This paper will give a reflective report on the C-E translation of Tao Te Ching(Chapter 22).An overall reflection will be introduced in the aspects of words and phrases,sentence patterns and the whole text.Through cas...This paper will give a reflective report on the C-E translation of Tao Te Ching(Chapter 22).An overall reflection will be introduced in the aspects of words and phrases,sentence patterns and the whole text.Through case analysis,the author has deepened his understanding of translation of Chinese classics and gained experience to translate similar texts.展开更多
Tao Te Ching is chosen as the object of this study due to its everlasting charm and profound thoughts within 5000 characters.The thesis chooses versions translated by Arthur Waley(1889～1966),James Legge(1815～1897),L...Tao Te Ching is chosen as the object of this study due to its everlasting charm and profound thoughts within 5000 characters.The thesis chooses versions translated by Arthur Waley(1889～1966),James Legge(1815～1897),Lin Yutang(1895～1976) and Gu Zheng kun(1951～) as the study cases on the account of their different cultural background and historical context,and also of their respective pur poses and interpretations.The translation products of these four translators are selected to analyze the subjectivity played by each of them and to explore to which extent the style and characteristics of the translators could influence the translation versions.展开更多
This article pursues a cognitive-semiotic approach to Arthur Waley's English translation and Richard Wilhelm's German translation of the Tao Te Ching. Semiotics of translation is on the way to becoming an inde...This article pursues a cognitive-semiotic approach to Arthur Waley's English translation and Richard Wilhelm's German translation of the Tao Te Ching. Semiotics of translation is on the way to becoming an independent discipline(Torop, 2008). The semiotic shift in translation studies provides us with a dynamic and holistic view beyond mere lexical and syntactic interests. Based on Peirce's semiotic triangle, a translation model of Chinese classics is proposed, which features the growth and interaction of signs. Two rounds of semiosis between the semiotic system of source language, the pre-semiotic schema of translator and the semiotic system of target language are examined sequentially. In the first semiosis, Waley and Wilhelm adopted different ways of decoding both in the semantic and philosophical dimensions; in the second semiosis, their different ways of recoding give rise to different styles of renditions. Moreover, it is important for translators to bear both the verbal and nonverbal signs in mind, in that translation is an endless semiosis of multimodal communication.展开更多
Marianne Moore was a modernist poet greatly influenced by Chinese art and the Taoist aesthetic.Her passion for Chinese culture never ceased to grow from her earliest contact with the Chinese paintings and artwork intr...Marianne Moore was a modernist poet greatly influenced by Chinese art and the Taoist aesthetic.Her passion for Chinese culture never ceased to grow from her earliest contact with the Chinese paintings and artwork introduced to the western countries in the early 20th century.Her early poem entitled "The Fish" and a later one entitled "Tell me,Tell me" serve as two typical examples to show the marriage of Chinese elements to her American poetic ideas.展开更多
文摘This paper will give a reflective report on the C-E translation of Tao Te Ching(Chapter 22).An overall reflection will be introduced in the aspects of words and phrases,sentence patterns and the whole text.Through case analysis,the author has deepened his understanding of translation of Chinese classics and gained experience to translate similar texts.
文摘Tao Te Ching is chosen as the object of this study due to its everlasting charm and profound thoughts within 5000 characters.The thesis chooses versions translated by Arthur Waley(1889～1966),James Legge(1815～1897),Lin Yutang(1895～1976) and Gu Zheng kun(1951～) as the study cases on the account of their different cultural background and historical context,and also of their respective pur poses and interpretations.The translation products of these four translators are selected to analyze the subjectivity played by each of them and to explore to which extent the style and characteristics of the translators could influence the translation versions.
基金attributed to “A TAPs-Based Cognitive Approach to Interpreting Studies” (2016SJB740029) funded by Jiangsu Provincial Department of Education
文摘This article pursues a cognitive-semiotic approach to Arthur Waley's English translation and Richard Wilhelm's German translation of the Tao Te Ching. Semiotics of translation is on the way to becoming an independent discipline(Torop, 2008). The semiotic shift in translation studies provides us with a dynamic and holistic view beyond mere lexical and syntactic interests. Based on Peirce's semiotic triangle, a translation model of Chinese classics is proposed, which features the growth and interaction of signs. Two rounds of semiosis between the semiotic system of source language, the pre-semiotic schema of translator and the semiotic system of target language are examined sequentially. In the first semiosis, Waley and Wilhelm adopted different ways of decoding both in the semantic and philosophical dimensions; in the second semiosis, their different ways of recoding give rise to different styles of renditions. Moreover, it is important for translators to bear both the verbal and nonverbal signs in mind, in that translation is an endless semiosis of multimodal communication.
文摘Marianne Moore was a modernist poet greatly influenced by Chinese art and the Taoist aesthetic.Her passion for Chinese culture never ceased to grow from her earliest contact with the Chinese paintings and artwork introduced to the western countries in the early 20th century.Her early poem entitled "The Fish" and a later one entitled "Tell me,Tell me" serve as two typical examples to show the marriage of Chinese elements to her American poetic ideas.
