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Welcome to the Jungle
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作者 BRANDON TAYLOR 《Beijing Review》 2011年第37期48-48,共1页
The rain gods always seem to know when I’m outside without an umbrella. They seldom miss an opportunity;whenever I venture out on an excursion into China’s wild the blue skies turn black, storm clouds rush in and th... The rain gods always seem to know when I’m outside without an umbrella. They seldom miss an opportunity;whenever I venture out on an excursion into China’s wild the blue skies turn black, storm clouds rush in and the skies let loose rains of biblical proportions. On any other day, I would have cursed the heavens and sought cover, 展开更多
关键词 Welcome to the jungle
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Allegory of Dominance British Power in Rudyard Kipling's Rikki-tikki-tavi
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作者 Alexandre Veloso de Abreu 《Journal of Literature and Art Studies》 2013年第11期687-691,共5页
In The Jungle Book (1894), Kipling's first literary work, the author uses Indian spatial reference and cultural influence to construct his narrative. The short story "Rikki-tikki-tavi" is elaborated using the str... In The Jungle Book (1894), Kipling's first literary work, the author uses Indian spatial reference and cultural influence to construct his narrative. The short story "Rikki-tikki-tavi" is elaborated using the structure of Western fables, having allegory as one of its most exploited strategies. Vladmir Propp, in Morphology of the Folktale (1929) considers that every folktale story reproduces a structure. Propp's model demonstrates Rikki-tikki-tavi's Western "frame" when the authors see how clearly and efficiently the short story fits the model of Russian Folktale. This article will analyze "Rikki-tikki-tavi" as a paradigm of this literary genre, showing how characters metaphorically represent the British domination in India during the end of the 19th century. 展开更多
关键词 KIPLING the jungle Book ALLEGORY DOMINANCE
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