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Techno-aesthetics in architectural discourses:A state of the art review
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作者 Bita Vasseghipanah Saeed Haghir 《Frontiers of Architectural Research》 CSCD 2024年第3期505-542,共38页
Since the beginning of the First Industrial Revolution,technology and its impact on art and design have been a topic of discussion.With the rise of digital technologies,there has been a renewed interest in exploring t... Since the beginning of the First Industrial Revolution,technology and its impact on art and design have been a topic of discussion.With the rise of digital technologies,there has been a renewed interest in exploring the relationship between technology and aesthetics.The aim of this paper is to clarify the concept of techno-aesthetics and make it a more accessible field of study by identifying its key discourses.In order to understand how technological objects have been evaluated in architectural history,a systematic review of 177 studies was conducted.The collected literature was analyzed using Kant’s characteristics of aesthetic judgment,discourse analysis techniques from Foucault’s methodology and Laclau and Mouffe’s discourse theory.This helped in creating a framework for classifying the literature.The study analyzed results based on five categories:admired technological objects and architectural objects inspired by them,concepts(function,truth,freedom,objectivity,unity,and power),standpoints(rationalism,romanticism,optimism,and determinism),and benchmarks of legitimation(ideology,history,scientific nature,everyday aesthetics,and sublimation of technology).These results were then combined to identify eleven significant discourses of techno-aesthetics. 展开更多
关键词 Techno-aesthetics Architectural technologies Order of discourse Discourse theory Aesthetic judgement
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唯美主义与康德美学——“审美无利害性”概念的确立与“为艺术而艺术”命题的提出
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作者 汪涛 《湛江师范学院学报(哲学社会科学版)》 2001年第4期42-45,共4页
康德美学所提出的“审美无利害性”概念在理论上给当时的文学艺术极大的启发 ,文学艺术转向自身的价值追求 ,开创了西方现代批评的先锋。文中通过分析康德对审美无利害性的阐释 ,以及唯美主义思潮是如何吸收康德美学思想、进而提出“艺... 康德美学所提出的“审美无利害性”概念在理论上给当时的文学艺术极大的启发 ,文学艺术转向自身的价值追求 ,开创了西方现代批评的先锋。文中通过分析康德对审美无利害性的阐释 ,以及唯美主义思潮是如何吸收康德美学思想、进而提出“艺术无功利”和“为艺术而艺术”等惊世骇俗的理论口号 ,并厘清它与康德美学的关系 ,从而更准确地把握这一文艺思潮的历史意义 ,及其在文学史中应有的地位。 展开更多
关键词 康德 《判断力批判》 审美"无利害性" 唯美主义 文艺思潮 美学 "艺术无功利"
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