In the teaching of the folk songs in Shanxi, the effective ＂permeation＂ has an important significance to the appreciation of the beauty behind the folk songs and the explanation and revelation of the cultural factor...In the teaching of the folk songs in Shanxi, the effective ＂permeation＂ has an important significance to the appreciation of the beauty behind the folk songs and the explanation and revelation of the cultural factors, the teaching effect of the folk songs in the local universities in Shanxi and the inheritance and development of the actual results of the folk songs in Shauxi. In this paper, combined with the teaching practice, the author intends to explore the necessity of the appreciation of the beauty and the permeation of the cultural factors in the teaching of the folk songs in Shanxi and the related pitching-in angle and the operational approaches.展开更多
To embody the pattern and sytle of costume is the key purpose of fashion performance.But the modelling is an important link of fashion performance. About how to fully expressthe pattern and style of costume through ex...To embody the pattern and sytle of costume is the key purpose of fashion performance.But the modelling is an important link of fashion performance. About how to fully expressthe pattern and style of costume through external form and inner entiment of the modelling.this paper pointed out three factors such as point and surface. idea and rhythm and expound-ed and proved that the three factors are unseparate organism.展开更多
WESTERNERS in the 59th Grammy Awards audience wowed songstress Adele’s five-trophy sweep and basked in Beyonce’s epic performance of a five-song medley.Chinese music lovers,meanwhile,delighted in Wu Tong of the Silk...WESTERNERS in the 59th Grammy Awards audience wowed songstress Adele’s five-trophy sweep and basked in Beyonce’s epic performance of a five-song medley.Chinese music lovers,meanwhile,delighted in Wu Tong of the Silk Road Ensemble’s Best World Music award for the album Sing Me Home.It was Wu’s second Grammy.“I’m happy,though not astonished,to get the award,展开更多
When you are old is one of the most famous love poetry written by Irish Poet, William Butler Yeats. The paper elaborates deeply on one of the early love poetry of William Butler Yeats: When you are old. It gives an in...When you are old is one of the most famous love poetry written by Irish Poet, William Butler Yeats. The paper elaborates deeply on one of the early love poetry of William Butler Yeats: When you are old. It gives an introduction of W.B. Yeats and then discusses Yeats' s early love poetry and his muse as well as her influence in the love poetry; Then the poem When you are old is analyzed and in the meantime the original French version and the Chinese version were provided for readers' literary appreciation.展开更多
American poet Edgar Allan Poe's "Annabel Lee" is one of the most beautiful English poems in the world.This thesis depicts its three extraordinary aspects,namely,the theme,the mood and the rhythm.
This paper discusses the preservation of the poems＇ aesthetic effects in translation based on the reception aesthetics theory and the corpus from two English versions of The Story of the Stone. As Chinese traditional...This paper discusses the preservation of the poems＇ aesthetic effects in translation based on the reception aesthetics theory and the corpus from two English versions of The Story of the Stone. As Chinese traditional poems are part of world cultural treasure, the preservation of aesthetic effects in translation is of great importance in cultural communication. This paper attempts to solve the problem of preserving the aesthetic effects of Chinese poems in translation and keeping the target texts acceptable to the target language readers from the aspects of beauty of musicality, sense and flavor,展开更多
This study aims to visualize Giorgio Vasari＇s statement in discussing Jacopo Tintoretto＇s Female Concert of 1576-86, now at the Gemaldegalerie Alte Meister in Dresden （see Figure 1）. Two conceits （concetti） are ...This study aims to visualize Giorgio Vasari＇s statement in discussing Jacopo Tintoretto＇s Female Concert of 1576-86, now at the Gemaldegalerie Alte Meister in Dresden （see Figure 1）. Two conceits （concetti） are considered in analyzing Tintoretto＇s female imagery： （1） a fanciful invention of musica extravaganza; and （2） a Venetian allegory of bellezza. The first part of the essay discusses the provenance of the painting and the second part presents an iconographical interpretation of the imagery. This essay also focuses on the iconography of the painting based on viewing the subject and does not postulate on its iconography based on disappeared paintings or on a speculative decorative cycle on the theme of Hercules. Relying on well-documented research on music in Venice, on Mannerist practices, and on art theories during Tintoretto＇s life, some intriguing observations are made about the painting.展开更多
The purpose of the present paper is to suggest an uncommon perspective on the artistic heritage usually called ＂classical music＂. The large prestige of this repertoire, in fact, often goes along with a distorted per...The purpose of the present paper is to suggest an uncommon perspective on the artistic heritage usually called ＂classical music＂. The large prestige of this repertoire, in fact, often goes along with a distorted perception of a number of very important features that tend to be underrated, discarded or not taken in the due consideration by the public. Only recently has musicology paid attention to the danger of this stereotyped vision of classical music, regarded as a sort of temple of seriousness, or as a kingdom where an alleged harmony reigns unchallenged. The topic of this article is precisely the other side of classical music, which also turns out to be a world torn by conflict and filled with artistic tension, where things do not always add up. To support this standpoint, a number of very well-known pieces are considered, paying attention to their less reassuring features. Thus, compositions that seemed to be familiar show a complex and disturbing expressive texture. As a result, a widespread listening attitude finds reasonable grounds for being changed： Instead of languidly leaning back into the armchair with closed eyes, the unbiased listener is requested by the music itself to keep its eyes wide open.展开更多
With the indirect support of the National Natural Science Foundation of China,Prof.Wang Tianyan at the School of Life Sciences,Tsinghua University,proposed a hypothesis on the origins and evolution of music,dance,and ...With the indirect support of the National Natural Science Foundation of China,Prof.Wang Tianyan at the School of Life Sciences,Tsinghua University,proposed a hypothesis on the origins and evolution of music,dance,and speech from a biological and sociological perspective,which was published in Frontiers in Neuroscience(2015,9:30).展开更多
"Witnessing extremely loud sounds live is almost like seeing a spark of thunder in a quiet night sky then hearing the echoes of loud thunder.Itzs beautiful yet crushing".
This essay offers a conceptualist reading of Kant to address two central issues in Critique of Judgment:what is the nature of the judgment of beauty,and how it bears on the a priori principle of judgment.Challenging t...This essay offers a conceptualist reading of Kant to address two central issues in Critique of Judgment:what is the nature of the judgment of beauty,and how it bears on the a priori principle of judgment.Challenging the popular subjectivist approach which conceives Kant's judgment of beauty as a nonconceptual mental state,I argue that the judgment of beauty in Kant is a fullfledged judgment whose conceptual contents are aesthetic appreciation and criticism,and that the principle of subjective purposiveness in judgment refers to a generic concept instead of a mental episode.My view has the advantage over the subjectivism of both preserving the intuitive idea that aesthetic judgments have rich conceptual contents,and of avoiding the theoretical difficulties which subjectivism suffers.To sharpen my focus,I will present a sophisticated subjectivist reading of Kant's aesthetics given by Hannah Ginsborg in section 2,and in section 3 give my criticism of Ginsborg's theory,which also reveals a fundamental limit of the subjectivist approach in general.Finally,in section 4 I give my own conceptualist reading of Kant's aesthetics and respond to potential challenges from the subjectivist camp.展开更多
文摘In the teaching of the folk songs in Shanxi, the effective ＂permeation＂ has an important significance to the appreciation of the beauty behind the folk songs and the explanation and revelation of the cultural factors, the teaching effect of the folk songs in the local universities in Shanxi and the inheritance and development of the actual results of the folk songs in Shauxi. In this paper, combined with the teaching practice, the author intends to explore the necessity of the appreciation of the beauty and the permeation of the cultural factors in the teaching of the folk songs in Shanxi and the related pitching-in angle and the operational approaches.
文摘To embody the pattern and sytle of costume is the key purpose of fashion performance.But the modelling is an important link of fashion performance. About how to fully expressthe pattern and style of costume through external form and inner entiment of the modelling.this paper pointed out three factors such as point and surface. idea and rhythm and expound-ed and proved that the three factors are unseparate organism.
文摘WESTERNERS in the 59th Grammy Awards audience wowed songstress Adele’s five-trophy sweep and basked in Beyonce’s epic performance of a five-song medley.Chinese music lovers,meanwhile,delighted in Wu Tong of the Silk Road Ensemble’s Best World Music award for the album Sing Me Home.It was Wu’s second Grammy.“I’m happy,though not astonished,to get the award,
文摘When you are old is one of the most famous love poetry written by Irish Poet, William Butler Yeats. The paper elaborates deeply on one of the early love poetry of William Butler Yeats: When you are old. It gives an introduction of W.B. Yeats and then discusses Yeats' s early love poetry and his muse as well as her influence in the love poetry; Then the poem When you are old is analyzed and in the meantime the original French version and the Chinese version were provided for readers' literary appreciation.
文摘American poet Edgar Allan Poe's "Annabel Lee" is one of the most beautiful English poems in the world.This thesis depicts its three extraordinary aspects,namely,the theme,the mood and the rhythm.
文摘This paper discusses the preservation of the poems＇ aesthetic effects in translation based on the reception aesthetics theory and the corpus from two English versions of The Story of the Stone. As Chinese traditional poems are part of world cultural treasure, the preservation of aesthetic effects in translation is of great importance in cultural communication. This paper attempts to solve the problem of preserving the aesthetic effects of Chinese poems in translation and keeping the target texts acceptable to the target language readers from the aspects of beauty of musicality, sense and flavor,
文摘This study aims to visualize Giorgio Vasari＇s statement in discussing Jacopo Tintoretto＇s Female Concert of 1576-86, now at the Gemaldegalerie Alte Meister in Dresden （see Figure 1）. Two conceits （concetti） are considered in analyzing Tintoretto＇s female imagery： （1） a fanciful invention of musica extravaganza; and （2） a Venetian allegory of bellezza. The first part of the essay discusses the provenance of the painting and the second part presents an iconographical interpretation of the imagery. This essay also focuses on the iconography of the painting based on viewing the subject and does not postulate on its iconography based on disappeared paintings or on a speculative decorative cycle on the theme of Hercules. Relying on well-documented research on music in Venice, on Mannerist practices, and on art theories during Tintoretto＇s life, some intriguing observations are made about the painting.
文摘The purpose of the present paper is to suggest an uncommon perspective on the artistic heritage usually called ＂classical music＂. The large prestige of this repertoire, in fact, often goes along with a distorted perception of a number of very important features that tend to be underrated, discarded or not taken in the due consideration by the public. Only recently has musicology paid attention to the danger of this stereotyped vision of classical music, regarded as a sort of temple of seriousness, or as a kingdom where an alleged harmony reigns unchallenged. The topic of this article is precisely the other side of classical music, which also turns out to be a world torn by conflict and filled with artistic tension, where things do not always add up. To support this standpoint, a number of very well-known pieces are considered, paying attention to their less reassuring features. Thus, compositions that seemed to be familiar show a complex and disturbing expressive texture. As a result, a widespread listening attitude finds reasonable grounds for being changed： Instead of languidly leaning back into the armchair with closed eyes, the unbiased listener is requested by the music itself to keep its eyes wide open.
文摘With the indirect support of the National Natural Science Foundation of China,Prof.Wang Tianyan at the School of Life Sciences,Tsinghua University,proposed a hypothesis on the origins and evolution of music,dance,and speech from a biological and sociological perspective,which was published in Frontiers in Neuroscience(2015,9:30).
文摘"Witnessing extremely loud sounds live is almost like seeing a spark of thunder in a quiet night sky then hearing the echoes of loud thunder.Itzs beautiful yet crushing".
文摘This essay offers a conceptualist reading of Kant to address two central issues in Critique of Judgment:what is the nature of the judgment of beauty,and how it bears on the a priori principle of judgment.Challenging the popular subjectivist approach which conceives Kant's judgment of beauty as a nonconceptual mental state,I argue that the judgment of beauty in Kant is a fullfledged judgment whose conceptual contents are aesthetic appreciation and criticism,and that the principle of subjective purposiveness in judgment refers to a generic concept instead of a mental episode.My view has the advantage over the subjectivism of both preserving the intuitive idea that aesthetic judgments have rich conceptual contents,and of avoiding the theoretical difficulties which subjectivism suffers.To sharpen my focus,I will present a sophisticated subjectivist reading of Kant's aesthetics given by Hannah Ginsborg in section 2,and in section 3 give my criticism of Ginsborg's theory,which also reveals a fundamental limit of the subjectivist approach in general.Finally,in section 4 I give my own conceptualist reading of Kant's aesthetics and respond to potential challenges from the subjectivist camp.
