CHINESE traditional operasare an important form of artin China’s national culture.Their variety of dramatic genresprovides rich and artistic charm,For a number of reasons.manylocal operas have recently lost theirpopu...CHINESE traditional operasare an important form of artin China’s national culture.Their variety of dramatic genresprovides rich and artistic charm,For a number of reasons.manylocal operas have recently lost theirpopularity, but not one opera,calledQuzi,in the most northwestern partof Xinjiang Uygur Autonomous Re-gion.展开更多
Huangmei opera is a local opera popular in Hubei,Jiangxi and Anhui Province.The regional characteristics of Chinese traditional art are very distinctive,with each place having its unique features.The formation of trad...Huangmei opera is a local opera popular in Hubei,Jiangxi and Anhui Province.The regional characteristics of Chinese traditional art are very distinctive,with each place having its unique features.The formation of traditional artistic features in each region reflects the artistic temperament of different regions.This paper discusses the evolution of Huangmei opera and the root cause of its popularity in China.It holds that the charm of Huangmei opera results from its artistic elements from the grassroots culture and its power of learning in keeping up with the step of the times.It is a portrait of Chinese grassroots’emotional enthrallment and evolution of ethical evaluation.展开更多
As one of the greatest m asters of Dan 1 role performers in Beijing Opera history,Cheng Yanqiu had a very hard time in his childhood in learning the art.In this article,the author has reviewed his early life and probe...As one of the greatest m asters of Dan 1 role performers in Beijing Opera history,Cheng Yanqiu had a very hard time in his childhood in learning the art.In this article,the author has reviewed his early life and probed into the help of Luo Yinggong who supported for his great su ccess.The author has also explored the art of Cheng’s singing,his study from Wang Yaoqing and explored how he created the melodies as well as trying to solve his making-up mystery.展开更多
CHINA’S Peking Opera hasformed and developed in Beijing,but it is not the oldest type of China’s traditional opera.From its birth to present it only has 200 years’ history.After Peking opera dominated Beijing’s st...CHINA’S Peking Opera hasformed and developed in Beijing,but it is not the oldest type of China’s traditional opera.From its birth to present it only has 200 years’ history.After Peking opera dominated Beijing’s stage it was developed quickly. peking opera has carried on China’a opera traditions and absorbed other operas’artistic features,so it became the most importank and widely influenced opera in the country in a few decades.It is regarded as the national opera and a cultural treasure of the Chinese nation.展开更多
In a small, deep alley right outside Hepingmen (the Peace Gate), no more than one mile south of the Tian’anmen Square, there stands a Peking opera theatre of great antiquity named Zhengyi Temple Theatre. Built over 3...In a small, deep alley right outside Hepingmen (the Peace Gate), no more than one mile south of the Tian’anmen Square, there stands a Peking opera theatre of great antiquity named Zhengyi Temple Theatre. Built over 300 years ago, it is the sole ancient wooden theatre architecture in the world. There are also six other extant theatres with a similar scale, but Zhenyi Temple Theatre is the oldest. It is generally recognized as a living fossil and milestone in the history of Chinese theatres and often cited as an important展开更多
作为至上音乐的灵魂品牌,歌剧世家,Opera Family,它始终贯彻着何帮主对所能忠实还原音乐的喇叭的追求,其中顶级系列0NE.S3系列喇叭是当中的佼佼者。但是我们今日妻谈论的歌剧世家Opera Family VS 265,它在重放时,带着或浓或淡却...作为至上音乐的灵魂品牌,歌剧世家,Opera Family,它始终贯彻着何帮主对所能忠实还原音乐的喇叭的追求,其中顶级系列0NE.S3系列喇叭是当中的佼佼者。但是我们今日妻谈论的歌剧世家Opera Family VS 265,它在重放时,带着或浓或淡却耐人回味的色彩渲染。或许大家会疑惑这个“离经叛道”的家伙违背了歌剧世家的原则吗?答案是否定的。不过,我想这或许只是何帮主的一种情怀罢了。展开更多
In this article, the researcher first provided the overall geographical and cultural background of heritages in Shaanxi province, the cradle of Qin Qiang Opera, to generally discuss the importance of protecting intang...In this article, the researcher first provided the overall geographical and cultural background of heritages in Shaanxi province, the cradle of Qin Qiang Opera, to generally discuss the importance of protecting intangible heritages; then he described Qin Qiang Opera from its historical and technical aspects; after applying the S.W.O.T method to analyze its cultural significances and possible risks of pressures or even disappearance, the researcher tried to work out some suggestions to the protection and development of this significant intangible heritage.展开更多
Qara Village of Nechung Town in Tohlung Dechen County is famed as the"Art Town of Tibetan Opera". Whenever people talk of Jomulung-an active Tibetan opera troupe,including its history and future prosperity, ...Qara Village of Nechung Town in Tohlung Dechen County is famed as the"Art Town of Tibetan Opera". Whenever people talk of Jomulung-an active Tibetan opera troupe,including its history and future prosperity, they always give great credit to Chonda,a woman from Qara Village and leader of the opera troupe.展开更多
Despite the universal messages of Bellini’s Norma,the attempts at translating and adapting it to a modern context in the revisionist spirit of Regieoper(the director’s opera)encounter serious difficulties,as indicat...Despite the universal messages of Bellini’s Norma,the attempts at translating and adapting it to a modern context in the revisionist spirit of Regieoper(the director’s opera)encounter serious difficulties,as indicated by recent productions.The present paper focuses on these difficulties by examining in detail what appear to be the most challenging,innovative and thought-provoking among those productions which,despite remarkable merits,suffer from acute shortcomings:inter alia certain incompatibilities with the libretto,cultural dissonances,and problems of inner-coherence and verisimilitude.The detailed analysis of specific productions is followed by a general discussion(through a comparative approach)of Norma’s adaptability to Regieoper,which is shown to be extremely difficult,among other reasons because the terms of reference to the dimensions of the historical context(and the inherent mores)in its libretto are by far less flexible than those of other operas.Norma’s universal messages and its dualities of“foreign”versus“familiar,”with their vast semantic ambit,would seem to be better understood by meticulously delving into the subtleties of the text(and subtext)of Romani’s sophisticated libretto.Inner-coherence and compatibility with the libretto are essential for any attempt at creating an appropriate analogy running parallel to the original narrative.A fully convincing production of Norma in a modernizing spirit,if at all possible,remains an artistic challenge.展开更多
文摘CHINESE traditional operasare an important form of artin China’s national culture.Their variety of dramatic genresprovides rich and artistic charm,For a number of reasons.manylocal operas have recently lost theirpopularity, but not one opera,calledQuzi,in the most northwestern partof Xinjiang Uygur Autonomous Re-gion.
基金supported by Scientific Research Project of Culture and Art of Ministry of Culture(14DB040)
文摘Huangmei opera is a local opera popular in Hubei,Jiangxi and Anhui Province.The regional characteristics of Chinese traditional art are very distinctive,with each place having its unique features.The formation of traditional artistic features in each region reflects the artistic temperament of different regions.This paper discusses the evolution of Huangmei opera and the root cause of its popularity in China.It holds that the charm of Huangmei opera results from its artistic elements from the grassroots culture and its power of learning in keeping up with the step of the times.It is a portrait of Chinese grassroots’emotional enthrallment and evolution of ethical evaluation.
文摘As one of the greatest m asters of Dan 1 role performers in Beijing Opera history,Cheng Yanqiu had a very hard time in his childhood in learning the art.In this article,the author has reviewed his early life and probed into the help of Luo Yinggong who supported for his great su ccess.The author has also explored the art of Cheng’s singing,his study from Wang Yaoqing and explored how he created the melodies as well as trying to solve his making-up mystery.
文摘CHINA’S Peking Opera hasformed and developed in Beijing,but it is not the oldest type of China’s traditional opera.From its birth to present it only has 200 years’ history.After Peking opera dominated Beijing’s stage it was developed quickly. peking opera has carried on China’a opera traditions and absorbed other operas’artistic features,so it became the most importank and widely influenced opera in the country in a few decades.It is regarded as the national opera and a cultural treasure of the Chinese nation.
文摘In a small, deep alley right outside Hepingmen (the Peace Gate), no more than one mile south of the Tian’anmen Square, there stands a Peking opera theatre of great antiquity named Zhengyi Temple Theatre. Built over 300 years ago, it is the sole ancient wooden theatre architecture in the world. There are also six other extant theatres with a similar scale, but Zhenyi Temple Theatre is the oldest. It is generally recognized as a living fossil and milestone in the history of Chinese theatres and often cited as an important
文摘作为至上音乐的灵魂品牌,歌剧世家,Opera Family,它始终贯彻着何帮主对所能忠实还原音乐的喇叭的追求,其中顶级系列0NE.S3系列喇叭是当中的佼佼者。但是我们今日妻谈论的歌剧世家Opera Family VS 265,它在重放时,带着或浓或淡却耐人回味的色彩渲染。或许大家会疑惑这个“离经叛道”的家伙违背了歌剧世家的原则吗?答案是否定的。不过,我想这或许只是何帮主的一种情怀罢了。
文摘In this article, the researcher first provided the overall geographical and cultural background of heritages in Shaanxi province, the cradle of Qin Qiang Opera, to generally discuss the importance of protecting intangible heritages; then he described Qin Qiang Opera from its historical and technical aspects; after applying the S.W.O.T method to analyze its cultural significances and possible risks of pressures or even disappearance, the researcher tried to work out some suggestions to the protection and development of this significant intangible heritage.
文摘Qara Village of Nechung Town in Tohlung Dechen County is famed as the"Art Town of Tibetan Opera". Whenever people talk of Jomulung-an active Tibetan opera troupe,including its history and future prosperity, they always give great credit to Chonda,a woman from Qara Village and leader of the opera troupe.
文摘Despite the universal messages of Bellini’s Norma,the attempts at translating and adapting it to a modern context in the revisionist spirit of Regieoper(the director’s opera)encounter serious difficulties,as indicated by recent productions.The present paper focuses on these difficulties by examining in detail what appear to be the most challenging,innovative and thought-provoking among those productions which,despite remarkable merits,suffer from acute shortcomings:inter alia certain incompatibilities with the libretto,cultural dissonances,and problems of inner-coherence and verisimilitude.The detailed analysis of specific productions is followed by a general discussion(through a comparative approach)of Norma’s adaptability to Regieoper,which is shown to be extremely difficult,among other reasons because the terms of reference to the dimensions of the historical context(and the inherent mores)in its libretto are by far less flexible than those of other operas.Norma’s universal messages and its dualities of“foreign”versus“familiar,”with their vast semantic ambit,would seem to be better understood by meticulously delving into the subtleties of the text(and subtext)of Romani’s sophisticated libretto.Inner-coherence and compatibility with the libretto are essential for any attempt at creating an appropriate analogy running parallel to the original narrative.A fully convincing production of Norma in a modernizing spirit,if at all possible,remains an artistic challenge.