Reporter: Deputy Director-General Mr. Zhang, I heard that the Motion Picture Association of America (MPAA) recently presented a complementary wood board to the Ministry of Culture of China. Could you tell the inside s...Reporter: Deputy Director-General Mr. Zhang, I heard that the Motion Picture Association of America (MPAA) recently presented a complementary wood board to the Ministry of Culture of China. Could you tell the inside story about it to our readers?Zhang Xinjian: On May 30, a delegation from MPAA led by its vice president paid a visit to my ministry and I had a talk with them on behalf of the Department of Cultural Market. During展开更多
Abstract This paper focuses on the ＂rectification of names＂ （zhengming 正名）, an important and recurrent motif in the writings produced by Liu Shipei 刘师培 （1884-1919） before he betrayed the anti-Qing revolutio...Abstract This paper focuses on the ＂rectification of names＂ （zhengming 正名）, an important and recurrent motif in the writings produced by Liu Shipei 刘师培 （1884-1919） before he betrayed the anti-Qing revolution. On the one hand, Liu has argued that the Chinese signifying system should be modified in response to the challenges posed by the West. On the other hand, he also understood that, within the prevailing imperialist world order, China＇s acceptance of this universal law entailed the acceptance of an inferior position vis-a-vis the dominant world powers. Liu＇s interpretation of the ＂rectification of names＂ was aimed at overcoming the boundaries between the West and China, and ultimately led him to support a radical anarchist revolution. Therefore, Liu Shipei＇s approach to the ＂rectification of names＂ is representative of the way in which late Qing intellectuals responded to the great clashes between the traditional and the modem, the West and the East. One might argue that the discourse surrounding the ＂rectification of names＂ brought about a moment of ＂origin,＂-that is to say, a moment of reconstructing the relationship between names and things-the scope of which was not limited to China. In this context, the political utopia conceptualized by Liu Shipei can be regarded as one explicit form of the ＂rectification of names.＂ Thus, the different ways in which Liu Shipei, Zhang Taiyan 章太炎 （1868-1936; also known as Zhang Binglin 章炳麟）, and Lu Xun approach the problem of language suggest their different visions of the future of China.展开更多
文摘Reporter: Deputy Director-General Mr. Zhang, I heard that the Motion Picture Association of America (MPAA) recently presented a complementary wood board to the Ministry of Culture of China. Could you tell the inside story about it to our readers?Zhang Xinjian: On May 30, a delegation from MPAA led by its vice president paid a visit to my ministry and I had a talk with them on behalf of the Department of Cultural Market. During
文摘Abstract This paper focuses on the ＂rectification of names＂ （zhengming 正名）, an important and recurrent motif in the writings produced by Liu Shipei 刘师培 （1884-1919） before he betrayed the anti-Qing revolution. On the one hand, Liu has argued that the Chinese signifying system should be modified in response to the challenges posed by the West. On the other hand, he also understood that, within the prevailing imperialist world order, China＇s acceptance of this universal law entailed the acceptance of an inferior position vis-a-vis the dominant world powers. Liu＇s interpretation of the ＂rectification of names＂ was aimed at overcoming the boundaries between the West and China, and ultimately led him to support a radical anarchist revolution. Therefore, Liu Shipei＇s approach to the ＂rectification of names＂ is representative of the way in which late Qing intellectuals responded to the great clashes between the traditional and the modem, the West and the East. One might argue that the discourse surrounding the ＂rectification of names＂ brought about a moment of ＂origin,＂-that is to say, a moment of reconstructing the relationship between names and things-the scope of which was not limited to China. In this context, the political utopia conceptualized by Liu Shipei can be regarded as one explicit form of the ＂rectification of names.＂ Thus, the different ways in which Liu Shipei, Zhang Taiyan 章太炎 （1868-1936; also known as Zhang Binglin 章炳麟）, and Lu Xun approach the problem of language suggest their different visions of the future of China.
