The composition of group poems based on evocation with miscellaneous themes(za-xing)first emerged in the Tang Dynasty,pioneered by Du Fu and Chu Guangxi,but an extraordinary outburst of group poems based on evocation ...The composition of group poems based on evocation with miscellaneous themes(za-xing)first emerged in the Tang Dynasty,pioneered by Du Fu and Chu Guangxi,but an extraordinary outburst of group poems based on evocation with miscellaneous themes emerged in the the resurgence era of Southern Song Dynasty.This phenomenon was not only influenced by new ideas in poetics and the studies of Confucian classics in the Southern Song Dynasty but also directly stemmed from the resistance against the poetic system represented by the Jiangxi poetry school.The group poems based on evocation with miscellaneous themes of poets such as Lu You,Yang Wanli,and Fan Chengda exhibit a tendency opposite to the Jiangxi poetic style in terms of their overall characteristics.The rise of evocation with miscellaneous themes poems in the poetic circle of the the resurgence era of Southern Song Dynasty holds significant importance in the history of Song poetry.It represents a rebellious and rule-breaking force that fundamentally protests against the various rules and boundaries established by Song poetics,marking a revolution in the norms of Song poetry.展开更多
Henry Fielding,incontrovertibly praised as " the father of English novels,deserves another recognition,much more significantly,the first theorist on the obit of English novel with the theory of " comic epic ...Henry Fielding,incontrovertibly praised as " the father of English novels,deserves another recognition,much more significantly,the first theorist on the obit of English novel with the theory of " comic epic poem in prose" as an attempt to revolt against new-classicism.This attempt,despite its revolutionary and bold flavor,is immature and incomplete,which is bound to be attributed to the general context of neo-classicism against which Fielding vigorously averted but inevitably leaned.展开更多
Alice Notley’s Culture of On e(2011)is a“poet’s novel”about a woman who lives in the dump of a U.S.Southwest desert town.The female character who“inhabits”the dump-and this poet’s novel-is both metonym for and ...Alice Notley’s Culture of On e(2011)is a“poet’s novel”about a woman who lives in the dump of a U.S.Southwest desert town.The female character who“inhabits”the dump-and this poet’s novel-is both metonym for and guide into the lost representation of“the abject,”a concept developed by Julia Kristeva as a psychic state of horror and response to that which lies outside culturally“normalized”subjects and objects,and our“desire for meaning.”Utilizing her dump refuse for its materials,the main character,Marie,creates her own“culture of one,”standing as figure for the artist/writer plunging not“meaning”but meaninglessness and its abject association with death,which is prefigured as the unclean,the improper,rejected body parts,deviant“non-existent”personae-and,ultimately,Marie’s figural status as marginal inhabitant/“culture remaker”/older woman/multi-media“poet”artist.Without traditional conventions of novelistic character development,plot,and visual description,Notley’s“poet’s novel”formally engages in what Viktor Shkolvsky,in his well-known essay“Art as Technique,”terms“defamiliarization”or“strangeness”(“ostranenie,”in Russian),including those principles he cites of“deceleration”and“deviation of the norm.”Notley’s work twists the binary logic implied in Shkolvsky’s“deviation”versus“norm”further by revealing abjection’s“strangeness”in the poet’s novel itself as form,”a text that is always becoming its own site of the linguistic abject,never codifying identity,or the interpreted known.展开更多
基金research project "Study on the Category of Rhapsodies"(21FZWB101)funded by the National Social Science Fund of ChinaAnhui Provincial Social Science Planning Project "The Discussion Tradition of Pre-Tang Poetry"(AHSKHQ2020D09).
文摘The composition of group poems based on evocation with miscellaneous themes(za-xing)first emerged in the Tang Dynasty,pioneered by Du Fu and Chu Guangxi,but an extraordinary outburst of group poems based on evocation with miscellaneous themes emerged in the the resurgence era of Southern Song Dynasty.This phenomenon was not only influenced by new ideas in poetics and the studies of Confucian classics in the Southern Song Dynasty but also directly stemmed from the resistance against the poetic system represented by the Jiangxi poetry school.The group poems based on evocation with miscellaneous themes of poets such as Lu You,Yang Wanli,and Fan Chengda exhibit a tendency opposite to the Jiangxi poetic style in terms of their overall characteristics.The rise of evocation with miscellaneous themes poems in the poetic circle of the the resurgence era of Southern Song Dynasty holds significant importance in the history of Song poetry.It represents a rebellious and rule-breaking force that fundamentally protests against the various rules and boundaries established by Song poetics,marking a revolution in the norms of Song poetry.
文摘Henry Fielding,incontrovertibly praised as " the father of English novels,deserves another recognition,much more significantly,the first theorist on the obit of English novel with the theory of " comic epic poem in prose" as an attempt to revolt against new-classicism.This attempt,despite its revolutionary and bold flavor,is immature and incomplete,which is bound to be attributed to the general context of neo-classicism against which Fielding vigorously averted but inevitably leaned.
文摘Alice Notley’s Culture of On e(2011)is a“poet’s novel”about a woman who lives in the dump of a U.S.Southwest desert town.The female character who“inhabits”the dump-and this poet’s novel-is both metonym for and guide into the lost representation of“the abject,”a concept developed by Julia Kristeva as a psychic state of horror and response to that which lies outside culturally“normalized”subjects and objects,and our“desire for meaning.”Utilizing her dump refuse for its materials,the main character,Marie,creates her own“culture of one,”standing as figure for the artist/writer plunging not“meaning”but meaninglessness and its abject association with death,which is prefigured as the unclean,the improper,rejected body parts,deviant“non-existent”personae-and,ultimately,Marie’s figural status as marginal inhabitant/“culture remaker”/older woman/multi-media“poet”artist.Without traditional conventions of novelistic character development,plot,and visual description,Notley’s“poet’s novel”formally engages in what Viktor Shkolvsky,in his well-known essay“Art as Technique,”terms“defamiliarization”or“strangeness”(“ostranenie,”in Russian),including those principles he cites of“deceleration”and“deviation of the norm.”Notley’s work twists the binary logic implied in Shkolvsky’s“deviation”versus“norm”further by revealing abjection’s“strangeness”in the poet’s novel itself as form,”a text that is always becoming its own site of the linguistic abject,never codifying identity,or the interpreted known.
