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清代特殊的文学现象:戏曲与八股的契合——以《西厢记》制艺为例 被引量:3
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作者 王颖 《南京师大学报(社会科学版)》 CSSCI 北大核心 2008年第3期126-131,共6页
《西厢》制艺在形式上是戏曲与八股文的结合,这种特殊的文学现象出现在清初。由于它的出现,促成了文人尤侗的功成名就,使它从偶然的游戏之作发展到人们研习科举考试、争得功名的范本。但这种现象本身并没有足够的力量能够令《西厢》制... 《西厢》制艺在形式上是戏曲与八股文的结合,这种特殊的文学现象出现在清初。由于它的出现,促成了文人尤侗的功成名就,使它从偶然的游戏之作发展到人们研习科举考试、争得功名的范本。但这种现象本身并没有足够的力量能够令《西厢》制艺完全独立形成一种新型文体,它的发展和流传必须依靠戏曲《西厢记》和八股文这两个支柱。一旦传统戏曲和应试八股走上了衰落之路,《西厢》制艺也就丧失了生命力。 展开更多
关键词 制艺 《西厢记》 《第六才子书》
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“《西厢》制艺”考 被引量:1
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作者 王颖 《扬州大学学报(人文社会科学版)》 2002年第3期35-40,共6页
The eight-part assays about The West Chamber are unique commentaries on the traditional Chinese opera. It was once accepted that the people of the Ming Dynasty wrote the eignt-part essays about The West Chamber, of wh... The eight-part assays about The West Chamber are unique commentaries on the traditional Chinese opera. It was once accepted that the people of the Ming Dynasty wrote the eignt-part essays about The West Chamber, of which The Sixth Talented Scholar’s Bollk, sorted out and edited by Jim Shengtan or Chen Weishong, was included. However, on the basis of the research and investigation of different editions of The West Chamber, it turns out that The Sixth Talented Scholar’s Book is one of the eight-part essays about The West Chamber and containes many complicated factors in the course of its generation and circulation. Moreover, the collected works of eight-part essays about The West Chamber were originally formed in the Qing Dynasty and arranged or compiled by other people rahter than Jin Shengtan or Chen Weishong. 展开更多
关键词 《西厢》制艺 《西厢记》 《第六才子书》 八股文 戏曲评论方式
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