Ancient poetry represents historical and cultural legacies accumulated by the Chinese nation for thousands of years and underpins the strong cultural confidence of the Chinese people.Tang poetry distinguishes itself f...Ancient poetry represents historical and cultural legacies accumulated by the Chinese nation for thousands of years and underpins the strong cultural confidence of the Chinese people.Tang poetry distinguishes itself from other literary works with its beautiful rhyme and symmetry.Previous studies of English translations of Tang poetry mostly focused on appreciation,analysis,and critics of different translation versions.Few researchers have delved into the specific translation methods for achieving the rhyming and symmetrical effects of Tang poetry in the target text.This paper examined Professor Xu Yuanchong’s English translation of 300 Tang Poems as the research object,and elaborated on how to retain the rhyming and symmetrical effects of Tang poems.This paper also summarized some practical methods that can be applied to translating Tang poems.Rhyming can be realized by the addition of end rhyme words and changes in word or line order.Symmetry can be achieved by the omission of a modifier or predicate,the addition of function words,changes in word order,or parallelism with the original sentence structure.展开更多
During the Tang Dynasty,the land of Shu was composed of the Ba and Shu areas,which were adjacent to present-day Hanzhong city of Shaanxi province to the north,northern Yunnan province to the south,Wushan county of Cho...During the Tang Dynasty,the land of Shu was composed of the Ba and Shu areas,which were adjacent to present-day Hanzhong city of Shaanxi province to the north,northern Yunnan province to the south,Wushan county of Chongqing to the east,and Xichang city of Sichuan province to the west.In the nearly 300 years of rule under the dynasty,a number of poets,whether they were born or just worked and lived there for a short period of time,wrote many immortal poems,which constitute an integral part of Tang poetry.They range from Chen Zi’ang and Wang Bo of the early Tang to Li Shangyin,Wen Tingyun,and Wei Zhuang of the late Tang.The land of Shu is,therefore,the witness of the rise and fall of Tang poetry.展开更多
Translation is an art.The translation of Tang poetry,the cultural treasure of our country,is even more"an art of arts",in the sense that Tang poetry not only pays heed to the content,artistic conception,and ...Translation is an art.The translation of Tang poetry,the cultural treasure of our country,is even more"an art of arts",in the sense that Tang poetry not only pays heed to the content,artistic conception,and emotion expressed by the poet,but also to the refinement of language,the rhyme of antithesis,with its creation background behind even more obscure.At all times and all over the world,translation theories emerge one after another,but the highest standard of poetry evaluation should be the"Three Beauties Theory",that is,the beauty of image,the beauty of sound,and the beauty of form,which was put forward by Xu Yuanchong,the great master in Chinese translation circle.The purpose of this paper is to analyze and compare the three different English versions of Spring Perspective by Du Fu.展开更多
Tang poetry can be described as the treasure of Chinese culture.For a long time,both domestic and foreign scholars have devoted themselves to disseminating the immortal Chinese cultural heritage and have made great co...Tang poetry can be described as the treasure of Chinese culture.For a long time,both domestic and foreign scholars have devoted themselves to disseminating the immortal Chinese cultural heritage and have made great contributions to the translation of classical poetry.The Everlasting Regret is one of the excellent narrative poems in Chinese classical poetry.It is highly valued by many translators."Three Beauties" principle are the principles of poetry translation proposed by Mr.Xu Yuanchong,in his work On Chinese Verse in English Rhyme.On the basis of the"Three Beauties" principle and translation version of Mr.Xu Yuanchong's The Everlasting Regret,this paper analyzes how to achieve the beauty in sense,sound and form in translation,aiming at providing some reference methods for the translation of Chinese classical poetry.展开更多
基金Project name:Empirical Studies on Translator’s Translation Process,a general project of the Department of Education (Project No.16SB0054)
文摘Ancient poetry represents historical and cultural legacies accumulated by the Chinese nation for thousands of years and underpins the strong cultural confidence of the Chinese people.Tang poetry distinguishes itself from other literary works with its beautiful rhyme and symmetry.Previous studies of English translations of Tang poetry mostly focused on appreciation,analysis,and critics of different translation versions.Few researchers have delved into the specific translation methods for achieving the rhyming and symmetrical effects of Tang poetry in the target text.This paper examined Professor Xu Yuanchong’s English translation of 300 Tang Poems as the research object,and elaborated on how to retain the rhyming and symmetrical effects of Tang poems.This paper also summarized some practical methods that can be applied to translating Tang poems.Rhyming can be realized by the addition of end rhyme words and changes in word or line order.Symmetry can be achieved by the omission of a modifier or predicate,the addition of function words,changes in word order,or parallelism with the original sentence structure.
文摘During the Tang Dynasty,the land of Shu was composed of the Ba and Shu areas,which were adjacent to present-day Hanzhong city of Shaanxi province to the north,northern Yunnan province to the south,Wushan county of Chongqing to the east,and Xichang city of Sichuan province to the west.In the nearly 300 years of rule under the dynasty,a number of poets,whether they were born or just worked and lived there for a short period of time,wrote many immortal poems,which constitute an integral part of Tang poetry.They range from Chen Zi’ang and Wang Bo of the early Tang to Li Shangyin,Wen Tingyun,and Wei Zhuang of the late Tang.The land of Shu is,therefore,the witness of the rise and fall of Tang poetry.
文摘Translation is an art.The translation of Tang poetry,the cultural treasure of our country,is even more"an art of arts",in the sense that Tang poetry not only pays heed to the content,artistic conception,and emotion expressed by the poet,but also to the refinement of language,the rhyme of antithesis,with its creation background behind even more obscure.At all times and all over the world,translation theories emerge one after another,but the highest standard of poetry evaluation should be the"Three Beauties Theory",that is,the beauty of image,the beauty of sound,and the beauty of form,which was put forward by Xu Yuanchong,the great master in Chinese translation circle.The purpose of this paper is to analyze and compare the three different English versions of Spring Perspective by Du Fu.
文摘Tang poetry can be described as the treasure of Chinese culture.For a long time,both domestic and foreign scholars have devoted themselves to disseminating the immortal Chinese cultural heritage and have made great contributions to the translation of classical poetry.The Everlasting Regret is one of the excellent narrative poems in Chinese classical poetry.It is highly valued by many translators."Three Beauties" principle are the principles of poetry translation proposed by Mr.Xu Yuanchong,in his work On Chinese Verse in English Rhyme.On the basis of the"Three Beauties" principle and translation version of Mr.Xu Yuanchong's The Everlasting Regret,this paper analyzes how to achieve the beauty in sense,sound and form in translation,aiming at providing some reference methods for the translation of Chinese classical poetry.
