From the perspective of feminism, by analyzing single intellectual women's living states in enclosed personal spaces, andcomparing their different spatial changes triggered by external intrusions, this essay inten...From the perspective of feminism, by analyzing single intellectual women's living states in enclosed personal spaces, andcomparing their different spatial changes triggered by external intrusions, this essay intends to explore Byatt's ambivalent attitudestowards the feminists' pursuit for a room of one's own, and point out the significance of harmonious co-existence between men andwomen to female identity construction.展开更多
Writer identity in academic writing has long been ignored by developing L2 writers.Moreover,research has much focused on the reader in shaping writing,and treated the role of the writer as unproblematic.In this essay,...Writer identity in academic writing has long been ignored by developing L2 writers.Moreover,research has much focused on the reader in shaping writing,and treated the role of the writer as unproblematic.In this essay,the construction of writer identity in developing writers’academic writing practice will be explored through a review of some relevant literature research and gain insights for the development of writer apprentices and writing instruction.展开更多
Based on a detailed analysis of all the works written by contemporary American writer Philip Roth,Xin Huimin’s monograph A Study of the Writing of the Memories in Philip Roth’s Fiction divides his literary writing c...Based on a detailed analysis of all the works written by contemporary American writer Philip Roth,Xin Huimin’s monograph A Study of the Writing of the Memories in Philip Roth’s Fiction divides his literary writing career of more than half a century into three phases:the Jewish writing phase,the American writing phase and the phase of“late style”writing.Drawing on related theories of memory,Xin explores how the protagonists in Roth’s seven novels use their various modes of memory to fashion and reconstruct their ethnical,national and personal identity,and further points out that these three distinct phases correspond to Roth’s shifts from a Jewish writer,an American writer,and to an aging writer.The book comprehensively manifests Roth’s ethical concerns,his political appeal and the aesthetic value of his works.展开更多
Peng Xiaolian is a rare and prolific Chinese author who writes both fiction and non-fiction works and directs both dramatic and documentary films. Peng has not only written, cowritten, or rewritten all the screenplays...Peng Xiaolian is a rare and prolific Chinese author who writes both fiction and non-fiction works and directs both dramatic and documentary films. Peng has not only written, cowritten, or rewritten all the screenplays of her eight dramatic features and two documentaries but is also the author of one novel, twelve novellas, over a dozen short stories, four book-length memoirs, three collections of film reviews, and numerous essays. The existing scholarly studies, however, nearly all focus on Peng＇s dramatic films, with much less, if any, attention directed at her writing and documentaries. To really understand Peng as a film auteur, however, it is necessary to look at her films and writings together. Given the quantity and complexity of her works and the space limitations of this article, I examine Peng＇s subversion of the conventional treatment of character, location, and time in three thematic sections reflecting the key narrative motifs in her work. I first summarize existing studies of Peng＇s films, highlighting the rarely examined interaction between visuality and spatiality in her films. Then, after defining her sense of time in narrative, I demonstrate how family history and self-reflexivity are the major difference between her films and her nonfiction works. Last but not least, I discuss how, through her use of multilayered narratives constructed by the female voice and subjectivity, her complete repertoire constitutes a unique history of modern Chinese women. This article aims to demonstrate how, through her use of multilayered narratives constructed by the female voice and subjectivity, her complete repertoire constitutes a unique history of modern Chinese women.展开更多
文摘From the perspective of feminism, by analyzing single intellectual women's living states in enclosed personal spaces, andcomparing their different spatial changes triggered by external intrusions, this essay intends to explore Byatt's ambivalent attitudestowards the feminists' pursuit for a room of one's own, and point out the significance of harmonious co-existence between men andwomen to female identity construction.
文摘Writer identity in academic writing has long been ignored by developing L2 writers.Moreover,research has much focused on the reader in shaping writing,and treated the role of the writer as unproblematic.In this essay,the construction of writer identity in developing writers’academic writing practice will be explored through a review of some relevant literature research and gain insights for the development of writer apprentices and writing instruction.
文摘Based on a detailed analysis of all the works written by contemporary American writer Philip Roth,Xin Huimin’s monograph A Study of the Writing of the Memories in Philip Roth’s Fiction divides his literary writing career of more than half a century into three phases:the Jewish writing phase,the American writing phase and the phase of“late style”writing.Drawing on related theories of memory,Xin explores how the protagonists in Roth’s seven novels use their various modes of memory to fashion and reconstruct their ethnical,national and personal identity,and further points out that these three distinct phases correspond to Roth’s shifts from a Jewish writer,an American writer,and to an aging writer.The book comprehensively manifests Roth’s ethical concerns,his political appeal and the aesthetic value of his works.
文摘Peng Xiaolian is a rare and prolific Chinese author who writes both fiction and non-fiction works and directs both dramatic and documentary films. Peng has not only written, cowritten, or rewritten all the screenplays of her eight dramatic features and two documentaries but is also the author of one novel, twelve novellas, over a dozen short stories, four book-length memoirs, three collections of film reviews, and numerous essays. The existing scholarly studies, however, nearly all focus on Peng＇s dramatic films, with much less, if any, attention directed at her writing and documentaries. To really understand Peng as a film auteur, however, it is necessary to look at her films and writings together. Given the quantity and complexity of her works and the space limitations of this article, I examine Peng＇s subversion of the conventional treatment of character, location, and time in three thematic sections reflecting the key narrative motifs in her work. I first summarize existing studies of Peng＇s films, highlighting the rarely examined interaction between visuality and spatiality in her films. Then, after defining her sense of time in narrative, I demonstrate how family history and self-reflexivity are the major difference between her films and her nonfiction works. Last but not least, I discuss how, through her use of multilayered narratives constructed by the female voice and subjectivity, her complete repertoire constitutes a unique history of modern Chinese women. This article aims to demonstrate how, through her use of multilayered narratives constructed by the female voice and subjectivity, her complete repertoire constitutes a unique history of modern Chinese women.
