Reviews on Post-earthquake Reconstruction of Qiang Culture: Three-dimensional Pattern

Through the introduction of disaster situation of Qiang Culture after Wenchuan Earthquake, the paper emphasized that carriers of Qiang Culture had been seriously damaged, the inheritance of Qiang Culture had been affected, and the environment for Qiang Culture was difficult to recover. It highlighted that three-dimensional reconstruction of Qiang Culture should stress the core task and timely and effectively rescue endangered cultural heritages of Qiang Nationality from the perspectives of material and spiritual life. It had explained focuses of three-dimensional pattern construction in detail. In terms of spatial reconstruction, it should reconstruct native culture and history while material culture was constructed, and reconstruct Qiang culture highland by depending on aborigines; in terms of cluster reconstruction, it should give support to large tourism enterprises and perfect tourism chain; in terms of ecological reconstruction, it should enhance construction and demonstration of "ecological protection pilot area of Qiang culture"; in terms of development reconstruction, it should realize coordinated unity between protection and development according to classification protection, characteristic protection and key protection, so as to form the virtuous circle of post-disaster recovery protection and sustainable development.

A Study on the Cultural Meanings of Qiang’s Traditional Dress and Adornment

Since 2008 when the Wenchuan earthquake occurred, media from different countries and regions across the world reported the earthquake so that a less well-known ethnic group of China, the Qiang ethnic minority, has attracted attention around the world. The Qiang ethnic minority could be dated back to the Shang Dynasty （ca. 1600-1046BC）. The long-standing Qiang culture is an important part of those brilliant Chinese cultures. The Qiang’s traditional dress and adornment is an integral part of the Qiang culture, appreciating unique ethnic characteristics and cultural meanings. Being against the backdrop of promoting cultural diversity nowadays, this paper makes a brief introduction to the Qiang’s traditional dress and adornment and gives an explanation of their rich unique cultural meanings so as to present the Qiang’s traditional dress and adornment to the world, facilitate their going out to the world and communication with other cultures in the world, and enrich the world’s ethnic cultures.

Study on Qiang Ethnic Minority＇s Leather Drum Dance under the Background of Intangible Cultural Heritage

There is a very ancient and magical ritual dance （leather drum dance） in the folk society of Qiang ethnic minority, which is located in Wenchuan, Maoxian County, and Beichuan County of the Northwest Plateau. It is a dance used by Qiang people to lead the way for honoring their gods, expelling the evil spirit, seeking happiness, and sending the soul of the dead to the heavy. In this paper, the origin, development, morphological characteristics, formation control, and social functions are studied.

A Study on the Control and Guidance Strategy of the Diaolou Style Building of Qiang People Based on Behavioral Analysis

Diaolou style building is an important residential building of Qiang people. In recent years, Qiang people’s own cultural identities and behavioral awareness have transformed. Due to the lack of attention to the inheritance of original architectural style and the absence of a detailed scientific protection of the landscape, the architectural style of Diaolou style building gradually loses its vitality. It is difficult to control and guide it effectively. And tourism economy which enjoys a direct link with the architecture has been confined to further development. From the perspective of behavioral science, this study innovatively analyzes the Diaolou style building of Qiang people by combining the methodology of Lew in metal of behavior and Analytic Hierarchy Process. Firstly, 32 symbols are chosen as Diaolou architectural style factors from the selection of more than 100 Diaolou architectural decorative symbols. Then by measuring their weight coefficients through the Analytic Hierarchy Process, eight main style factors have been screened out. After field research, we analyze the actual use of the style factors of the six typical villages such as Gina. On this basis, this paper analyzes the behavioral factors of Diaolou style building of Qiang people, deconstructs its use and puts forward a concept which takes style control as a guidance and behavior guidance as a strategy to protect and develop Diaolou style building of Qiang people. It is also proposed that a control and guidance strategy of inheritance and development of Qiang Diaolou architectural style, including master the influencing factors as a whole, follow the principle of people-oriented, compound function, dynamic development and highlighting national aesthetics, based on its style system, and grasp the trend of architectural style, etc. The study provides an effective guarantee for the further development of rural tourism, and a necessary theoretical and technical guidance for the government to adopt targeted steps.

Summary of the Present Situation of Inheritance of Qiang Dance in Pre-School Education

The Qiang Nationality has a long history and forms a dance form rich in lively rhythm, beats and heroic dance postures in the long process of its development. As a member of the Chinese traditional dance culture, and affected by Qiang Nationality's no written language, the Qiang dance can only be inherited by means of oral or mental instruction. Therefore, its inheritance has already been in crisis with the Qiang people's gradually going out of the national and geographical restrictions. At this time, teaching Qiang dance in the pre-school education can achieve the purpose of cultivating the traditional dance feelings of Qiang Nationality from the early childhood, thus making the children become inheritor and disseminator of Qiang culture. At the present stage, many scholars in our country have explored the inheritance of Qiang dance in pre-school education, and have reached certain research results. After clarifying the internal and external influencing factors of the Qiang dance and its inheritance, this paper summarizes the existing research results mainly from the two aspects including the problems of Qiang dance inheritance existing in the pre-school education and its application to the inheritance strategy.

数字化背景下羌绣文创产品设计及美育价值建构

目的中华优秀传统文化需要将艺术价值与时代价值统一起来。针对羌绣文创产品,当前人们大多关注其艺术价值、数字化设计与市场开发方面,忽视了羌绣文创产品的审美教育价值(以下简称美育价值),因此要将产品设计和美育价值建构融合在一起研究。首先,为羌绣文创产品提炼美育价值内容;其次,以数字技术助推羌绣文创产品美育元素的跨界设计;然后,挖掘并满足羌绣文创产品潜在消费群体的美育元素;最后,要对羌绣中的文化内容进行转译以适合文创产品的数据化应用。此外,为广泛推进其美育价值,需要建设羌绣美育文创产品数据库。方法通过文献研究法与图像分析整理出羌绣美育价值符号,使用田野调查法及人物访谈方式了解羌绣文创产品类型及羌绣美育价值的数字化设计情况,以及数据库的建立情况。结论在数字化背景下,羌绣文创产品设计需要在空间设计、交互体验和文化转译上将羌绣文创产品的美育价值融入其中,从而为促进中华民族共同体意识的建设贡献力量。

高质量发展视阈下藏羌彝走廊公共文化服务效能评价

以藏羌彝走廊七个省(区)为研究对象,运用熵权TOPSIS模型评估2014—2019年藏羌彝走廊地区公共文化服务效能水平,着力推动藏羌彝走廊地区公共文化服务的高质量建设。结果显示:(1)藏羌彝走廊公共文化服务效能整体呈不断上升趋势,各地区间的公共文化服务效能绝对差距仍然较大,相对差距不断缩小。(2)藏羌彝走廊各地区公共文化服务效能空间分布呈现出较为明显的“东高西低”格局。(3)藏羌彝走廊地区公共文化服务效能障碍因子存在一定的地区差异性,但差异较小。针对各地区公共文化服务效能差距较大问题以及存在的障碍因素,提出实行差异化发展策略、优化及整合资源配置、加快建设公共文化服务数字化等相关建议。

藏羌彝走廊民间身体文化符号传播与产业发展研究——以大渡河流域为例

藏羌彝走廊有着神秘的宗教祭祀、节庆仪式等民间身体文化,形成了独特的民族文化符号,对坚定文化自信和强化民族共同体意识意义重大。运用文献资料法、田野调查法等研究方法,以藏羌彝走廊民间身体活动为研究对象,以符号传播为切入点,把符号生产和符号消费作为主客对象,探索身体文化符号引申意义,主要针对大渡河流域以藏民族为主的不同支系民间身体活动展开调查,结合目前的消费现状且供大于求的符号补缺时代特征,在身体艺术、仪式、文化领域的符号表意价值上,从符形、符义、符用的符号传播互动以及“以小见大”的微观个案和整体观,研究身体活动在生产生活、节庆、宗教等的文化表达,有助于文化发展的真实记述与客观分析,创建出身体文化符号服务质量提升下的文化产业发展新模式。

文旅融合促进藏羌彝走廊各民族交往交流交融的逻辑理路与实践进路

藏羌彝走廊不仅是中华民族交往交流交融的关键枢纽,也是铸牢中华民族共同体意识的重要场域。新时期藏羌彝走廊民族文化旅游蓬勃发展,以文塑旅、以旅彰文,成为促进藏羌彝各民族交往交流交融的重要途径和载体。文旅融合有着从个体身份认同到民族和国家认同的内在逻辑,民族交往交流交融遵循从文化认同到民族和国家认同的生成机理,两者的目标和逻辑一致,统一于铸牢中华民族共同体意识的历史进程中。本文结合四川省的三个案例,探讨了以文旅融合推进藏羌彝走廊民族交往交流交融的实践进路:一是以文旅融合的体制机制创新,推动各民族交往交流交融的与时俱进;二是以文旅融合重点项目,搭建各民族交往交流交融的平台;三是以文旅融合的精品线路,推动各民族交往交流交融的广泛拓展;四是以文旅融合体验传播,讲好各民族交往交流融的故事;五是以文旅融合的社区参与,增强各民族交往交流交融的内生动力。文旅融合促进藏羌彝走廊各民族交往交流交融,不仅利于藏羌彝走廊的民族团结、社会稳定、经济发展,也有利于进一步铸牢中华民族共同体意识、推进新时代党的民族工作高质量发展。

企业异质性视角下的文化产业集聚动力分析——基于藏羌彝走廊数据的实证研究

基于集聚经济理论、企业异质性理论、选择效应理论等构建藏羌彝走廊文化产业空间集聚动力理论框架,通过实证分析探析各动力因子对文化产业集聚的影响。结果表明:藏羌彝走廊文化产业集聚由基础设施共享、知识溢出、产业匹配、选择效应四大动力因子在不同程度上共同发挥作用,其中人力资本、研发支出、金融产业、信息产业、人力资源禀赋受到企业异质性的调节作用对文化产业集聚呈现出显著正向的影响,并且调节变量在不同水平时,各动力因子对文化产业集聚的影响幅度具有差异性。基础设施发达程度和市场规模,这两种动力因子未受到企业异质性的调节作用。

西部少数民族地区传统刺绣技艺与艺术特征研究——以羌绣为例

为了更好地保护和传承羌绣艺术,文章通过文献研究和田野调查,探究了羌绣的刺绣技艺与艺术特征。羌绣在原材料与刺绣工具选择上有自己的标准,刺绣针法以扎绣、钩绣和挑绣为主,其图案映射出羌族的日常生活、自然景观及社会信仰,如“石榴送子”“藤团牡丹”等,图案色彩则以素绣和彩绣为主。羌绣不仅是一种装饰技艺,更承载着丰富的民族文化和历史价值,深入挖掘并传播其独特技艺与艺术特征,有助于发挥羌绣艺术的独特魅力和文化内涵。

传承创新助推民族非遗文化服务乡村振兴——以略阳羌族麻编为例

乡村振兴是促进地方特色经济发展的重要工作,文章通过对民族服饰文化的精神价值和经济价值进行分析,为传承创新助推乡村振兴工作提供了理论依据,并对激发羌族非遗文化产业市场活力、构建新生产力新格局提出了发展建议。

新时代羌族传统体育文化宣传的现实困境、价值与实施路径

当前,羌族传统体育文化在宣传方面存在宣传媒介单一、宣传缺乏时效、宣传效果不佳等现实困境。为进一步促进羌族传统体育文化在新时代背景下能够“完整”地传承和“走出去”,羌族传统体育文化的宣传应该向信息化方向发展,不断创新传播方式、拓展传播渠道、加强跨界合作、利用现代科技手段、注重教育普及、推动文化旅游融合以及鼓励社区参与和传承等,以进一步提高羌族传统体育文化的影响力和传播力。

羌族文化艺术对其传统家具的影响

羌族作为中国最古老的民族之一,其民族文化亦是我国艺术宝库中瑰丽灿烂的组成之一。家具作为文化的一个重要载体,凝结了无数羌族人民的劳动智慧、手工技艺、精神文明和美学思想,具有较高的艺术价值和历史价值,同时家具作为人们的日常所需,完全可以成为羌族文化的传播载体。经济社会的快速发展对民族传统文化有巨大冲击,如今羌族文化岌岌可危,亟待保护与研究。通过文献分析和线上调研的方式,从羌族的传统文化艺术着手,分析包括羌族的宗教信仰、神话传说、传统工艺等方面在羌族传统家具上的体现,从而进一步分析羌族文化艺术对其传统家具产生的影响,以期为保护羌族文化艺术,研究羌族传统家具提供一定的资料参考。

非物质文化遗产视角下羌族剪纸色彩语言的保护与重构

羌族剪纸是中国传统民间艺术的瑰宝。对羌族剪纸色彩语言的保护与重构,须立足于对其历史演进过程的深入挖掘与文化内涵的全面理解,既要尊重和保持它的原生态的文化属性,又要探寻它在当下时代语境下的创新可能。本文从历史、技艺、色彩语言的内在价值出发,探讨如何在尊重传统的基础上,通过现代技术手段与创意设计,重构与激活羌族剪纸的色彩语言,为这一非物质文化遗产的保护与传承开辟新路径。

乡村振兴战略背景下陕南羌族傩文化的传承价值——以陕西宁强县为例

相对经济发展而言,陕南乡村文化发展略显滞后,但乡村民间民俗文化,尤其是傩文化,历史悠久,积淀丰厚,传承有序,存续相对完好,是乡村文化振兴的坚实基础。在乡村文化振兴战略中,要抓住提振文化内生动力的要素,将傩文化的保护开发与经济发展有机结合,使之共生共荣,相得益彰,为乡村振兴助力。

现代和合语境下的中国少数民族图案再生——以羌族为例

文章基于和合文化的内涵,深入探讨语境对民族图案纹样、色彩、语法的多重影响。通过对羌族服饰的细致分析,从多元题材、和谐构造、精湛针法、舒适色彩及传神意象五个维度,揭示其和合美学的独特魅力。在尊重民族纹样原始语境、语义和语法的基础上,运用解构重组、抽象简化等手法进行图案再创造。文章强调在中国民族大团结的语境下,少数民族图案艺术间的交流合作对于增强民族凝聚力、推动少数民族文化活态传承具有深远意义。旨在为中国少数民族视觉图案的可持续发展与创新再生提供有益的参考与借鉴。

色彩在羌绣文化传达中的角色研究

羌绣色彩的应用体现了羌族文化和信仰的丰富内涵,每种色彩都蕴含特定的文化意义和社会信息,通过色彩的选择和搭配传递羌族的世界观和价值观。传统羌绣以自然染料和图腾为主,展示对自然的敬畏和社会结构的反映;现代羌绣引入新色彩和技术,探索个性化和创新性;创新羌绣则结合现代设计思维,通过新材料和技术创新传统艺术。数字化羌绣使用现代科技手段,提高生产效率,扩展表现力。羌绣的色彩特性包括象征性、和谐性和持久性,反映羌族对自然和文化的深刻理解。

羌族服饰图案文化在IP形象设计中的应用

文章探讨了将羌族服饰图案文化融入现代IP形象设计的价值与方法,以促进传统文化的传承与创新。羌族图案为现代设计提供了丰富的灵感来源,其独特的象征意义和美感也极大丰富了设计领域的创意资源。通过重新诠释传统图案、色彩和文化符号,将其转化为现代时尚语言,成功融入IP形象设计中,既保留了文化的原始魅力,又增添了现代审美元素。这种结合为传统文化的传承与推广提供了新的路径,也为现代设计领域带来了新的灵感和创意。

羌绣纹样题材及其与羌文化映射关系

羌绣是羌文化的重要组成部分,在2008年被列为国家级非物质文化遗产。为了更深入地研究羌绣文化技艺,尤其是羌绣纹样题材与羌文化的联系,通过对四川省茂县、北川、平武、理县、汶川等各羌族聚居地进行田野考察,搜集整理了上百幅羌族地区羌绣服饰作品和资料,对羌绣的经典纹样进行了系统分类,探讨和解析了羌绣常用纹样题材的特点,阐述了典型羌绣纹样题材与羌族宗教文化及民俗文化的映射关系。以期有助于多视角研究羌族历史文化,对羌族刺绣的艺术形式创新提供理论依据,并为羌绣这一非物质文化遗产的传承、创新做出贡献。