The female images in Shakespeare’s plays are diverse and colorful,showing the typological deformation value of topology.The brave female women in his plays,such as Juliet in Romeo and Juliet,Portia in The Merchant of...The female images in Shakespeare’s plays are diverse and colorful,showing the typological deformation value of topology.The brave female women in his plays,such as Juliet in Romeo and Juliet,Portia in The Merchant of Venice,Cordelia in King Lear,are the same type and equivalent topological deformation.In artistic terms,the three women of the same type with their own characteristics are the deformed topological space under the principle of equivalence,which is embodied vividly in the source text.This thesis purposed to investigate whether the translation of Zhu Shenghao also reflected the equivalent deformation of Shakespeare’s original text.This study texts the validity of the target text from the source text,proves the evaluation mechanism and function of topology in the process of translation and explains how the translation is equivalent to the original.展开更多
文摘The female images in Shakespeare’s plays are diverse and colorful,showing the typological deformation value of topology.The brave female women in his plays,such as Juliet in Romeo and Juliet,Portia in The Merchant of Venice,Cordelia in King Lear,are the same type and equivalent topological deformation.In artistic terms,the three women of the same type with their own characteristics are the deformed topological space under the principle of equivalence,which is embodied vividly in the source text.This thesis purposed to investigate whether the translation of Zhu Shenghao also reflected the equivalent deformation of Shakespeare’s original text.This study texts the validity of the target text from the source text,proves the evaluation mechanism and function of topology in the process of translation and explains how the translation is equivalent to the original.
