The Study of “Imitation” Aesthetics in Ancient Painting Theory-Taking the Chinese and Western Sources as an Example

The theory of“imitation”in painting occupies a leading position in western art,which originated from the theory of“imitation”in ancient Greece,and has become one of the art theories affecting the world through the continuous development of later generations.Through the exploration of the source of“imitation”in China and the West,there are some comments on the meaning of“imitation”in Chinese classical painting theory,such as“transfer model writing”and“image form”,which is obvious differences from the west.Traditional Chinese painting is a combination of careful observation of natural things and subjective emotions to express their own aesthetic feelings,and ultimately form a vivid artistic conception.Modern imitation is borrowed from Western imitation.In fact,imitation in traditional painting has its own meaning,which contains Chinese aesthetic thought.“Imitation”aesthetics is unique in traditional Chinese painting and is the most important form of painting art.

On Translation of Children’s Literature Based on Reception Aesthetics:A Case Study of The Secret Garden

Grounded in reader-centered theories,Reception Aesthetics prioritizes the active engagement and acceptance of target readers.This study examines the translation of children’s literature through the lens of Reception Aesthetics,using Li Wenjun’s rendition of The Secret Garden as a case study.The objective is to scrutinize various aspects of the translation-including vocabulary,syntax,rhetorical devices,and cultural nuances-and to discern how the adaptation and application of diverse translation strategies cater to the aesthetic expectations.

Translation of Culture-loaded Words in The Golden Cangue under the Perspective of Reception Aesthetics

Good translations play a very important role in cultural exchange.The idea of reception aesthetics think the reader as the center in translation process.This paper will study the translation of culture-loaded words from the perspective of reception aesthetics.It is divided into five parts.The first part mainly introduces the background and theoretical foundation of this paper,the second part introduces the writer’s works,the third part gives examples to analyze the culture-loaded words appearing in The Golden Cangue,the fourth part gives examples of the translation methods,and the fifth part is the conclusion.It aims to provide a reference for the English translation of culture-loaded words.

Research on the Cultivation of Aesthetics among Art Students under the New Era Background

Through understanding the history and current situation of aesthetic education in China,this paper explains some misunderstandings in the aesthetics of contemporary university art students,such as the insufficiency of aesthetic value and ability,as well as the inadequacy of students’creativity due to traditional art education.It is also pointed out that the cultivation of core literacy of art students is a multidimensional and comprehensive process,and these problems need to be solved by schools,teachers,and students,so as to strengthen the inner aesthetic education of students and improve their aesthetic awareness and ability.Aesthetic education is not only an important part of the art classroom but also a key part of fostering students’all-round development and enhancing their humanistic literacy.It is necessary to cultivate students’observation,imagination,image-thinking ability,and creativity,so that they can become artistic talents with independent thinking and innovation.

A Brief Introduction to Kant’s Aesthetics of Natural Landscape

As an early philosopher who paid attention to the aesthetic value of natural scenery,Kant’s aesthetic thought of natural scenery mainly focused on the analysis of the sense of sublimity.Through the comparative interpretation of the two concepts of“sublime beauty”and“natural beauty”,the author expounded that the aesthetic object of natural beauty was mainly the individual form of“organic matters”,and the aesthetic object of sublime beauty was the natural environment composed of organic matters and inorganic matters.Through the analysis of different forms and categories of sense of sublimity,this paper summarized the characteristics of Kant’s natural landscape aesthetics:paying attention to the quantitative characteristics of space and time,preferring the original nature and wild nature and the original energy contained therein,and then revealed that the essence of Kant’s natural landscape aesthetics was the recognition of human moral emotion and their own value in the natural landscape.

Research on the Path of Integrating Party Construction Aesthetics into Ideological and Political Education in Colleges and Universities

Party construction aesthetics is a valuable aesthetic resource formed in the practical exploration of rural revitalization,and it has logical compatibility with ideological and political education in terms of concepts,goals,tasks,etc.At present,comprehensive deepening reform has entered a deep-water zone,and some erroneous value orientations such as utilitarianism,emptiness,and liberalization are common in colleges and universities,and ideological and political education is caught in a new round of difficulties.As the main position of ideological and political education,colleges and universities should further use party construction aesthetics to strengthen and improve ideological and political education,adhere to the carrier of aesthetic education,carry out diversified integrated education,broaden the ideological and political practical teaching system,build a long-term mechanism for collaborative education of ideological and political education and party construction aesthetics,and fully integrate party construction aesthetics into ideological and political education in colleges and universities.

The Past and Future of Aesthetics in Mathematics

This paper explores the connotations of mathematical aesthetics and its connections with art,facilitated by collaboration with Ester,an individual with an artistic professional background.It begins by tracing the historical evolution of aesthetics from the classical pursuit of authenticity to the modern shift toward self-expression in art.The discussion then highlights the similarities in the pursuit of truth between mathematics and art,despite their methodological differences.Through an analysis of aesthetic elements in mathematics,such as lines and function graphs,the article illustrates that the beauty of mathematics is not only manifested in cognitive processes but can also be intuitively expressed through visual arts.The paper further examines the influence of mathematics on the development of art,particularly how Leonardo da Vinci applied mathematical principles to his artworks.Additionally,the article addresses art students’perceptions of mathematics,proposes the customization of math courses for art students,and discusses future trends in the integration of mathematics and art,emphasizing the significance of art therapy and the altruistic direction of art.Lastly,the authors use a poster to visually convey the idea that the beauty of mathematics can be experienced through the senses.

The Translation of Children's Literature under the Guidance of Reception Aesthetics

In recent years,a great majority of excellent foreign children' s literary works have sprung up in the domestic market,so the translation of children' literature are drawn much attention.However,the relevant studies which guide the translation of children literature are quite few.Reception Aesthetics which take readers reception as a goal provides a new prospective for the translation of children s literature and promote its development.

Gardening Aesthetics Implied in Yanshan Garden of Guilin City

Gardening aesthetics implied in Yanshan garden were analyzed by combining with its natural environment,Map of Yanshan Garden of Nong Daijin and relevant researches. This study stated that Confucianism,Taoism and Zen Buddhism laid the philosophical foundation of gardening in Yanshan Garden and its gardening aesthetics included the ideas of entering or leaving the officialdom,painting style and artistic conception,beauty of natural landscape and cultural connotation of Fengshui.

On the Limit of Translatibility from the Perspective of Translation Aesthetics

The limit of translatability is closely related to translation aesthetics since faithful reproduction of the source text's aes thetic elements in target text is by no means an easy task or even a laborious but fruitless task.Some aesthetic elements of the source text can not be represented in target language due to linguistic and cultural divergences or translator's incompetence.In that case,there is limit of translatability from the perspective of translation aesthetics.

On aesthetics theory of Edmund Burke

Being one of the most important English aesthetics in the 18th century,Edmund Burke played a significant role in the develop-ment of aesthetics.And his ideas of aesthetic theory are represented by one of his treatises: A philosophical Inquiry into the Origin of OurIdeas of the Sublime and Beautiful.This paper aims at interpreting Burke's aesthetics ideas from the perspectives of three important terms:qualities of the objects;psychological and physical nature of the subjects and the standard of the taste.

On the Integration of Translation Aesthetics and Pragmatics from the Perspective of Relevance Theory

The paper will devote to explore the deeper integration of translation aesthetics and pragmatics from the perspective of the relevance theory in an effort to contribute to the advance of traditional Chinese discourse on translation.

Commentary on My Translation of You Can You Will from Jauss' Perspective of Reception Aesthetics

Drawing upon the theory of reception aesthetics, this dissertation aims to discuss the translator's translation of You Can YouWill. Beginning with preliminary background information, e.g. the source book and writer, the translator further introduces theories andprevious related research, including Christian work. There are two representatives of reception theory; the translator stresses Jauss' per-spective of reception aesthetics, detailing his two key notions: the reader's decisive role and horizon of expectation. These notions shiftthe focus from the writer and text to the reader, which is a proven method to make the translation more acceptable to readers. Based onthe translation brief, target readers are Christians. During the translation process, the translator keeps key notions of reception aestheticstop-of-mind and strives to produce a version suitable for Christian readers. Some strategies, e.g. domestication and footnoting, are em-ployed to discuss the translation of biblical terms, Christian expressions, verses or stories from the Bible, metaphors and cultural items.In addition to these strategies, all translation is in accordance with CUV when encountering Bible-related text, due to CUV's authorityamong all versions of the Bible. Lastly, the translator provides conclusive remarks based on analysis as well as suggestions for further re-search. Limitations of this study are also mentioned.

On the Translated Subtitles of Chinese Films from the Perspective of Reception Aesthetics

The subtitle translation not only needs to consider the audience’s horizon of expectation and acceptability,but also has to achieve the significance of spreading Chinese culture to foreigners.This paper explores the rules,principles and methods of the subtitle translation of Chinese films from the perspective of reception aesthetics.

On retranslation of famous book from the perspective of aesthetics of reception： The comparison of two translated versions of The old man and the sea

According to aesthetics of reception, the reception of literature can be divided into two patterns, that is, vertical reception and horizontal reception. The former means determining the original text＇s meaning from the perspective of historical development. Readers in different history periods have different explanations and conclusions of certain writer or original text because of their different social and cultural backgrounds. The author of this thesis combines the viewpoint and the translation of famous book, holding that famous book has special aesthetical value and its explanation shouldn＇t be limited by certain translated version. Retranslation can keep and enrich the aesthetical value of the famous book and should be encouraged.

Aesthetics-Based Analysis and Planning of Rural Natural Tourist Resources

In view of aesthetic needs of tourists,agricultural and natural tourist resources were analyzed from the perspective of aesthetics to satisfy "aesthetic pleasure" of tourists,research hypotheses in the scope of aesthetics were proposed and then verified through the large-sample questionnaire survey.Those hypotheses were proved tenable by scientifically analyzing survey results,disclosing the positive correlation between human-nature harmony and attraction of natural tourist resources in rural areas.On this basis,the system of agricultural and tourist resources in the scope of aesthetics was established,and the comprehensive planning for promoting the attraction of agricultural tourist sites was made from two aspects:constructing the overall rural natural landscapes,improving the style and taste of natural resources in farms.

The Study on Lin Yutang's Translation from the Perspective of Aesthetics

Since the main purposes of translation lies in expressing to the target readers both the message and the aesthetic value of the source text and making the readers ideologically inspired and aesthetically entertained,Lin Yutang conclusively sum up that the aesthetic criteria in translation should be faithfulness,expressiveness and beauty throughout his translation practices.This thesis mainly focus on the aesthetic criteria of Lin's translation as well as the aesthetic reproduction in his translation which illustrates the unity reached in Lin's translation in terms of both the aesthetic features and the loyalty to the meaning.

Aesthetic gingival management: Preservation of the anatomical structures and the gingival aesthetics by immediate implant-insertion after loss of anterior teeth and premolars—Results of a 5-year prospective study with 348 inserted one-phase implants

Implant insertion is an alternative to classical treatment with bridges after tooth extraction or traumatic tooth loss in the anterior and premolar region of the upper and lower jaw. Nevertheless both types of prosthetic treatment inhere major gingival aesthetic pitfalls by physiological vertical and horizontal resorption. Aim of the study was to investigate if the immediate insertion of root analogue single-stage implants and prosthetic treatment could prevent gingival recessions and bone resorption thus keeping the natural gingival aesthetics untouched. Between 2003 and 2006, 348 root analogue Q1-Implants (TRINON Karlsruhe GmbH/Germany) were inserted in 342 patients’s premolar and molar regions immediately after tooth extraction or traumatic tooth loss and treated with provisional resin crowns. The observation period with recurring 6-month clinical and radiographic check-ups was a minimum of 5 years. Of 348 inserted implants 4 (1.15%) were lost resulting in an overall success rate of 98.85%. In the first 12 weeks after surgery a mean recession of the buccal gingival margin of 0.2 mm (SD 0.34) could be detected, after final prosthetic treatment an overall mean recession of 0.2 mm (SD 0.13) within the survey period. Immediate implant insertion of root analogue single stage implants and immediate prosthetic treatment with provisional resin crowns after minimal invasive tooth extraction seems to be appropriate to prevent bone resorptions of the buccal alveolar crest and the recessions of the gingiva and papillae and thus suggests to be the preferable treatment to keep the natural gingival and papillary aesthetics untouched preventing further traumatic surgical gingival reconstructions.

Forms and Aesthetics of Bridges

The objective of a bridge design is to produce a safe bridge that is elegant and satisfies all functionality requirements, at a cost that is acceptable to the owner. A successful bridge design must be natural, simple, original, and harmonious with its surroundings. Aesthetics is not an additional consideration in the design of a bridge, but is rather an integral part of bridge design. Both the structural configuration and the aesthetics of a bridge must be considered together during the conceptual design stage. To achieve such a task, the bridge design engineer must have a good understanding of structural theory and bridge aesthetics.

A Comparative Study of Poetry Translation in The Story of the Stone From the Perspective of Reception Aesthetics

This paper discusses the preservation of the poems＇ aesthetic effects in translation based on the reception aesthetics theory and the corpus from two English versions of The Story of the Stone. As Chinese traditional poems are part of world cultural treasure, the preservation of aesthetic effects in translation is of great importance in cultural communication. This paper attempts to solve the problem of preserving the aesthetic effects of Chinese poems in translation and keeping the target texts acceptable to the target language readers from the aspects of beauty of musicality, sense and flavor,