰文学史上建构起民族认同的想象的共同体。盖尔语文学作为民族文化重要内涵的体现,在民族语言、历史文化认同以及文学原型的叙事传承中建构爱尔兰民族认同。

古典原型的现代性改造——张扬小说《第二次握手》中的原型主题探析

《第二次握手》作为一部上世纪带来广泛影响,至今仍有重要价值的小说,其所蕴含的原型模式是其价值的重要方面。识别并分析作品当中的原型,可以得出某一时代与民族心目当中的原型模式,为作品的价值研究提供新的角度。随着故事情节的展开,小说中围绕着丁洁琼和叶玉菡两位女性角色的叙事线索,分别呈现出“英雄救美”“母亲情结”“双重女主人公”这三种原型模式。同时,三者在逻辑上相互联系,并伴随着一定的现代性改造,共同构成了小说独具特色的关系结构。

从“英雄之旅”解读山东民间故事《舜耕历山下》

该文以故事原型“英雄之旅”为框架解读了山东民间故事《舜耕历山下》,从英雄之旅的启程、启蒙和回归三个阶段分析了舜的故事背后的心理和文化含义,探讨了舜如何从一个不受父母待见的“流浪者”,经历各种挫折和考验,成为受人爱戴的国君。在孔孟之乡山东,舜的故事被民众所喜爱的原因有两方面:一方面,舜的人物形象与当地文化非常契合,反映了当地人所推崇的价值观,如“内圣外王”;另一方面,舜的故事包含了人类心灵成长的共同模式,例如,超越局限获得成长,成为自己的“国君”。英雄之旅,既可以看作是人与外部达成和谐,也可以看作人突破内心的阻碍获得心灵的自由。“英雄之旅”让我们看到生命具有相似性,我们可以向英雄学习如何应对逆境,并从英雄身上获取强大的精神力量,勇敢地迎接人生的挑战,发掘属于自己的“英雄之旅”。

从“悉如常人”到“偶见鹘突”--《聊斋志异》中异类的人化与显形

《聊斋志异》对于“异类”形象的塑造,真正做到了“悉如常人”“偶见鹘突”。这些异类在外在形貌、内在性格上“多具人情,和易可亲”,并且在他们的身上都体现着人类特有的社会关系;其在显形的表现上也颇具特色:或由叙述者直接点明异类身份,或因自身行为及其他外界因素暴露异类身份。本文以鲁迅对《聊斋志异》异类描写的评价为切入点,探析“异类”的人化与显形,总结异类形象塑造的独特之处,从中窥见作家在创作目的、创作手法及创作观念上的突破。

海外文化传播中的苏州符号——以《美丽苏州:苏州社会文化史》所引英文文献为中心

文化符号在海外文化传播中起着重要作用,典型文化符号具有很强的标识性和传播力。以《美丽苏州:苏州社会文化史》所引英文文献为中心,通过文献梳理,考察“苏州”“江南”“吴”在不同历史时期英文文献中的拼写符号,勾勒“人间天堂”这一苏州典型文化符号在英语世界的传播图景,分析其得以深度传播的原因,进而探讨吴文化,乃至中国文化海外传播的规律。

Study on Classification of Personality-Based Brand Archetype from the Perspective of Internet

Due to the rapid development,Internet has become the main field for brand building.Under this circumstance,the image of the brand is always consistent with the consumers' perception.Therefore,this study uses the method of text mining of search engine to explore the categories of brand archetype based on Brand Personality Theory from the perspective of Internet.The results find that 12 brand archetypes,including caregiver,sage,hero,innocent,dominator,creator,vitality,explorer,stylish woman,lover,cooperator,and vogue gentleman,have a high degree explanation.Deeper study uses case study to verify the reasonability and effectiveness of the classification standard.

The Biblical and Mythical Archetypes As Seen in Lady Chatterley's Lover

Lady Chatterley's Lover,published in 1928,is the last novel of D.H.Lawerence.It has also been the most controversial novel since its first appearance.This paper intends to analyze the biblical and mythical archetypes in Lady Chatterley's Lover.Through finding those archetypes,and analyzing the main characters,one could be aware that what important roles The Bible and Greek Myth have played in western literature.

Heroic Archetype in Harry Potter Series

This article provides an archetypal analysis of Harry Potter’s self-completion at three heroic stages: departure,initiation, and return. Harry’s experiences demonstrate his heroic traits: the infant exile and reaction to the call foradventures at the departure stage, a road of trials at the initiation stage, and freedom to live at the return stage, allcontributing to his self-transcendence. During these periods, the defeat of Voldemort, the shadow archetype, andHarry’s unconscious self, also plays an indispensable part in the development of his heroic identity.