Ukiyo-e(浮世絵)was a genre of popular art during the Edo and Meiji periods in Japan.Moxibustion,which was originally introduced from China,was also in its heyday and became one of the popular topics for ukiyo-e artist...Ukiyo-e(浮世絵)was a genre of popular art during the Edo and Meiji periods in Japan.Moxibustion,which was originally introduced from China,was also in its heyday and became one of the popular topics for ukiyo-e artists at that time.Using the images as historical evidence perspective,this article focuses on the moxibustion used in daily life in Japan depicted in the ukiyo-e arts.With the perspective of acu-moxa therapy,one may identify some specific issues in the acupoint selection,leading to the discovery of special application of moxibustion used by the group of yūjo(遊女)at that time.The article concludes by exploring gender issues in ukiyo-e arts and the implications of punishment attached to moxibustion treatment.展开更多
This paper is about New-Year woodcut prints done in the Taohuawu area of Suzhou in the Chinese Ming and Qing periods that influenced Edo period ukiyo-e. And Japanese ukiyo-e impacted Western Post-Impressionism. The su...This paper is about New-Year woodcut prints done in the Taohuawu area of Suzhou in the Chinese Ming and Qing periods that influenced Edo period ukiyo-e. And Japanese ukiyo-e impacted Western Post-Impressionism. The subject matters of Taohuawu en gravings came from Chinese folk life, and were highly decorative. The engravings were reasonably inexpensive for ordinary people. This art form influenced ukiyo-e directly. As a Japanese engraving expert wrote: "Chinese prints were a good model for Japanese engravings. Chi nese New-Year engravings moved Japanese ukiyo-e artists so much that the new idea of ukiyo-e was influenced largely by them." [1]展开更多
龚古尔兄弟(The Brother of Goncourts)是19世纪法国艺术批评家。兄弟二人较早地注意到了日本艺术中的色彩与平面性,并进行大量梳理。通过东西方艺术的比较,得出了当时较为前卫的艺术观念,即绘画的现实问题。这一问题的探讨带给了西方...龚古尔兄弟(The Brother of Goncourts)是19世纪法国艺术批评家。兄弟二人较早地注意到了日本艺术中的色彩与平面性,并进行大量梳理。通过东西方艺术的比较,得出了当时较为前卫的艺术观念,即绘画的现实问题。这一问题的探讨带给了西方艺术一种全新的直面现实生活的观察方式,并直接影响到兄弟二人的批评写作以及之后的印象派艺术。本文意在探讨由龚古尔兄弟发现的“日本艺术”中蕴含的东亚美学,同时也折射出19世纪艺术批评在观念和语言方面的进展。展开更多
基金financed by the National Social Science Fund of China(No.23BZS084)。
文摘Ukiyo-e(浮世絵)was a genre of popular art during the Edo and Meiji periods in Japan.Moxibustion,which was originally introduced from China,was also in its heyday and became one of the popular topics for ukiyo-e artists at that time.Using the images as historical evidence perspective,this article focuses on the moxibustion used in daily life in Japan depicted in the ukiyo-e arts.With the perspective of acu-moxa therapy,one may identify some specific issues in the acupoint selection,leading to the discovery of special application of moxibustion used by the group of yūjo(遊女)at that time.The article concludes by exploring gender issues in ukiyo-e arts and the implications of punishment attached to moxibustion treatment.
文摘This paper is about New-Year woodcut prints done in the Taohuawu area of Suzhou in the Chinese Ming and Qing periods that influenced Edo period ukiyo-e. And Japanese ukiyo-e impacted Western Post-Impressionism. The subject matters of Taohuawu en gravings came from Chinese folk life, and were highly decorative. The engravings were reasonably inexpensive for ordinary people. This art form influenced ukiyo-e directly. As a Japanese engraving expert wrote: "Chinese prints were a good model for Japanese engravings. Chi nese New-Year engravings moved Japanese ukiyo-e artists so much that the new idea of ukiyo-e was influenced largely by them." [1]
文摘龚古尔兄弟(The Brother of Goncourts)是19世纪法国艺术批评家。兄弟二人较早地注意到了日本艺术中的色彩与平面性,并进行大量梳理。通过东西方艺术的比较,得出了当时较为前卫的艺术观念,即绘画的现实问题。这一问题的探讨带给了西方艺术一种全新的直面现实生活的观察方式,并直接影响到兄弟二人的批评写作以及之后的印象派艺术。本文意在探讨由龚古尔兄弟发现的“日本艺术”中蕴含的东亚美学,同时也折射出19世纪艺术批评在观念和语言方面的进展。