Yin Ba is director of the Institute of Astrology of the Tibetan Traditional Medicine Hospital of Tibet Autonomous Region. By pure coincidence, he became inthtuated with astrology and Tibetan calendar calculation. Late...Yin Ba is director of the Institute of Astrology of the Tibetan Traditional Medicine Hospital of Tibet Autonomous Region. By pure coincidence, he became inthtuated with astrology and Tibetan calendar calculation. Later, he has compiled a computerized Tibetan-language astrological data processing system and published a number of monographs on Tibetan astrology.展开更多
Synchronicity involves the experience of personal meaning entangled with ambiguous coincidences in time. Ambiguity results from incomplete information about the chances of various events occurring. The problem that th...Synchronicity involves the experience of personal meaning entangled with ambiguous coincidences in time. Ambiguity results from incomplete information about the chances of various events occurring. The problem that this study addresses is the lack of empirical research on synchronicity. This study sought to address this problem by exploring the astrological hypothesis that planetary transits predict synchronicity events. Synchronicities were compared with the probability distributions of planetary transits. In comparison with the base rate prediction, planetary transits were not a significant predictor of synchronicity events. The findings of this study provide new insight into the complex, multifaceted, and ambiguous phenomenon of synchronicity. The concept of ambiguity tolerance plays a significant role in synchronicity research since ambiguity cannot be completely eliminated.展开更多
In 1555,assisted by Cristofano Gherardi,Il Doceno(1508-1556),Giorgio Vasari(1511-1574)designed and painted a mythological and cosmological theme in the Sala degli Elementi,an apartment of Cosimo I de’Medici(1519-1574...In 1555,assisted by Cristofano Gherardi,Il Doceno(1508-1556),Giorgio Vasari(1511-1574)designed and painted a mythological and cosmological theme in the Sala degli Elementi,an apartment of Cosimo I de’Medici(1519-1574),Duke of Florence,at the Palazzo Vecchio in Florence.The Apartment of the Elements is dedicated to the four elements(air,earth,fire,and water),which in antiquity were considered to be the basis of the material of the world.The four elements are personified as a history painting theme on the ceiling and the walls of the chamber.Accordingly,on the ceiling is the element of Air,personified by several events:Its center depicts Saturn Mutilating Heaven and surrounding this scene are The Chariots of the Sun and the Moon,the images of Day and Night,and the virtues of Peace,Fame,Justice,and Truth.On the walls of the chamber,there are personifications of the elements of Earth(north),Fire(east),and Water(south).The frescoes on the left hand wall relate to the element of Earth.In the center of the north wall,the first fruits of the Earth are offered to Saturn.1 On the adjacent wall,east wall,above the fireplace,are scenes relating to the element of Fire:Vulcan’s Forge is depicted in the center of wall.2 On the adjacent wall,south wall,the element of Water is symbolized with The Birth of Venus.3 On the window wall,west wall,are two large niches containing simulated sculptures of Hermes-Mercury and Hades-Pluto.These two images connect thematically with the wall decoration of the elements and the pantheon of the gods on the ceiling.This essay will focus only on the image of Hermes-Mercury.It consists of two parts:the stylistic impact of classical and Renaissance sources of this astral and pagan god in Vasari’s imagery,and the signification of the personification of Mercury associated and interconnected with Cosimo I de’Medici,Duke of Florence.展开更多
Over the past three decades,Dunhuang studies have greatly expanded and transformed our knowledge of early and medieval Chinese religions and society.The analysis of documents discovered in the Mogao'Library cave&#...Over the past three decades,Dunhuang studies have greatly expanded and transformed our knowledge of early and medieval Chinese religions and society.The analysis of documents discovered in the Mogao'Library cave'has led to seminal publications on the history of Buddhism as well as on traditional and parareligious sciences such as divination and medicine.展开更多
文摘Yin Ba is director of the Institute of Astrology of the Tibetan Traditional Medicine Hospital of Tibet Autonomous Region. By pure coincidence, he became inthtuated with astrology and Tibetan calendar calculation. Later, he has compiled a computerized Tibetan-language astrological data processing system and published a number of monographs on Tibetan astrology.
文摘Synchronicity involves the experience of personal meaning entangled with ambiguous coincidences in time. Ambiguity results from incomplete information about the chances of various events occurring. The problem that this study addresses is the lack of empirical research on synchronicity. This study sought to address this problem by exploring the astrological hypothesis that planetary transits predict synchronicity events. Synchronicities were compared with the probability distributions of planetary transits. In comparison with the base rate prediction, planetary transits were not a significant predictor of synchronicity events. The findings of this study provide new insight into the complex, multifaceted, and ambiguous phenomenon of synchronicity. The concept of ambiguity tolerance plays a significant role in synchronicity research since ambiguity cannot be completely eliminated.
文摘In 1555,assisted by Cristofano Gherardi,Il Doceno(1508-1556),Giorgio Vasari(1511-1574)designed and painted a mythological and cosmological theme in the Sala degli Elementi,an apartment of Cosimo I de’Medici(1519-1574),Duke of Florence,at the Palazzo Vecchio in Florence.The Apartment of the Elements is dedicated to the four elements(air,earth,fire,and water),which in antiquity were considered to be the basis of the material of the world.The four elements are personified as a history painting theme on the ceiling and the walls of the chamber.Accordingly,on the ceiling is the element of Air,personified by several events:Its center depicts Saturn Mutilating Heaven and surrounding this scene are The Chariots of the Sun and the Moon,the images of Day and Night,and the virtues of Peace,Fame,Justice,and Truth.On the walls of the chamber,there are personifications of the elements of Earth(north),Fire(east),and Water(south).The frescoes on the left hand wall relate to the element of Earth.In the center of the north wall,the first fruits of the Earth are offered to Saturn.1 On the adjacent wall,east wall,above the fireplace,are scenes relating to the element of Fire:Vulcan’s Forge is depicted in the center of wall.2 On the adjacent wall,south wall,the element of Water is symbolized with The Birth of Venus.3 On the window wall,west wall,are two large niches containing simulated sculptures of Hermes-Mercury and Hades-Pluto.These two images connect thematically with the wall decoration of the elements and the pantheon of the gods on the ceiling.This essay will focus only on the image of Hermes-Mercury.It consists of two parts:the stylistic impact of classical and Renaissance sources of this astral and pagan god in Vasari’s imagery,and the signification of the personification of Mercury associated and interconnected with Cosimo I de’Medici,Duke of Florence.
文摘Over the past three decades,Dunhuang studies have greatly expanded and transformed our knowledge of early and medieval Chinese religions and society.The analysis of documents discovered in the Mogao'Library cave'has led to seminal publications on the history of Buddhism as well as on traditional and parareligious sciences such as divination and medicine.
