Biodiversity of the Micro-morphologies of the Petal Epidermis of Angiosperms &Their Scientific Aesthetics, Quasi-Geometry

The micro-morphologies and biodiversities of the epidermis of flower petals of angiosperms were reported for the first time. By manual slicing anatomy and microscopic photography technique, the micro-morphologies of the upper and lower epidermis of petals of some common ornamental flowers in Kunming were studied, and the biodiversities were discovered. The results showed these much-varied pigment cells appeared not only a new compensation to anatomy, but a new criteria to taxonomy, so that a brand new research field of “Cell Taxonomy” was established instead of the current “Chromosome Taxonomy” widely used in phytosystematics research. Furthermore, the most interesting and significant phenomena was their scientific aesthetics: these pigment cells of flower petals were quite special, planary, far different from the ordinary plant cells in plant organs & tissues. By comparison to ordinary geometry, these colorful cells of the fresh flower petals could be described as “Quasi-geometry” for their special origin and micro-morphological characteristics. As for the aspect of art, it was quite similar to “Quasi-crystal” discovered by Daniel Schechtman, so that the art future was discussed, obviously another new epoch of scientific-art history began.

Consolidating the Idea of Booming Trade by Scientific Efforts

As the world economy develops in a globally-oriented way and world trade develops in an incorporate way, upgrading the competitiveness of our export commodities and trading efficiency have become the most important problems in national economic development. In the 1990s, scientific progress is stimulating the growth of international trade and the revolution in regional structure and product

Gardening Aesthetics Implied in Yanshan Garden of Guilin City

Gardening aesthetics implied in Yanshan garden were analyzed by combining with its natural environment,Map of Yanshan Garden of Nong Daijin and relevant researches. This study stated that Confucianism,Taoism and Zen Buddhism laid the philosophical foundation of gardening in Yanshan Garden and its gardening aesthetics included the ideas of entering or leaving the officialdom,painting style and artistic conception,beauty of natural landscape and cultural connotation of Fengshui.

Intention and Standing Image:Interpretation of the Aesthetic Intention of Arhat Portrait on Mount Wutai

Mount Wutai,a place endowed with fine spirits of humanities and prolific remains of Arhats portrait art.The existing Mount Wutai Arhats portrait spans the Ming,Qing,and Republic of China periods,and through the artistic creation of successive generations of literati painters,exquisite Arhats portraits are painted on different artistic carriers.On the basis of inheriting the traditional Chinese paradigm painting expression,the portrait of Mount Wutai Arhats constantly draws on folk nutrients.It integrates foreign Buddhist culture for refinement and sublimation.The reconstructed portrait pays attention to the image expression of its objects and the shaping of spiritual temperament.The shape is ancient and vivid,and the scene is ethereal and mysterious,which rationally expresses the Buddhist philosophy of generosity,benevolence and kindness,and contains unique oriental aesthetics.

Study on the Application of Aesthetic Ideas to Micro-film Advertising

Micro-film is a product from the development of mobile media technology based on the network media, and the short and typical screen expression ability and effect are its forms of contents. Different from the communication way of traditional advertising, micro-film advertising has the characteristics of both social networking and video communication. With the creative characteristics of micro-film advertising, the conamunication way of video advertising has been started. In this paper, through the introduction to the advantages of micro-film advertising communication and combining with the development of micro-film in the new period, the application of aesthetic ideas to micro-film advertising is further explored, and then the striking expression effect caused by micro-film advertising is introduced.

Can Thought Become Sensible? Reflections on the Aesthetic Theories of Plato and Hegel

Hegel was highly influenced by Plato’s philosophy,as appears in his Lectures on the History of Philosophy.The German philosopher rightly attributed to Plato an“aesthetic”theory meant as a search for the meaning of Beauty(the idea of the Beautiful).For Kant the Sublime played the same role that Beauty did for the Greek philosopher,leading the human soul to grasp the super-sensible,as we read in his Critique of the Judgment of Taste.Contrary to what happened in Plato,in Hegel’s own aesthetic theory,the investigation was not focused on Beauty in general,but on artistic Beauty,the characters of the beautiful work of art.If Plato and Hegel highlight the dialectical-metaphysical function of Beauty,the judgment that they express on art is very different.However,they share an important conception:Beauty is as an intermediate and connecting reality,that functions as a link between thought and sensitivity.

A Comparative Study on the Spatial Consciousness of Traditional Paintings in the East and the West

This article compares and analyzes the development history,ideological culture,and philosophical concepts of traditional paintings,landscape paintings,and still life paintings in the East and the West.The essence of painting is a form of visual consciousness.There is a unique way of processing and expressing spatial consciousness in different images,regions,and humanistic spirits of Eastern and Western paintings.The difference in spatial awareness promotes mutual learning,guidance,and promotion between the Chinese and Western art which have different historical backgrounds,aesthetic concepts,and national customs.Therefore,different ways of paintings would also have differences in the spatial consciousness of the paintings.

大思政理念下旅游美学课程思政改革模式与路径研究

旅游美学是旅游职业教育开展美育工作的关键性课程。在大思政理念指导下,通过旅游美学课程思政改革可以促进德育、美育一体化发展,推动“五育并举”工作的实施。从职业教育的特点和美学学科的属性出发,可构建起以“德技并修,以美育人”为中心的旅游美学课程思政改革模式,并从旅游审美主体、旅游审美客体、旅游审美介体三个教学维度,梳理课程思政改革的内容体系。在此基础上从教学任务的设计、学习方法的引导、教学空间的打造、教学场域的构建和学习评价的开展角度提出旅游美学课程思政改革的具体路径。

中国美学本土话语的科学化建构和阐释

中国的科学化美学研究已经形成了中国美学的本土话语,对审美活动的内在机理作出不同于西方传统本体论美学的新阐释:事物的外形与事物本身及其内在价值之间、事物内在价值与人的需要和情感之间具有天然的联系。这种情形内化在人脑认知神经系统中的表现是:对事物外形的知觉构成了知觉中枢,对事物内在价值的领悟构成了意义中枢,对事物的情感反应构成了情感中枢;当人知觉到一个对象事物时,这三个中枢在瞬间被依次激活,形成暂时神经反应连接链。这一神经反应连接链的特定性和稳定性使之成为与某一事物相对应的功能性认知模块。在认知模块已然构成的前提条件下,人再遇到与此认知模块相匹配的事物,就能直觉性地形成认知和情感。当人处于没有急切利害性需求状态时,就不关注事物的内在价值,因而意义中枢不被高度激活;但知觉中枢和情感中枢仍可被高度激活,从而形成二者间的直接关联,构成新型的、可审美的认知模块。其外在表现就是事物外形直接引发了愉快情感。这时的情感不与利害性需求相关联,被称为无利害的美感。引发美感的对象事物因此被称为美的。这一理论建立在马克思主义哲学及“人的本质力量对象化”论述的基础之上,是人的本质力量在审美生命结构方面的具体表现,可有效地对康德美论及文艺的功利与非功利等现实理论问题作出科学化分析。

美学思想在产品包装设计中的应用

美学思想是研究美、审美和艺术的哲学学科,它通过研究人类感知、认识和表达美的方式,揭示了美的本质和规律。在产品包装设计中,美学思想可以为设计师提供丰富的设计理论和方法,以满足消费者对于美的追求。本文认为,可通过以下方法将美学思想应用于产品包装设计之中:一是坚持平衡与对称原则,追求产品包装设计形式美;二是坚持平衡或互补配色,追求产品包装设计色彩美;三是合理运用图案及文字元素,追求产品包装设计文化美。

成矿地球化学:科学问题与研究思路

地学领域一切问题研究的本体是源自壳—幔作用的对全球资源与环境产生深刻影响的物质世界。成矿地球化学理论认为,成矿物质是成矿系统影响成矿过程的内在因素,以成矿物质为主体研究成矿物质与成矿作用问题是成矿地球化学理论的基本含义,也是成矿规律与成矿理论研究的核心问题。成矿物质在成矿系统成矿作用过程形成相应规模的成矿系列。本文概略地提出成矿地球化学研究的若干科学问题,其中全球成矿系统主要研究成矿物质在全球成矿作用中成矿域、成矿省及成矿区带系列的成矿过程与成矿关系问题,区域成矿系统主要研究区域成矿作用中矿田系列成矿过程与成矿关系问题,矿田成矿系统主要研究矿田成矿作用中矿床系列成矿过程与成矿关系问题,矿床成矿系统主要研究矿床成矿作用中矿体系列成矿过程与成矿关系问题,以及研究这些问题的基本思路,包括全球各级次成矿系统与成矿系列在成矿过程中成矿物质的成因来源、迁移演化、分异富集及分带关系问题,总结成矿规律,探寻成矿机理,指导资源勘查预测。成矿地球化学以现代信息化、模式化与智能化应用研究为支撑,运用地球系统科学思想研究成矿系统与成矿系列问题,构建成矿地球化学研究的理论框架,为矿产资源勘查、评价与开发技术方法提供理论基础。

论美育在儿童读物插图设计中的重要性

目的儿童读物中的插图设计作为一种特殊的插画种类,可以将美育思想以生动有趣的叙事画面传递给儿童,丰富少儿认知,助其树立良好的情感态度与价值观,从而塑造完整的人格。近年来,由于国内儿童读物市场的崛起和教育界对儿童美育的重视,使得美育观念在儿童读物插图设计中发挥着愈加重要的作用。文章从教育学、儿童审美心理学及设计学交叉学科的角度出发,探讨美育在儿童读物插图设计创意及表现中的重要性。方法通过跨学科研究法、文献研究法、案例分析法等研究方法,结合罗伯特·皮亚杰的认知发展阶段论和霍华德·加德纳儿童审美认知发展阶段论的横向对比分析,导出不同阶段儿童的插图偏好,在了解不同阶段儿童审美心理发展特征的基础上,探讨美育在儿童读物插图中的重要作用。结论希望美术创作者给予儿童审美教育以更多关注,正确引导儿童读物插图设计的方向,加强对儿童审美能力的培养,更好地从设计学领域出发,传递中国文化,讲好中国故事。

基于OBE理念的高职院校美育课程教学模式改革研究

OBE理念教育理念是以“预期产出”为导向,来评价、实施、组织教育的结构模式,可以为高职院校美育课程提供增强新的建构模式与发展思路,帮助教师将学生的应用能力与理论知识结合起来,解决传统美育课程教学存在的问题,增强美育课程教学的实效性。基于此,结合OBE教育理念的基本内涵及课程门类、目标,探究高职院校美育课程教学存在的问题,提出相应的教学改革思路,以期推进学生健康、快速、全面发展。

大数据时代科技信息资源建设的新理念及其实践和发展前景

随着大数据时代的到来,科技信息资源建设迎来了全新的挑战。主要探讨大数据时代科技信息资源建设的新理念、实践意义和策略以及未来的发展前景。首先通过对数据驱动、智能化应用、可持续性发展、开放性共享和协同性合作等关键点的深入分析,揭示了新理念对科技信息资源建设的重要性,阐述了如何应对当前的机遇和挑战;其次总结新理念的实际意义和实践策略;最后展望大数据时代科技信息资源建设的发展前景。

李泽厚“西体中用”原则下中西融汇之美学建构——以《美学四讲》为中心

迄今为止,对李泽厚的美学思想的阐释存在两种偏差。一种观点以国内学者为主,过于强调李泽厚美学理论对马克思主义的发展、对西方美学的借鉴,忽视了对中国美学传统思想的汲取。而另一种观点多见于国外,重视李泽厚美学思想对儒家思想的吸收,却忽略了其思想中蕴含的道家渊源。以《美学四讲》为中心,可以发现李泽厚美学理论中西方思想和儒道精神互补融汇的特征,其美学理论遵循甚至超越了“西体中用”的原则,在借鉴西方思想、研究路径的基础上,结合中国的儒道文化,走出了一条具有中国特色的理论构建之路。这种基于民族文化自信和开放包容的心态,以跨文化视域创造性地利用本土文化资源,创立自己学说的实践为今天国内的美学发展指明前行的方向。

审美何以与目的相关联?——“目的论”思想在古希腊美学中的介入与交融

“目的论”思想根植于西方本体论哲学的深厚传统。当古希腊的哲学家在面对广袤宇宙产生“惊异”并将目光转向经验事物背后的根据以构建本体论哲学时,“本体”在作为万物之根据的同时俨然也成为万物要与之相符合的终极目的。关于美的本质的思考,也因此在本体论的构建中被赋予了目的性的内涵。诚然,当古希腊哲人剥离出“逻各斯”与“努斯”概念时,目的论基因便已孕育其中。苏格拉底、柏拉图与亚里士多德在目的论基础上探讨美学问题时,目的论在与美学的交融中也逐渐衍生出主客两条基于目的的逻辑线索,这两条目的线索一直隐含在美学的内在结构之中,推动着美学思想的发展,并最终演化为美学形而上学建构的逻辑基石。

“技”与“美”的融合——漆艺屏风创新与侘寂美学重构的设计方法

随着人们对于个性化、情感化需求不断增加,传统的漆艺屏风已经无法满足现代人的审美需求,而侘寂美学倡导的自然简约的生态美学理念与现代人追求的生态化的生活方式相符。文章以“侘寂美学”为突破口,将侘寂美学思想与传统漆艺屏风相融合,对漆艺屏风的装饰题材、材质、色彩、功能等进行创新设计,提出自然简约与温度情感化的创新理念,探讨符合现代人生活应用的漆艺屏风,为漆艺屏风的艺术创新提供独特的理论基础和创作灵感。

《罗密欧与朱丽叶》的美学价值

《罗密欧与朱丽叶》作为一部文艺复兴时期的戏剧产物,极大地体现了文艺复兴所表达的人文主义思想,以独到的视角来塑造丰满的人物形象,通过其独特而富有哲理的戏剧语言将“爱”完美诠释,用“爱”贯穿始终,处处体现着美学价值。

苏珊·朗格美学思想下语言及艺术的关系解读

语言符号与艺术符号均具有鲜明的言说表达功能,其中语言是人类表达的线性载体,而艺术则是生命情感的表达媒介。一方面,语言符号承载着将人脑内部活动转换为在外经验描述的功能,以理性思维引导文化跨越并完善人类文化体系,但语言符号也有本身的具象,体现为无法对主观、即时、无形式冲动性体验进行描述。另一方面,艺术符号基于客观基础呈现人类精神世界,强调将人类情感转换为能够被人认识的形式,注重在艺术活动中注入情感并提炼为表现性符号。从苏珊·朗格美学思想出发,学者认为语言是揭示、再现事物发展规律的关键形式,艺术是挖掘、展现人类情感状态的传播媒介,艺术作品中存在语言与艺术相统一的痕迹,这为语言与艺术的有机融合提供了理论遵循。

王弼“得意忘象”美学思想的内涵、启示与效应

王弼提出了“得意忘象”的命题,为中国古典文化中的美学思想提供了一种独特的审美范式。从内涵来看,他基于魏晋时期的政治背景与精神语境,将言、象、意三者相互交融、难以分割的文辞关系,向关注内在人格、追求精神独立、解放与超越的美学思想进行转变。从启示来看,“得意忘象”为艺术本体、审美观照以及艺术形式与整体间关系的探讨提供了一定的理论基础,其具有三重向度的美学思想为探寻人性的独立与艺术创作的自由奠定依据。从效应来看,王弼的思想依托于魏晋时期的社会风气,蕴含着人格之美与生态之美,体现在对“圣人”人格的塑造以及追求自然之美的艺术创作中。