This study explored the origin and development of modern garden city,by integrating concepts of world modern garden city and characteristics of Chengdu cultures,analyzed the application of its aesthetic value and the ...This study explored the origin and development of modern garden city,by integrating concepts of world modern garden city and characteristics of Chengdu cultures,analyzed the application of its aesthetic value and the design of its artistic conception.It was found that Chengdu City had high aesthetic value such as a large area of green spaces and unique recreational cultures,as well as a great potential of unifying idyllic images and natural cultures.To design Chengdu into a world modern garden city,the planning of its urban green space system should be taken as the foundation,"one group and three districts" as the construction system,urban folk cultures,logistics and traffic,information and other such networks as the support to achieve the "beauty of nature,social equity and urban-rural integration".展开更多
Chinese classical poetry has long been known for its unique artistic conception of mixture of sentiments andscenery, the conception beyond image and the refinement out of rhyme. From the perspective of receptionaesthe...Chinese classical poetry has long been known for its unique artistic conception of mixture of sentiments andscenery, the conception beyond image and the refinement out of rhyme. From the perspective of receptionaesthetics theory, this paper analyzes translation strategies of the classical poetry, probes into the problems thatretaining “indeterminacy” and satisfying the readers “horizon of expectations” when translate Chinese classicalpoetry. It is necessary to keep enough aesthetic space, and to give full play to the translator’s aesthetic creativitywhen translate Chinese classical poetry, so as to reproduce the artistic conception of Chinese classical poetry.展开更多
Contemporary aesthetic education is one of the educational methods under the contemporary cultural system,which includes contemporary educational ideas,methods,and countermeasures of art.Teachers under contemporary ae...Contemporary aesthetic education is one of the educational methods under the contemporary cultural system,which includes contemporary educational ideas,methods,and countermeasures of art.Teachers under contemporary aesthetic education must take on the responsibility of improving their artistic qualities in this process,express differences through perceiving life,and reshape aesthetics by regulating oneself.Teachers need to be concerned about the society,and based on the present,with independent thinking,capture the essence of life and conform to the laws of art,maintain a vigilant and critical edge,advance with the times in teaching and life,as well as embody their own educational philosophies and value judgments.展开更多
This paper discusses three similaritie"s:Gap"Structure and the Fictitious Realm, the reader's active role in the realization of the meaning, gestalt formation between the Reception Aesthetics and the Art...This paper discusses three similaritie"s:Gap"Structure and the Fictitious Realm, the reader's active role in the realization of the meaning, gestalt formation between the Reception Aesthetics and the Artistic Ideorealm Theory.展开更多
The author analyzes the untranslatability of the classical Chinese poetry from the perspective of aesthetic function of language. The untranslatability lies firstly in the heterogeneity, indeterminism and the ambiguit...The author analyzes the untranslatability of the classical Chinese poetry from the perspective of aesthetic function of language. The untranslatability lies firstly in the heterogeneity, indeterminism and the ambiguity of the Chinese language itself. Moreover, the classical Chinese poetry displays its unique features and beauty which can not be rendered into English in terms of aesthetic function of language.展开更多
An animation works to attract the audience' s attention, arouse the audience' s emotional needs, in the design process of rational use of color to reflect the characters inner feelings, show the conflict between the...An animation works to attract the audience' s attention, arouse the audience' s emotional needs, in the design process of rational use of color to reflect the characters inner feelings, show the conflict between the story and the plot and characters. In the animation design color is designed based on the needs of the story, art processing with subjective wishes, these art is in order to better serve the characters, plot, and services for the final theme of the. Therefore, designers need to continue to explore, better grasp the law of animation colors, so that the color of animation works to play a unique artistic charm.展开更多
The problem of "life and death" has been a confusing proposition of philosophy since long ago,for which philosophers both at home and abroad take great pains to pursue the answer.The problem of"life and...The problem of "life and death" has been a confusing proposition of philosophy since long ago,for which philosophers both at home and abroad take great pains to pursue the answer.The problem of"life and death"is also attractive for litterateurs.This paper attempts to scrutinize the works of Franz Kafka and based on comments of different critics,simply analyzing the theory of survival and the theory of death and exploring the aesthetic value.Through analysis,the author of this paper concludes that the theory of survival in the works of Kafka tends to express hating of not being favored by chances and the fright and anxiety of the time;on the contrary,the theory of death in his works tends to express worship and belief.Both life and death are expressed vividly in his works,showing the brave pursuit of senior artistic forms of Kafka and the essence of its aesthetic value.展开更多
The essentialismabout beauty and art of Tolstoy is based on the criticismof the traditional trinity ideology of the true,the good and the beautiful. H e resolutely denies the discussion of the essence of beauty of the...The essentialismabout beauty and art of Tolstoy is based on the criticismof the traditional trinity ideology of the true,the good and the beautiful. H e resolutely denies the discussion of the essence of beauty of the traditional aesthetics,denying that the essence of beauty is in the pleasant sensation and the traditional fine arts. At the same time,he believes that the concept of art cannot be based on beauty and that the essence of art is determined —art is nothing but communication of emotion,putting forward the pure,clear and sincere aesthetical standard and revealing the essence of emotion and the functions of art. Tolstoy is the milestone in the history of the western aesthetics and is of great significance to the development of the western modern aesthetics.展开更多
Mr. Huang Dufeng is the master to paint landscapes, flowers, birds and people. In artistic practice, he clearly saw that in addition to using the ink to express the appearance, there exists its independence of aesthet...Mr. Huang Dufeng is the master to paint landscapes, flowers, birds and people. In artistic practice, he clearly saw that in addition to using the ink to express the appearance, there exists its independence of aesthetic nature. In addition, Mr. Huang Dufeng is aware of vital importance of the spirit manifesting in the traditional painting. He has foresight in the face of treating the mutual development of Chinese and Western painting. In the meantime to advocate learning western painting, he all along emphasize that we should flourish the specific beauty of Chinese painting. He has showed a wide range of subjects, breaking the bondage of "four gentlemen" and pioneered the art image of angelfish. By discussion on Mr. Huang Dufeng through the painting features and process of thinking, he insisted on aesthetics concept of "Ancient and modern, compatibility of Chinese and Western".展开更多
With the development of global economic integration in recent years, Chinese culture is influenced by the penetration of Western culture, and there are many excellent English literature works. This paper focuses on ho...With the development of global economic integration in recent years, Chinese culture is influenced by the penetration of Western culture, and there are many excellent English literature works. This paper focuses on how to translate excellent English literature into appropriate Chinese. It shows the key meaning of English literary translation which embodies artistic characteristics and aesthetic value. Then it analyzes how to reflect aesthetic value and artistic characteristics in English literary translation.展开更多
Translation and aesthetic are invariably closely related topics since the ancient time.Liu Miqing said, " aesthetic is a task that ' can't steer away' in the Chinese translation theory,just like our t...Translation and aesthetic are invariably closely related topics since the ancient time.Liu Miqing said, " aesthetic is a task that ' can't steer away' in the Chinese translation theory,just like our translation can't steer away from Chinese."(2005) In the Chinese literature,Moonlight over the Lotus Pond is like a pearl in the elaborate works.This thesis is to make a comparison of the three English translations of Moonlight over the Lotus Pond from the perspective of aesthetic translation.It grasps the essence of mechanisms of translation on the basis of modern aesthetic principles.Also,there will be a brief analysis of the techniques in the aesthetic translation,i.e.the aesthetic effect in phonology and rhythm,artistic conception,creative translation,parallelism and conciseness.In this thesis the translations from Zhu Chunshen,Wang Jiaosheng,Yang Xianyi and Gladys Yang are chosen to analyze the techniques in translating prose,in recreating the aesthetic effect,by which a conclusion about the factors of context,artistic conception and technique of writing is made.展开更多
Chinese is a language which emphasizes on artistic conception and parataxis. It embodies spirit in forms and gives read- ers enough space to think and abundant fuzzy beauty. Fuzziness is the mainstream. However, Engli...Chinese is a language which emphasizes on artistic conception and parataxis. It embodies spirit in forms and gives read- ers enough space to think and abundant fuzzy beauty. Fuzziness is the mainstream. However, English is an logical language with strict grammar rules which embodies form in spirit. Fuzziness is tributary in English. As a result, it is inevitable to lose the fuzzy beauty during the course of translating from Chinese to English due to these two different languages with diverse value function and appreciation of the beauty. A lot of scholars feel pity and helpless. Starting from the perspective of translation beauty, this thesis an- alyzes the phenomenon of the loss of fuzzy beauty. It introduces the definition of the fuzzy beauty and makes a brief introduction of the wide existence of fuzzy beauty, analyzes the courses and reasons of the loss of fuzzy beauty in the course of translating Chinese to English . At last, it puts forward two specific methods to translate fuzzy beauty, trying to recreate the fuzzy beauty to the most de- gree.展开更多
Having a long history, Chinese floral arrangement has its unique floral arrangement patterns in different dynasties from the floral decoration on Buddhist altar in the Wei-Jin Period to the flower arranging by literat...Having a long history, Chinese floral arrangement has its unique floral arrangement patterns in different dynasties from the floral decoration on Buddhist altar in the Wei-Jin Period to the flower arranging by literatus, presenting the distinct lasting appeal of oriental floral arrangement. In terms of aesthetics features, Chinese ancient floral arrangement presented the features of natural inspiration and harmony between nature and man, attached thoughts to flowers and expressed emotions through flowers, and showed the aesthetic characteristics of poetic illusion and harmonious unification. Both the selection of flowers and overall layout of flower arrangement in ancient China show the beauty of artistic conception in aesthetics.展开更多
English is the most widely used language in the world and is abundant in rhetorical devices, among which parallel structure is of paramount importance. Hence the mastery of the characteristics of parallel structure fa...English is the most widely used language in the world and is abundant in rhetorical devices, among which parallel structure is of paramount importance. Hence the mastery of the characteristics of parallel structure facilitates one's appreciation of English literary works. Based on the appreciation and analysis of the artistic expression of parallel structure in some of the most famous English sayings and classic prose, this paper investigates the aesthetic value of parallel structure in creating emotion-and-rhythm-packed discourse.展开更多
Gardening style in south of the Yangtze River was reviewed, and aesthetic features of local gardens were summarized as full of humanistic connotations, modeling after the nature, graceful and free from vulgarity, refi...Gardening style in south of the Yangtze River was reviewed, and aesthetic features of local gardens were summarized as full of humanistic connotations, modeling after the nature, graceful and free from vulgarity, refined and refreshing, implying profound significance in detailed designs, integrated virtual and real scenery. On this basis, form and meaning of leaking windows in the gardens were analyzed, and artistic means of designing leaking windows were summarized from the perspectives of leaking through scenery and borrowed scenery, virtual and real scenery, in-motion and in-position scenery.展开更多
Literature was viewed as a form of cultural production that should be a vehicle for a different practice of representation, a representation of “art” works, through its aesthetic function to enlighten its audience r...Literature was viewed as a form of cultural production that should be a vehicle for a different practice of representation, a representation of “art” works, through its aesthetic function to enlighten its audience rather than keep them in awe of power as the rhetorics of politics and ideology so often do.展开更多
Chinese calligraphy,as a well-known performing art form,occupies an important role in the intangible cultural heritage of China.Previous studies focused on the psychophysiological benefits of Chinese calligraphy.Littl...Chinese calligraphy,as a well-known performing art form,occupies an important role in the intangible cultural heritage of China.Previous studies focused on the psychophysiological benefits of Chinese calligraphy.Little attention has been paid to its aesthetic attributes and effectiveness on the cognitive process.To complement our understanding of Chinese calligraphy,this study investigated the aesthetic experience of Chinese cursive-style calligraphy using brain functional network analysis.Subjects stayed on the coach and rested for several minutes.Then,they were requested to appreciate artwork of cursive-style calligraphy.Results showed that(1)changes in functional connectivity between frontooccipital,fronto-parietal,bilateral parietal,and central–occipital areas are prominent for calligraphy condition,(2)brain functional network showed an increased normalized cluster coefficient for calligraphy condition in alpha2 and gamma bands.These results demonstrate that the brain functional network undergoes a dynamic reconfiguration during the aesthetic experience of Chinese calligraphy.Providing evidence that the aesthetic experience of Chinese calligraphy has several similarities with western art while retaining its unique characters as an eastern traditional art form.展开更多
Generally, criticism on popular music is of both political and artistic nature. This paper is intended to investigate modem Chinese popular music in the artistic dimension. On one hand, through analysis and differenti...Generally, criticism on popular music is of both political and artistic nature. This paper is intended to investigate modem Chinese popular music in the artistic dimension. On one hand, through analysis and differentiation in light of the two persistent (and biased) conceptions, it is necessary to acknowledge the inevitability of popular music as an art. On the other hand, this paper aims to analyze specifically the "voice" in popular music in hope of presenting its unique aesthetic characteristics. Above all, a more comprehensive view and more diverse approaches are needed in the study of popular music展开更多
基金Supported by Protection of Linpan Resources and Demonstration Protection of Bamboo Industry Chain Cultivation in West Sichuan under the Supervision of Sichuan Provincial Department of Science and Technology (2009FZ0028)~~
文摘This study explored the origin and development of modern garden city,by integrating concepts of world modern garden city and characteristics of Chengdu cultures,analyzed the application of its aesthetic value and the design of its artistic conception.It was found that Chengdu City had high aesthetic value such as a large area of green spaces and unique recreational cultures,as well as a great potential of unifying idyllic images and natural cultures.To design Chengdu into a world modern garden city,the planning of its urban green space system should be taken as the foundation,"one group and three districts" as the construction system,urban folk cultures,logistics and traffic,information and other such networks as the support to achieve the "beauty of nature,social equity and urban-rural integration".
基金This paper is sponsored by the Postgraduate Creative Foundation of Gannan Normal University entitled“模因论视域下康达维辞赋译本中文化负载词的英译研究”(YCX20A042).
文摘Chinese classical poetry has long been known for its unique artistic conception of mixture of sentiments andscenery, the conception beyond image and the refinement out of rhyme. From the perspective of receptionaesthetics theory, this paper analyzes translation strategies of the classical poetry, probes into the problems thatretaining “indeterminacy” and satisfying the readers “horizon of expectations” when translate Chinese classicalpoetry. It is necessary to keep enough aesthetic space, and to give full play to the translator’s aesthetic creativitywhen translate Chinese classical poetry, so as to reproduce the artistic conception of Chinese classical poetry.
文摘Contemporary aesthetic education is one of the educational methods under the contemporary cultural system,which includes contemporary educational ideas,methods,and countermeasures of art.Teachers under contemporary aesthetic education must take on the responsibility of improving their artistic qualities in this process,express differences through perceiving life,and reshape aesthetics by regulating oneself.Teachers need to be concerned about the society,and based on the present,with independent thinking,capture the essence of life and conform to the laws of art,maintain a vigilant and critical edge,advance with the times in teaching and life,as well as embody their own educational philosophies and value judgments.
文摘This paper discusses three similaritie"s:Gap"Structure and the Fictitious Realm, the reader's active role in the realization of the meaning, gestalt formation between the Reception Aesthetics and the Artistic Ideorealm Theory.
文摘The author analyzes the untranslatability of the classical Chinese poetry from the perspective of aesthetic function of language. The untranslatability lies firstly in the heterogeneity, indeterminism and the ambiguity of the Chinese language itself. Moreover, the classical Chinese poetry displays its unique features and beauty which can not be rendered into English in terms of aesthetic function of language.
文摘An animation works to attract the audience' s attention, arouse the audience' s emotional needs, in the design process of rational use of color to reflect the characters inner feelings, show the conflict between the story and the plot and characters. In the animation design color is designed based on the needs of the story, art processing with subjective wishes, these art is in order to better serve the characters, plot, and services for the final theme of the. Therefore, designers need to continue to explore, better grasp the law of animation colors, so that the color of animation works to play a unique artistic charm.
文摘The problem of "life and death" has been a confusing proposition of philosophy since long ago,for which philosophers both at home and abroad take great pains to pursue the answer.The problem of"life and death"is also attractive for litterateurs.This paper attempts to scrutinize the works of Franz Kafka and based on comments of different critics,simply analyzing the theory of survival and the theory of death and exploring the aesthetic value.Through analysis,the author of this paper concludes that the theory of survival in the works of Kafka tends to express hating of not being favored by chances and the fright and anxiety of the time;on the contrary,the theory of death in his works tends to express worship and belief.Both life and death are expressed vividly in his works,showing the brave pursuit of senior artistic forms of Kafka and the essence of its aesthetic value.
文摘The essentialismabout beauty and art of Tolstoy is based on the criticismof the traditional trinity ideology of the true,the good and the beautiful. H e resolutely denies the discussion of the essence of beauty of the traditional aesthetics,denying that the essence of beauty is in the pleasant sensation and the traditional fine arts. At the same time,he believes that the concept of art cannot be based on beauty and that the essence of art is determined —art is nothing but communication of emotion,putting forward the pure,clear and sincere aesthetical standard and revealing the essence of emotion and the functions of art. Tolstoy is the milestone in the history of the western aesthetics and is of great significance to the development of the western modern aesthetics.
文摘Mr. Huang Dufeng is the master to paint landscapes, flowers, birds and people. In artistic practice, he clearly saw that in addition to using the ink to express the appearance, there exists its independence of aesthetic nature. In addition, Mr. Huang Dufeng is aware of vital importance of the spirit manifesting in the traditional painting. He has foresight in the face of treating the mutual development of Chinese and Western painting. In the meantime to advocate learning western painting, he all along emphasize that we should flourish the specific beauty of Chinese painting. He has showed a wide range of subjects, breaking the bondage of "four gentlemen" and pioneered the art image of angelfish. By discussion on Mr. Huang Dufeng through the painting features and process of thinking, he insisted on aesthetics concept of "Ancient and modern, compatibility of Chinese and Western".
文摘With the development of global economic integration in recent years, Chinese culture is influenced by the penetration of Western culture, and there are many excellent English literature works. This paper focuses on how to translate excellent English literature into appropriate Chinese. It shows the key meaning of English literary translation which embodies artistic characteristics and aesthetic value. Then it analyzes how to reflect aesthetic value and artistic characteristics in English literary translation.
文摘Translation and aesthetic are invariably closely related topics since the ancient time.Liu Miqing said, " aesthetic is a task that ' can't steer away' in the Chinese translation theory,just like our translation can't steer away from Chinese."(2005) In the Chinese literature,Moonlight over the Lotus Pond is like a pearl in the elaborate works.This thesis is to make a comparison of the three English translations of Moonlight over the Lotus Pond from the perspective of aesthetic translation.It grasps the essence of mechanisms of translation on the basis of modern aesthetic principles.Also,there will be a brief analysis of the techniques in the aesthetic translation,i.e.the aesthetic effect in phonology and rhythm,artistic conception,creative translation,parallelism and conciseness.In this thesis the translations from Zhu Chunshen,Wang Jiaosheng,Yang Xianyi and Gladys Yang are chosen to analyze the techniques in translating prose,in recreating the aesthetic effect,by which a conclusion about the factors of context,artistic conception and technique of writing is made.
文摘Chinese is a language which emphasizes on artistic conception and parataxis. It embodies spirit in forms and gives read- ers enough space to think and abundant fuzzy beauty. Fuzziness is the mainstream. However, English is an logical language with strict grammar rules which embodies form in spirit. Fuzziness is tributary in English. As a result, it is inevitable to lose the fuzzy beauty during the course of translating from Chinese to English due to these two different languages with diverse value function and appreciation of the beauty. A lot of scholars feel pity and helpless. Starting from the perspective of translation beauty, this thesis an- alyzes the phenomenon of the loss of fuzzy beauty. It introduces the definition of the fuzzy beauty and makes a brief introduction of the wide existence of fuzzy beauty, analyzes the courses and reasons of the loss of fuzzy beauty in the course of translating Chinese to English . At last, it puts forward two specific methods to translate fuzzy beauty, trying to recreate the fuzzy beauty to the most de- gree.
文摘Having a long history, Chinese floral arrangement has its unique floral arrangement patterns in different dynasties from the floral decoration on Buddhist altar in the Wei-Jin Period to the flower arranging by literatus, presenting the distinct lasting appeal of oriental floral arrangement. In terms of aesthetics features, Chinese ancient floral arrangement presented the features of natural inspiration and harmony between nature and man, attached thoughts to flowers and expressed emotions through flowers, and showed the aesthetic characteristics of poetic illusion and harmonious unification. Both the selection of flowers and overall layout of flower arrangement in ancient China show the beauty of artistic conception in aesthetics.
文摘English is the most widely used language in the world and is abundant in rhetorical devices, among which parallel structure is of paramount importance. Hence the mastery of the characteristics of parallel structure facilitates one's appreciation of English literary works. Based on the appreciation and analysis of the artistic expression of parallel structure in some of the most famous English sayings and classic prose, this paper investigates the aesthetic value of parallel structure in creating emotion-and-rhythm-packed discourse.
文摘Gardening style in south of the Yangtze River was reviewed, and aesthetic features of local gardens were summarized as full of humanistic connotations, modeling after the nature, graceful and free from vulgarity, refined and refreshing, implying profound significance in detailed designs, integrated virtual and real scenery. On this basis, form and meaning of leaking windows in the gardens were analyzed, and artistic means of designing leaking windows were summarized from the perspectives of leaking through scenery and borrowed scenery, virtual and real scenery, in-motion and in-position scenery.
文摘Literature was viewed as a form of cultural production that should be a vehicle for a different practice of representation, a representation of “art” works, through its aesthetic function to enlighten its audience rather than keep them in awe of power as the rhetorics of politics and ideology so often do.
基金the National Natural Science Foundation of China(Grant No.61772440,Grant No.62007016).
文摘Chinese calligraphy,as a well-known performing art form,occupies an important role in the intangible cultural heritage of China.Previous studies focused on the psychophysiological benefits of Chinese calligraphy.Little attention has been paid to its aesthetic attributes and effectiveness on the cognitive process.To complement our understanding of Chinese calligraphy,this study investigated the aesthetic experience of Chinese cursive-style calligraphy using brain functional network analysis.Subjects stayed on the coach and rested for several minutes.Then,they were requested to appreciate artwork of cursive-style calligraphy.Results showed that(1)changes in functional connectivity between frontooccipital,fronto-parietal,bilateral parietal,and central–occipital areas are prominent for calligraphy condition,(2)brain functional network showed an increased normalized cluster coefficient for calligraphy condition in alpha2 and gamma bands.These results demonstrate that the brain functional network undergoes a dynamic reconfiguration during the aesthetic experience of Chinese calligraphy.Providing evidence that the aesthetic experience of Chinese calligraphy has several similarities with western art while retaining its unique characters as an eastern traditional art form.
文摘Generally, criticism on popular music is of both political and artistic nature. This paper is intended to investigate modem Chinese popular music in the artistic dimension. On one hand, through analysis and differentiation in light of the two persistent (and biased) conceptions, it is necessary to acknowledge the inevitability of popular music as an art. On the other hand, this paper aims to analyze specifically the "voice" in popular music in hope of presenting its unique aesthetic characteristics. Above all, a more comprehensive view and more diverse approaches are needed in the study of popular music