The Impact of Contextual Teaching Method on Sichuan Folk Song Education and Students’Musical Expressiveness

This study explores the application of the contextual teaching method in Sichuan folk song education and its impact on students’musical expressiveness.By incorporating contextual teaching methods in music classes,this research investigates the effectiveness of this approach in enhancing students’understanding of Sichuan folk songs and improving their musical expressiveness and emotional expression.A mixed-method research approach is employed,utilizing classroom observations,questionnaires,interviews,and statistical analysis to assess the practical outcomes of contextual teaching in folk song education.

On the Inheritance and Development of Folk Music

Folk music in the past was inherited through family tradition, apprenticeship, social folk life, etc., mainly by the way of oral teaching method. Since the founding of New China, the country in addition to investigate and research the minority musicians, takes into consideration the special education and minority musical heritage and the establishment of different forms and characteristics of art institutions. In the inheritance and development of folk music, the advantages of school education cannot be ignored. We should pay attention to the inheritance and development of folk music in college music reform, so that music education has become a platform to promote the national music culture.

Artistic Characteristics of Folk Music in Northern Shandong

Folk songs as an important part of traditional culture in Shandong, is very important spiritual wealth. In this paper, from terms of development history, classification, local language, melody type, etc. we analyze the artistic characteristics of folk music in northern Shandong.

Research on Novel and Innovative Music Education Model based on Multiple Intelligences Theory and New Media

With the rapid development of new media and education theories, the combination of the two aspects is urgently needed. In this paper, we conduct theoretical analysis on novel and innovative music education model based on multiple intelligences theory and new media. The theory of multiple intelligence education concept is to change too pay attention to the tendency of knowledge. The novelty of new media, not only in the form of new information carrier and communication channel, also include technological progress brings new propagation mode. Our proposed combined model will enhance the performance of the current teaching activity which is meaningful.

Vocal Music Education Model Building Approaches under the Background of Music Curriculum Reform and System Renewal

Promulgation of the music curriculum standard has broken through the traditional teaching mode, highlighted the core ofaesthetic and deeply refl ected the music education idea of “human-oriented”. During the teaching, it emphasizes on taking students as the mainbody, paying attention to every student, focusing on equal exchange, communication and cooperation between teachers and students, exchangingstudents’ emotional experience in the study, giving guidance to the students’ learning, and giving credit for the student’s learning. It is animportant part of the higher education system reform to train knowledgeable talents with modern knowledge structure and rich innovation whocan adapt to the modern economic development. It emphasizes on fully giving students space to learn autonomously and develop freely, andfocusing them on practice and the diversity of knowledge structure.

Should music evoke emotion?-Review on Deep Concern in New Horizon College English

Deep Concern in New Horizon College English (Reading and Writing Book1) describes a generation gap in an American family. In the text, the parents worry about their daughter's listening to rock music for it may bring negative impact on her. Nowadays there is definitely music with unwholesome or depraved thoughts that may mislead listeners. Should people therefore refuse to listen to music or refuse the influence of music on emotion? The essay will focus on the issue to have a review on the relationship between emotion and music.

Research on the Construction of Natural, Ecological and Environment-friendly Earth-wooden Folk Dwellings

By applying modern and traditional techniques of constructing tulou (or literally translated as earthen structures, and also known as "hakka tulou", "earth dwelling", and "round stronghold"), building environment and traditional ecological views of tulou were taken as the basis to explore the construction of modern folk dwellings. Work in all areas is promoted by drawing upon the experience gained on key points. Highlight of the design is to use raw soil and pollution-free raw materials, explore the construction of ecological folk dwellings in the new countryside, seek for the breakthrough of traditional architectural designs on the application of raw soil, and find out a practical platform for the construction of natural, ecological and environment-friendly buildings.

An Analysis of the Development Tendency of Chinese Folk Music under the Linear Thinking Background

This paper conducts the analysis of the development tendency of Chinese folk music under the linear thinking background. Complexity thinking is to use the basic theory of complexity science, viewpoint and method to the problem of a kind of the thinking, analysis, and to explore ways, it is the general nonlinear and integrity, relational, process as the main characteristics of a modern way of the thinking. China’s traditional music has the extremely glorious history, as it has included the folk music which the working people collective wisdom condenses becomes, that but also has the writer music, the sacred music, palace music, quantity is quite rich as spreads until now work to pass through the long years elutriate that is in our country traditional culture treasure. Under this basis, this paper proposes the novel idea of the issue that will be meaningful.

Tornudd＇s and Siukonen＇s Methodical Starting Points of Music Pedagogy in the Field of Educational Trends

The purpose of this study is to investigate the effect of educational trends on A. T6rnudd＇s （1913） and V. Siukonen＇s （1929） methods of music education （teaching and singing） in Finland from 1863 to the late 1930s. In the examination of methods the analysis focuses on the time when T6rnudd and Siukonen were influential. A model of analysis was created in the study, with the help of which common and divergent elements in the educational trends and methods of music education were sought. According to the study, TOmudd＇s pattern singing method represented the Old School starting points, but he was a supporter of the work school, for instance. Siukonen＇s method was based on the New School principle in which the child-centered education philosophy and the developmental-psychological growth and development were taken into account in developing the method. Siukonen raised singing by ear as a central feature, from which children made observations. Methodical transition period took place at the turn of the 1920s and 1930s. However, in teaching singing, the effects of the new trends were seen as early as from the late 1910s onwards.

Exploration on the Foundations of Contemporary Education and Ethnic Music Education from the Perspective of Traditional Chinese Musical Instruments

With the rapid development of multicultural arts,music education has become an important component of the educational research system.However,the teaching of traditional Chinese folk musical instruments,as an essential branch of music education teaching,has been neglected.This paper discusses the significance of Chinese folk musical instrument education from three aspects:the history of Chinese folk musical instruments,the development of folk musical instrument teaching,and the integration of modern musical instrument education with folk musical instrument education.

China's Traditional Music Enters a New Era——Impression of "China National Concert in Spring Festival of Year of Horse" by HK Zhongyue Orchestra

At 11:00 a.m. of February 10, 2002, the"China National Concert in the Spring Festival ofthe Year of the Horse" was solemnly given in thegolden hall of Vienna. The Hong Kong ChineseFolk Music Orchestra, under the direction of thechief inspector and famous conductor

new songs music

Gerard Darmon《Au Milieu De La Nuit》出品:Sony 推荐理由:来自法国的暗香曾经以为莱纳德·科恩(Leonard Cohen)这样的声线今生只能遇一回了,但是没想到,在一个更为浪漫的国度——法兰西,居然还有一位名叫杰拉德·达蒙(GerardDamon)的歌手竟然拥有和科恩一样的声线气质,同样是喉间深处滚动着的苍凉和沙哑,同样是那些直入心肺的共鸣刺激,不同的是,科恩来自多雪的蒙特利尔,英国文学的多年修炼让他天生具有了一种悲天悯人的情怀,而达蒙呢?生于法国、说着全世界最动听的法语,天生被儒雅浸泡着,理所应当的,他的歌声总归是要更浪漫一些的。他的音乐是一种气氛的极致,是耳朵所能承受最大限度的完美,无论组合多么繁复,无论细节多么精湛,当音乐作为整体呈现出来时,你想到的只是闭上眼,好好聆听,全身酥软。

new song music

F.I.R/飞儿乐团《无限》全球顶尖制作人超强作品出品:华纳推荐理由:跟着音乐一起飞《无限》,是F.I.R.在继首张同名专辑成功打开华语流行乐坛大门后的又一超强作品。为了做出一张高品质的音乐作品,F.I.R_三位成员远赴英国,进入了当地最负盛名的Sarm West录音室录音。录制过程中,F.I.R.除了得到全世界第一的伦敦爱乐交响乐团鼎力相助,为他们的歌曲搭配弦乐外,电影《魔戒》原声带的锡笛手Mike Taylor也前来助阵。

Analysis on the Technique of Expression of Electronic Music in Yanni's If I Could Tell You

New Age Music, which appeared in late 1920 s, is unstylish, non-classical and practical. It is called The Third Voice.Yanni is a world famous composer, performer and master in trendy music. The song which is included in Yanni's album—If I Could Tell You(2000) —is analyzed in this paper to explore the technique of expression and the characteristics of New Age Music.

Folksongs of the Turkic World

The long-term goal of my research has been to systematize and compare by musical criteria the folk songs of Turkic groups and ethnicities living around them. Here I rarely touch on instrumental folk music, the repertoire of professional or semi-professional performers, the most recent strata, seldom or just occasionally discuss art music and the cultural, social and anthropological implications of music are only sporadically considered, too. There are close connections between the languages of Turkic groups but their musical stocks are fundamentally different. Actually, that is not surprising, because these people are, at least in part, Turkified, and through their substrata （that is people absorbed by them） they are in genetic and cultural relations with several non-Turkic peoples. My research therefore has repercussions; apart from the Turkic-speaking peoples tied by culture, language and history, upon their neighbors and partly absorbed other peoples, creating the foundation for an even broader future comparative ethnomusicological research of Eurasian groups. This paper is aimed to provide a very short summary about the findings of my field researches into the folk music of different Turkic-speaking people between 1987 and 2015. I introduce the sources, the collecting work and the methods of processing and analyzing the songs. 1 also give an analytical introduction to the folksong of Anatolian Turks, Azeris, Turkmens, Uzbeks （and Tajiks）, Karachay-Balkars, Kazakhs, Kyrgyzs, a Sufi Turkish community in Thrace and the area of the Volga-Kama-Belaya region. Finally comes a conclusion, a musical map and a list of tasks waiting for us.

Film it! The Role of Digital Media in Community Communication in Thailand

New digital technologies, especially new communication networks connected within the internet, are becoming increasingly more important as tools for management, information distribution, and as radically new models of cultural production. This paper takes a deep look at the Tosakan Project, a community project in Saraburi province, Thailand. This project combines concepts of folk media, digital storytelling, and the participatory model of Web 2.0 in order to solve community problems. Herein, it is shown how diverse groups in this community project work together using social network channels such as Facebook and Line to digitally tell folk stories through videos and disseminate the content to a wider audience via Facebook and other digital sharing outlets such as YouTube.

The Inheritance Status of Miao Folk Songs in Central Guizhou

More than 20,000 people of Miao minority are living in a 500-meter-altitude area,which is located 40 kilometers away to the southeast of Guiyang City,Guizhou province.In June 2019,Miao folk song Banglang Song was added in the provincial intangible cultural heritage list.In addition to Banglang Song,many traditional folk songs were prevailing in this area in the past.However,the inheritance of such historical and cultural treasures is not satisfying.Based on the field research of folk songs in this region,the author summarized the factors contributing to the oblivion of Miao folk songs in central Guizhou.

Love Interaction of Miao Folk Songs Records in Central Guizhou

There is a Miao nationality living on the highland in central Guizhou,where they live in a typical karst landform with an average altitude of 1500 meters and steep terrain.Since July 2018,the author has carried out a 180-day field research in Gaopo Township and other places.Through the research,it is found that there are four different types of Miao songs,which are divided into:Wine song,ancient song,love song,sad song.The structure of the four kinds of songs is to sing different lyrics repeatedly with only one melody.For example,wine songs are the most common kind of songs in Miao people's life.Unmarried men and women learn about each other's thoughts through singing.This not only tests their singing ability,but also shows that each other's mind is good at adapting to changes.