In 2017 a group of conservators-restorers conducted a conservation-science study of the materials used in the construction of Josef Frank’s main work,the Villa Beer(1930)in Vienna-Hietzing,and of the building’s surf...In 2017 a group of conservators-restorers conducted a conservation-science study of the materials used in the construction of Josef Frank’s main work,the Villa Beer(1930)in Vienna-Hietzing,and of the building’s surfaces.The study was an opportunity to find evidence indicating whether the contemporary description of the wall colour as a non-colour white corresponded to physical reality.The notion‘Weiss,alles Weiss’(‘white,everything white’),celebrated as‘an expression of values and of the times’(Hammann,1930),will be identified as a cultural construct that stands in contradiction to the actual materiality of the buildings of the period.We must rewrite the colour history of Modern Movement architecture.The‘White Cubes’were never white.展开更多
The Modern Movement has demonstrated its long-term legitimacy as a lasting concept endowed with longevity.Relating technology,spatial form and social commitment to one another,through an optimistic faith in progress,m...The Modern Movement has demonstrated its long-term legitimacy as a lasting concept endowed with longevity.Relating technology,spatial form and social commitment to one another,through an optimistic faith in progress,modern architects sought to attain new heights of functionality and flexibility in use.The current challenge is to find ways to deal with the conservation of this recent legacy in the continuously changing context of current times,including physical,economic,functional,and fast-moving socio-cultural and political values.To address these questions,‘Modern built heritage conservation policies’explores the restoration and renovation processes undertaken in some paradigmatic case studies:the Tugendhat House(Mies van der Rohe and Lilly Reich,Brno,Czech Republic,1929-1930),the Crown Hall(Mies van der Rohe,Chicago,USA,1950-1956),the National Museum of Western Art(Le Corbusier,Tokyo,Japan,1959)and the Gulbenkian Foundation(Alberto Pessoa,Pedro Cid e Ruy d’Athouguia,Lisbon,Portugal,1959-1969).展开更多
基金The MAK(Museum of Applied Arts),Vienna and the Austrian Federal Heritage Authority funded the conservation-science study of the Villa Beer,Vienna/Austria.
文摘In 2017 a group of conservators-restorers conducted a conservation-science study of the materials used in the construction of Josef Frank’s main work,the Villa Beer(1930)in Vienna-Hietzing,and of the building’s surfaces.The study was an opportunity to find evidence indicating whether the contemporary description of the wall colour as a non-colour white corresponded to physical reality.The notion‘Weiss,alles Weiss’(‘white,everything white’),celebrated as‘an expression of values and of the times’(Hammann,1930),will be identified as a cultural construct that stands in contradiction to the actual materiality of the buildings of the period.We must rewrite the colour history of Modern Movement architecture.The‘White Cubes’were never white.
文摘The Modern Movement has demonstrated its long-term legitimacy as a lasting concept endowed with longevity.Relating technology,spatial form and social commitment to one another,through an optimistic faith in progress,modern architects sought to attain new heights of functionality and flexibility in use.The current challenge is to find ways to deal with the conservation of this recent legacy in the continuously changing context of current times,including physical,economic,functional,and fast-moving socio-cultural and political values.To address these questions,‘Modern built heritage conservation policies’explores the restoration and renovation processes undertaken in some paradigmatic case studies:the Tugendhat House(Mies van der Rohe and Lilly Reich,Brno,Czech Republic,1929-1930),the Crown Hall(Mies van der Rohe,Chicago,USA,1950-1956),the National Museum of Western Art(Le Corbusier,Tokyo,Japan,1959)and the Gulbenkian Foundation(Alberto Pessoa,Pedro Cid e Ruy d’Athouguia,Lisbon,Portugal,1959-1969).
