The Transformation of Art Education in Anticipation of the Future School

This paper discusses the transformation of art education in anticipation of the future school,and emphasizes the key role of art education in cultivating students’creativity,aesthetic ability,thinking ability,and meeting social needs.The shortcomings and delays in the traditional art education mode have become evident,prompting the need to explore innovative educational methods.Digital art education is emerging as a means to offer a more immersive art experience through virtual and augmented reality technologies while broadening students’cultural horizons.Interdisciplinary integration combines art with science,engineering,mathematics,and other disciplines to cultivate students’comprehensive literacy and innovative thinking.The innovative spirit and the application of educational technology help students overcome difficulties and continuously improve their work.The article also emphasizes the alignment between art education and social needs,the importance of social support and resources,and the training and development of teachers.

Picturing the Times

A man with his face painted to appear like a spirit,participates in the He Neak Ta ritual in Phum Boeung village,northwest of Phnom Penh,Cambodia,on June 11.Cambodian villagers took part in a rare traditional guardian spirit ceremony praying for good fortune,rain,and prosperity as part of efforts to preserve this ancient tradition.

The Art Spirit of Chinese Culture

The attainment of the humanistic spirit of traditional Chinese culture was mainly through rites and musical enlightenment. The spirit of Chinese culture concerns ethics and art. A good combination of moral and art education is the highest state of moral pursuit and artistic pursuit, as well. In the context of Chinese culture and art, music is more than a means to satisfy a person's physical appetite; it also serves to inspire people to cultivate a sound and complete personality. No art form can exist in isolation. Art should express the subject consciousness of individual artists and, more importantly, the common pursuit of all human beings. Such a philosophy should be reflected in every piece of artwork. The social guiding role of aesthetic education is a key feature of Chinese culture and there has been a civilizing influence pervading all aspects of Chinese culture and art. In a profound way, traditional Chinese art conveys the mental outlook and joy of Chinese culture. The fundamental humanism of Chinese culture is demonstrated in every aspect of Chinese art, which collectively highlights Chinese people's tastes and cultural pursuits. Therefore, it is easier to approach truths through art.

Research on the Menzel Drawing Close to the Spirit of the Masses of People and the Applications on Fine Arts Teaching in Colleges and Universities

Menzel was one of the famous German artists of the 19th century. His sketches were more contemporary and could show the true state of people’s life. Menzel sketches rich subject matter, in the process of creation can grasp the image is in place, and can work into the spirit of humanism, so that his works with realistic style, artistic value is relatively high, for later artistic creation and teaching has a greater signifi cance. This paper mainly analyzes the art, sketch and pasted application signifi cance and measures in the fine arts teaching in colleges and universities.

Analysis of Viewing Paintings from the Perspective of Iconography

Distinguished from purely formalistic research methods,iconography pursues the interpretation of the hidden historical and humanistic connotations behind artworks,and is a discipline that combines visual text and content analysis methods.Combining the three stages of iconography proposed by Panofsky,the paper studies Shizeng Chen’s Viewing Paintings from the perspective of iconography,summarizing the formation and change of the images and contents of the artworks in the cultural system and civilization at that time,as well as their implied ideology,and analyzing the hidden spirit of the times and the historical significance behind them,so as to expound their iconographic significance.Through an in-depth discussion at three levels:pre-pictorial iconographic description,iconographic analysis,and iconographic interpretation,the facts and surface contents reproduced in the images,the traditional level of literary,artistic,and cultural knowledge,as well as the interpretation of the potential meanings are revealed.

The Art of War by Sun Zi:A Book for All Times

OVER the past 2,500years, the principles setout by Sun Zi in The Artof War have been appliedin innumerable wars, and hisstrategies have also been utilizedwithin a broad scope of competi-tion. The book is consequentlyindispensable to military strate-

Implementation of remote monitoring system for prediction of tool wear and failure using ART2

Remote monitoring of tools for prediction of tool wear in cutting processes was considered, and a method of implementation of a remote-monitoring system previously developed was proposed. Sensor signals were received and tool wear was predicted in the local system using an ART2 algorithm, while the monitoring result was transferred to the remote system via intemet. The monitoring system was installed at an on-site machine tool for monitoring three kinds of tools cutting titanium alloys, and the tool wear was evaluated on the basis of vigilances, similarities between vibration signals received and the normal patterns previously trained. A number of experiments were carried out to evaluate the performance of the proposed system, and the results show that the wears of finishing-cut tools are successfully detected when the moving average vigilance becomes lower than the critical vigilance, thus the appropriate tool replacement time is notified before the breakage.

Evolution of the “Zhejiang Spirit” During the Forty Years of Reform and Opening-up

The "Zhejiang spirit" refers to a theoretical summary of the group consciousness, mental state, value orientation and ideological realm, which is, as a motivating power, owned and recognized by all Zhejiang people, and carries Zhejiang peculiarities. President Xi Jinping, during his term of office in Zhejiang, launched a number of seminars and activities to seek "a Zhejiang spirit that moves with the times." Forty years of reform and opening-up, the "Zhejiang spirit" has experienced an evolution that can be summarized as three improvements: from spontaneous formation to deliberate cultivation, from something limited to eastern Zhejiang to an integrating force that spans the entire Zhejiang Province, and from a mere existence to a role that functions adequately. The "Zhejiang spirit" is extracted from the humanistic spirits shaped in all corners of Zhejiang province. It is "an instrumental ensemble played across the entire province," and represents a certain judgment and interpretation. The "Zhejiang spirit" not only describes and summarizes the past and present, but will also guide and motivate the future, and support people in their enterprising and industrious practices to move with the times.

Contemporary material art corresponds to contemporary cultural spirit

When choosing materials to express current concepts, artists have more choices and freedoms. When art is used for the present age, then materials should be used for the present age too. Through Artists' thinking and feedback on the current culture and reflection on the state of art and life by material art they can interpret the current cultural spirit.

A Brief Analysis on the Differences between the Aesthetic Modernity Pursuits of Modern and Contemporary Chinese Art and the Modern Art of the West

Aesthetic Modernity is a western concept.It was based on the development of the historical view.This article focuses on the aesthetic modernity pursuits of modern and contemporary Chinese art and compares it with the western culture and modern art under the concept of aesthetics.It also analyses the problems and causes in the process of modernity of Chinese modern and con⁃temporary art,and presents the advice to the further development of Chinese art.

“温暖现实主义”的创作观念探析

“温暖现实主义”是新时代文艺创作观念的新风尚与新思潮。作为新时代的现实主义创作观念,“温暖现实主义”是对已经生发文艺创作景观中创作观念的提炼概括,是时代精神的体现,是现实主义创作必然产生的结果。从哲学层面上看,“温暖”与现实主义本来“冷峻”的特征是对立统一的,它从生理与心理两个层面调和了现实主义文艺审美过程中产生的“痛感”与“快感”,并能够拉开彼此间的审美距离。同时,“温暖现实主义”在社会层面上也具有一定的建设性;“温暖”是“现实主义”独特的创作观念内涵,“温暖”首先就是一种现实主义全面客观的正面视角,其蕴含的悲悯情怀,归根结底是文艺工作者良知与人文情怀的展现,而且“温暖”能够在作品中营造充满“希望”的氛围。

东北抗联精神的核心意蕴、时代价值及赓续路径

九一八事变后,中国共产党创建和领导的东北抗日联军坚持抗战14年之久,成为东北抗战的中坚力量,用血肉之躯铸造了一座铁血丰碑,也铸就了东北抗联精神。其核心意蕴为“忠诚于党的坚定信念,勇赴国难的民族大义,血战到底的英雄气概”,是中国共产党人的底气和志气、勇气和骨气、锐气与豪气的集中体现。深度凝练东北抗联精神的核心意蕴、时代价值和赓续路径,有助于传承红色基因,启人心智并催人奋进,为实现中华民族伟大复兴注入强大精神力量和精神滋养。

论工匠精神的形成机理、价值意蕴与培育路径——基于从技术到艺术的视角分析

技术与艺术均起源于人类劳动,两者的发展受到人的意识的支配并影响着人的职业精神的形成。工匠精神是工匠在实践活动中基于“视技术为艺术”而形成的技术革新意识及群体价值观在职业伦理上的反映。从技术生成到艺术生成的源起过程当中探究技术起源、艺术起源及工匠精神内涵中的技术与艺术之关系,梳理得出“人—技—艺”的融合推动工匠精神的形成机理;从技术表达到艺术表达的塑造过程当中解析工匠精神对于促进人的全面发展、推进社会的协调发展及推动经济的创新发展的价值意蕴;从技术教育到艺术教育的融合过程当中通过采取加强通识教育、拓展教学形式、深化产教融合、建构学校文化等方式健全职业院校学生工匠精神的培育路径。

在实然与应然的张力关系中揭示河北艺术的复杂面向

一般说来,地理环境和行政区划是构成地方艺术特色的主要因素。河北地处游牧与农耕的交汇地带,农牧之争形成的冲突与融合铸就了河北艺术的第一重底色,草原文明的自由奔放与农耕文明的质朴典雅冲撞融汇之后形成了慷慨激昂的燕赵悲歌:酣畅淋漓的游侠精神、视死如归的悲壮体验、天马行空的想象力、质朴刚健的生命力成为早期河北艺术精神的主调。与此同时,由于南部(古邺城)地区处于中原文明的核心区域,来自农耕文明核心区域的审美情调与艺术追求也深刻影响了河北地方艺术。随着地方行政区域的变化及统治中心的转移,河北艺术不断更迭、变迁,显现出明显的地方特质和与官方意识形态相谐和的状态。比较而言,早期地理环境因素对河北艺术的影响作用更为明显,而后期行政区划的影响则逐渐占据中心。无论如何发展,古代河北艺术都体现出了与时代精神相一致的内涵与特点。

刘兆吉美育思想及其对当代美育的启示

刘兆吉先生是美育心理学科创始人,其美育思想的产生经历了启蒙、孕育、创立三个阶段。刘兆吉先生提出的“美育与美育心理学是皮毛相依的关系”“艺美融合实现大美育”“将美寓各科,实现各科育美、五育共美”和“探究美育理论与实践相结合”等思想,对当代开展学校美育工作具有重要启示意义。新时代,美育应遵循美育心理规律,提升美育教学的有效性;倡导大美育理念,构建各科育美、协同育人的美育机制;扎根中华优秀传统文化和时代生活,培育中华美育精神,以此改进和加强美育实践。

礼乐文化与中国艺术精神的现代转化——以聂振斌的美学研究为例

中华传统礼乐文化承载着中华文明的重要历史积淀,是中国艺术精神的重要思想资源。面对现代社会中传统礼乐文化所遭遇的挑战,尤其是自五四运动以来对传统文化的批判,聂振斌通过美学研究提出了一系列方法,旨在将传统礼乐文化的智慧,包括注重理性精神、弘扬人文精神、追求人格精神、倡导自由精神等方面应用于现代社会。他强调了中西文化对话与融合对于中国艺术精神的重要性。聂振斌的研究不仅推动了中华传统文化在现代社会中的发展和转化,更为深刻理解中国传统文化在当代社会中的地位和转变提供了独特的视角,凸显了他在这一过程中的贡献和意义。

中国式现代化与中华艺术精神的创造性转化

“把马克思主义基本原理同中华优秀传统文化相结合”是马克思主义中国化时代化在新时代取得的重大理论创新成果。从现代化历史语境看,中国式现代化与中华传统文化之间形成了一种“相互赋予”的辩证关系,因而,脱离现代化历史语境,就无法辩证地处理传统与现代的关系,难以真正实现传统文化的“创造性转化”或“现代性转换”。从文化哲学视域看,“创新自觉”需要“文化自觉”和“哲学自觉”,马克思实践哲学思想与中国生命哲学智慧的会通融合,为“马克思主义基本原理同中华优秀传统文化相结合”提供了高度契合的哲学基础与阐释视域。从现代性理论视域看,在20世纪现代性反思中,以儒道两家为代表的东方文化成为补救西方现代性缺欠的重要思想资源,以“人与自然”“人与社会”“人与人”为现代视域,重新阐释儒道美学的精神实质、生存智慧与审美境界,才可能赋予传统以现代意义,真正实现中华美学和艺术精神的现代性转换。

工匠精神融入职业院校艺术设计技能型人才培养体系的路径研究

职业院校作为培养“大国工匠”的主要营地和重要渠道,应强化对技能型人才“工匠精神”的培育,但目前职业教育仍然存在重“技能”、轻“树人”现象,导致学生敬业精神、严谨精神、专注精神、创新精神等明显薄弱。基于此,文章围绕工匠精神融入职业院校艺术设计专业技能型人才培养体系的路径展开理论和实践研究,以提升职业院校艺术设计教育的质量和水平,为培养高素质的职业艺术设计人才提供参考和支持。

新时代大学生奋斗精神的实践进路探究

奋斗精神是中华民族的优良传统文化之一,是新时代大学生应具有的宝贵品质。为进一步了解新时代大学生奋斗精神的现状,调研得知,新时代大学生对奋斗精神具有认同感较强、认知较为清晰、具有明确的奋斗意愿等正面感知。但是,面对当下多元化的社会思潮,大学生的奋斗精神也面临着挑战。为引导大学生能够堪当大任,在奋斗中能够彰显时代担当,文章分别从个人、学校、社会三个层面入手,探究如何培育新时代大学生的奋斗精神。在个人层面,激发大学生的奋斗自觉;在学校层面,落实立德树人使命;在社会层面,发挥社会正面引导作用。以此引导大学生具有奋斗精神,增强奋斗本领,成为新时代好青年。