The field relationship of literature in the Yan’an period is the first thing worthy of attention.In order to become an independent literary history,the literature of Yan’an period must be able to be distinguished f...The field relationship of literature in the Yan’an period is the first thing worthy of attention.In order to become an independent literary history,the literature of Yan’an period must be able to be distinguished from“Sui literary literature”and“new Chinese literature”.The complex field relationship in the Yan’an period makes the“cultural strategy”an indispensable perspective for studying literature in this period.展开更多
MO Yan, winner of the 2012 Nobel Prize in Literature, is hailed as a writer who merges hallucinatory realism with folk tales, and the past with the present. Since he published his first novel Falling Rain on a Spring ...MO Yan, winner of the 2012 Nobel Prize in Literature, is hailed as a writer who merges hallucinatory realism with folk tales, and the past with the present. Since he published his first novel Falling Rain on a Spring Night in 1981, Mo has again and again expanded the breadth and depth of the narrative of Chinese stories, from his earlier works Red Sorghum, to Life and Death Are Wearing Me out and Frog , then to his recent writings such as A Gorgeous Robe (play script) and Seven Stars Shine on Me (poems).展开更多
In terms of the aesthetic of folk literature and art,most researchers explain it drawing on general aesthetic theory,but pay less attention to the specific context and logic of individual cases.Folk aesthetics is deep...In terms of the aesthetic of folk literature and art,most researchers explain it drawing on general aesthetic theory,but pay less attention to the specific context and logic of individual cases.Folk aesthetics is deeply rooted in folk life,including local nature,village culture,farming life and folk belief.These folklore factors constitute the“local logic”,which regulates and influences folk aesthetic culture.The hidden“grammar”must be found in the folk life of the masses with a view to explaining the“essence”of folk aesthetics effectively.The concept of folk literature and art is understood in two different ways:One interprets it as“study of art and literature of folks”,regarding folk as a modifier of study of art and literature.Folk literature and art is regarded as the research object and the discipline is defined according to literary standard.This concept is from the perspective of literary studies,emphasizing that“folk literature and art is a special study of literature and art”.The other interprets it as“study of folk literature and art”,treating literature and art among the folks as the research object and defining the discipline in accordance with cultural standard.This concept is from the perspective of cultural studies.展开更多
With the promulgation of the“National Quality Standards for Undergraduate Teaching of Foreign Languages and Literatures in General Institutions of Higher Education”and“Teaching Guidelines”in 2018,the humanistic at...With the promulgation of the“National Quality Standards for Undergraduate Teaching of Foreign Languages and Literatures in General Institutions of Higher Education”and“Teaching Guidelines”in 2018,the humanistic attributes of English majors and the important position of literature in foreign language learning are emphasized.Nowadays,the English literature curriculum is facing the problems of marginalization,reduction of class hours,simplification of curriculum and so on.Then in the context of the new liberal arts,it provides a new way to break through the dilemma of the literature curriculum.The study has collected the use of teaching materials of British and American literature courses in some colleges and universities across the country.Based on the survey results,the compilation of teaching materials in the new era should consider how to adapt to students’deep learning,autonomous learning,cross learning and research-based learning to provide guidance and support.The diversity of learning requires us to break the monotony of textbook compilation,show diversity and complement each other.展开更多
正At 19 o'clock, October 11th, Beijing time, the Swedish Academy awarded the 2012 Nobel Prize for Literature to the Chinese writer Mo Yan. Within several hours, Mo Yan's works were struck by the "Nobel ef...正At 19 o'clock, October 11th, Beijing time, the Swedish Academy awarded the 2012 Nobel Prize for Literature to the Chinese writer Mo Yan. Within several hours, Mo Yan's works were struck by the "Nobel effect", sales shooting up in both bookstores and online marts. Some websites also jumped on the bandwagon and put up a reservation service for the new editions.展开更多
Since Mo Yan has got the Nobel Prize in Literature,more and more people are interested in him.The author combined and summarized the research on the English version of Honggaoliang Jiazu.
Enframed scenery was classified into 4 categories:door and window enframed scenery,railing and column enframed scenery,tree enframed scenery,cave and crack enframed scenery.Demonstration of poetizing art in such 4 cat...Enframed scenery was classified into 4 categories:door and window enframed scenery,railing and column enframed scenery,tree enframed scenery,cave and crack enframed scenery.Demonstration of poetizing art in such 4 categories of enframed scenery was analyzed,application of enframed scenery in modern landscape architecture was introduced,and cultural connotations of enframed scenery were further explored.展开更多
Eurasian art study is an interdisciplinary approach to the solution of the problems of ethno-national rivalry and contradictions, dominating in the world. Although the roots of Eurasian arts goes back to Aristotelian-...Eurasian art study is an interdisciplinary approach to the solution of the problems of ethno-national rivalry and contradictions, dominating in the world. Although the roots of Eurasian arts goes back to Aristotelian-Avicennian tradition, created in Central Asia （CA） of the eve of the last millennium, the evidence of that common tradition： archaeological, philological, philosophical, linguistic, etc., interconnected with each other and recognized by the diversity of the academic schools of the last century, are not included into educational programs of the universities of the modem times. That miss, creating a gap in the world system of knowledge, restricts development of international affairs and diplomacy in its global significance. To bridge that gap, observing and analysing what was missed in the system of knowledge and how Eurasian arts communities are organizing themselves in CA of pre-soviet times, how they managed to develop through the last century and what is their perspectives now, in globalizing world, is the aim of this paper.展开更多
This paper expresses REN Ping＇s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relati...This paper expresses REN Ping＇s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relationships. The study focuses on his calligraphic styles such as Cursive Calligraphy （草书）, Regular Script （楷书）, Seal Script （篆书）, running style （行书） and so on. His calligraphic art creation lends a unique classical style to the Chinese movie, and shows a board and wide beauty of nature for pavilion ofZONG XIU in Hangzhou, which draws essence from ancient to nourishing the new. It is widely accepted that REN Ping＇s accomplishment results from, his accumulation of Chinese traditional culture, his rich knowledge in occidental philosophy and art, his outstanding artistic talents, and from his generosity, forthrightness, and sincerity, and his all-embracing humanistic feelings.展开更多
Setting to the task of a logical exposition of this article from Mao's Talks with regards to both historical context and philosophical content, a re-reading explores the "living historical document" as a...Setting to the task of a logical exposition of this article from Mao's Talks with regards to both historical context and philosophical content, a re-reading explores the "living historical document" as a theoretical possibility. The author indicates that the literary-artistic hypothesis of Talks consists in the political and military logic of "the revolutionary machine," offering a politically autonomous character to artistic formulation while simultaneously drawing up a mechanics for the general relati on ship between the recon struction of art and social relations in the country's future. Successively, in an attempt to engage with an elucidation of Mao's notion of "universal enlightenment" in the contemporary context, is an analytical emphasis on the implications of the material of Talks which embodies its cultural-political framework. This indicates that the revoluti on ary machine imposes a double function on the cultural-artistic worker as somebody who undertakes the responsibilities of both teacher and servant;who occupies the position of a "vanishing mediator" in the process of universal historical movement;and whose van guard characteristics and ultimate existence possess no independent value but instead depend on and draw from their relationship with the historical totality. The author holds that this perspective supports the advancement of our cognizance with regards to the civilizing functionality and ethical constructiveness of the Chinese Revolution in world-historical context.展开更多
文摘The field relationship of literature in the Yan’an period is the first thing worthy of attention.In order to become an independent literary history,the literature of Yan’an period must be able to be distinguished from“Sui literary literature”and“new Chinese literature”.The complex field relationship in the Yan’an period makes the“cultural strategy”an indispensable perspective for studying literature in this period.
文摘MO Yan, winner of the 2012 Nobel Prize in Literature, is hailed as a writer who merges hallucinatory realism with folk tales, and the past with the present. Since he published his first novel Falling Rain on a Spring Night in 1981, Mo has again and again expanded the breadth and depth of the narrative of Chinese stories, from his earlier works Red Sorghum, to Life and Death Are Wearing Me out and Frog , then to his recent writings such as A Gorgeous Robe (play script) and Seven Stars Shine on Me (poems).
文摘In terms of the aesthetic of folk literature and art,most researchers explain it drawing on general aesthetic theory,but pay less attention to the specific context and logic of individual cases.Folk aesthetics is deeply rooted in folk life,including local nature,village culture,farming life and folk belief.These folklore factors constitute the“local logic”,which regulates and influences folk aesthetic culture.The hidden“grammar”must be found in the folk life of the masses with a view to explaining the“essence”of folk aesthetics effectively.The concept of folk literature and art is understood in two different ways:One interprets it as“study of art and literature of folks”,regarding folk as a modifier of study of art and literature.Folk literature and art is regarded as the research object and the discipline is defined according to literary standard.This concept is from the perspective of literary studies,emphasizing that“folk literature and art is a special study of literature and art”.The other interprets it as“study of folk literature and art”,treating literature and art among the folks as the research object and defining the discipline in accordance with cultural standard.This concept is from the perspective of cultural studies.
文摘With the promulgation of the“National Quality Standards for Undergraduate Teaching of Foreign Languages and Literatures in General Institutions of Higher Education”and“Teaching Guidelines”in 2018,the humanistic attributes of English majors and the important position of literature in foreign language learning are emphasized.Nowadays,the English literature curriculum is facing the problems of marginalization,reduction of class hours,simplification of curriculum and so on.Then in the context of the new liberal arts,it provides a new way to break through the dilemma of the literature curriculum.The study has collected the use of teaching materials of British and American literature courses in some colleges and universities across the country.Based on the survey results,the compilation of teaching materials in the new era should consider how to adapt to students’deep learning,autonomous learning,cross learning and research-based learning to provide guidance and support.The diversity of learning requires us to break the monotony of textbook compilation,show diversity and complement each other.
文摘正At 19 o'clock, October 11th, Beijing time, the Swedish Academy awarded the 2012 Nobel Prize for Literature to the Chinese writer Mo Yan. Within several hours, Mo Yan's works were struck by the "Nobel effect", sales shooting up in both bookstores and online marts. Some websites also jumped on the bandwagon and put up a reservation service for the new editions.
文摘Since Mo Yan has got the Nobel Prize in Literature,more and more people are interested in him.The author combined and summarized the research on the English version of Honggaoliang Jiazu.
基金Supported by 2013 Hengyang Social Sciences Research Program(2013C32):Buddhism and Taoism Landscapes in Mountain Hengshan
文摘Enframed scenery was classified into 4 categories:door and window enframed scenery,railing and column enframed scenery,tree enframed scenery,cave and crack enframed scenery.Demonstration of poetizing art in such 4 categories of enframed scenery was analyzed,application of enframed scenery in modern landscape architecture was introduced,and cultural connotations of enframed scenery were further explored.
文摘Eurasian art study is an interdisciplinary approach to the solution of the problems of ethno-national rivalry and contradictions, dominating in the world. Although the roots of Eurasian arts goes back to Aristotelian-Avicennian tradition, created in Central Asia （CA） of the eve of the last millennium, the evidence of that common tradition： archaeological, philological, philosophical, linguistic, etc., interconnected with each other and recognized by the diversity of the academic schools of the last century, are not included into educational programs of the universities of the modem times. That miss, creating a gap in the world system of knowledge, restricts development of international affairs and diplomacy in its global significance. To bridge that gap, observing and analysing what was missed in the system of knowledge and how Eurasian arts communities are organizing themselves in CA of pre-soviet times, how they managed to develop through the last century and what is their perspectives now, in globalizing world, is the aim of this paper.
文摘This paper expresses REN Ping＇s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relationships. The study focuses on his calligraphic styles such as Cursive Calligraphy （草书）, Regular Script （楷书）, Seal Script （篆书）, running style （行书） and so on. His calligraphic art creation lends a unique classical style to the Chinese movie, and shows a board and wide beauty of nature for pavilion ofZONG XIU in Hangzhou, which draws essence from ancient to nourishing the new. It is widely accepted that REN Ping＇s accomplishment results from, his accumulation of Chinese traditional culture, his rich knowledge in occidental philosophy and art, his outstanding artistic talents, and from his generosity, forthrightness, and sincerity, and his all-embracing humanistic feelings.
文摘Setting to the task of a logical exposition of this article from Mao's Talks with regards to both historical context and philosophical content, a re-reading explores the "living historical document" as a theoretical possibility. The author indicates that the literary-artistic hypothesis of Talks consists in the political and military logic of "the revolutionary machine," offering a politically autonomous character to artistic formulation while simultaneously drawing up a mechanics for the general relati on ship between the recon struction of art and social relations in the country's future. Successively, in an attempt to engage with an elucidation of Mao's notion of "universal enlightenment" in the contemporary context, is an analytical emphasis on the implications of the material of Talks which embodies its cultural-political framework. This indicates that the revoluti on ary machine imposes a double function on the cultural-artistic worker as somebody who undertakes the responsibilities of both teacher and servant;who occupies the position of a "vanishing mediator" in the process of universal historical movement;and whose van guard characteristics and ultimate existence possess no independent value but instead depend on and draw from their relationship with the historical totality. The author holds that this perspective supports the advancement of our cognizance with regards to the civilizing functionality and ethical constructiveness of the Chinese Revolution in world-historical context.
