The Patriarch’s Hall Anthology(Zutang Ji祖堂集),is a work written in the style of“Lamp Records(灯录)”and maintains a deep connection with Xuefeng’s lineage(雪峰系)of Shitou Sect(石头宗).It therefore has obvious se...The Patriarch’s Hall Anthology(Zutang Ji祖堂集),is a work written in the style of“Lamp Records(灯录)”and maintains a deep connection with Xuefeng’s lineage(雪峰系)of Shitou Sect(石头宗).It therefore has obvious sectarian tendencies.In terms of the Dharma inheritance,the Patriarch’s Hall Anthology is dedicated to constructing an exclusive lineage of the Dharma transmission and establishing Shitou Sect as the direct line of transmission of the Sixth Patriarch Huineng.In terms of the image of the founder,the Patriarch’s Hall Anthology makes use of the literary methods of fictionalization and dichotomy to portray Shitou Xiqian(石头希迁)as the legitimate successor to the“treasury of the true Dharma-eye(正法眼藏).”In terms of Chan ideology,the Patriarch’s Hall Anthology,through criticizing Mazu’s Chan teaching that“the mind is precisely the Buddha(即心即佛),”established Shitou Sect as the true inheritor of the spirit of the Tathāgatagarbha(Rulaizang如来藏).It is through these three aspects that the Patriarch’s Hall Anthology consciously and systematically highlights the orthodox position of Shitou Sect in the Southern School of Chan.展开更多
When considering anthologies of African American poetry in the 21 st century,it is noteworthy how much the legacy of the Black Arts Movement of the 1960s and 1970s both positively and negatively shapes their aesthetic...When considering anthologies of African American poetry in the 21 st century,it is noteworthy how much the legacy of the Black Arts Movement of the 1960s and 1970s both positively and negatively shapes their aesthetic politics,framing,and reception.This essay considers how these anthologies use the Black Arts Movement to frame their version of Black poetry and the way they come at questions of literary and cultural lineage,the relationship of Black poetry to African American experience,and formal tradition and innovation.展开更多
文摘教育部举办的上海市英语教师培训班中,我们看到一本书名为A TEFLAnthology的论文集,内容是论述有关英语作为外语教学的一些理论问题,也涉及到英语教学中怎样培训和提高阅读、口语、听力、写作等水平的具体方法。这本书共刊载五十五篇文章,分为六大类,共计二百七十三页。汇编者Donald L.Bouchard和Louis J.Spaventa,由English Teaching Division,Educationaland Cultural Affairs,International Communication Agency,1980年出版。现将这本论文集的前言和目录介绍如下:
基金“The Social Life History of Monks in Chinese Buddhism,”a 2017 Major Program of the National Social Science Foundation of China(Grant Number 17ZDA233)
文摘The Patriarch’s Hall Anthology(Zutang Ji祖堂集),is a work written in the style of“Lamp Records(灯录)”and maintains a deep connection with Xuefeng’s lineage(雪峰系)of Shitou Sect(石头宗).It therefore has obvious sectarian tendencies.In terms of the Dharma inheritance,the Patriarch’s Hall Anthology is dedicated to constructing an exclusive lineage of the Dharma transmission and establishing Shitou Sect as the direct line of transmission of the Sixth Patriarch Huineng.In terms of the image of the founder,the Patriarch’s Hall Anthology makes use of the literary methods of fictionalization and dichotomy to portray Shitou Xiqian(石头希迁)as the legitimate successor to the“treasury of the true Dharma-eye(正法眼藏).”In terms of Chan ideology,the Patriarch’s Hall Anthology,through criticizing Mazu’s Chan teaching that“the mind is precisely the Buddha(即心即佛),”established Shitou Sect as the true inheritor of the spirit of the Tathāgatagarbha(Rulaizang如来藏).It is through these three aspects that the Patriarch’s Hall Anthology consciously and systematically highlights the orthodox position of Shitou Sect in the Southern School of Chan.
文摘When considering anthologies of African American poetry in the 21 st century,it is noteworthy how much the legacy of the Black Arts Movement of the 1960s and 1970s both positively and negatively shapes their aesthetic politics,framing,and reception.This essay considers how these anthologies use the Black Arts Movement to frame their version of Black poetry and the way they come at questions of literary and cultural lineage,the relationship of Black poetry to African American experience,and formal tradition and innovation.
