Discussion on the Appraisal of Ancient Chinese Calligraphies and Paintings

Throughout Chinese history there have been many outstanding calligraphers and painters who have left behind numerous masterpieces.There have also been endless copycats,forgeries and ghost-creations bringing much trouble and chaos to the appreciation and study of ancient Chinese calligraphies and paintings.Based on certain theories and practices of calligraphy and painting appraisals,this paper summarizes eight basic approaches to the appraisal of ancient Chinese calligraphies and paintings used to separate the true from the false.

Generative adversarial networks based motion learning towards robotic calligraphy synthesis

Robot calligraphy visually reflects the motion capability of robotic manipulators.While traditional researches mainly focus on image generation and the writing of simple calligraphic strokes or characters,this article presents a generative adversarial network(GAN)-based motion learning method for robotic calligraphy synthesis(Gan2CS)that can enhance the efficiency in writing complex calligraphy words and reproducing classic calligraphy works.The key technologies in the proposed approach include:(1)adopting the GAN to learn the motion parameters from the robot writing operation;(2)converting the learnt motion data into the style font and realising the transition from static calligraphy images to dynamic writing demonstration;(3)reproducing high-precision calligraphy works by synthesising the writing motion data hierarchically.In this study,the motion trajectories of sample calligraphy images are firstly extracted and converted into the robot module.The robot performs the writing with motion planning,and the writing motion parameters of calligraphy strokes are learnt with GANs.Then the motion data of basic strokes is synthesised based on the hierarchical process of‘stroke-radicalpart-character’.And the robot re-writes the synthesised characters whose similarity with the original calligraphy characters is evaluated.Regular calligraphy characters have been tested in the experiments for method validation and the results validated that the robot can actualise the robotic calligraphy synthesis of writing motion data with GAN.

The Meaning Composition of Chinese Calligraphy Sign

This paper clarifies the composition of meaning in the art of Chinese calligraphy on the basis of American semiotician Charles Morris’s three divisions of sign,namely,“Syntactics,Semantics,Pragmatics”.The syntactical dimension of Chinese calligraphy sign is the artistic meaning of the form of Chinese character.“Semantical dimension”refers to semantic referents of linguistic signs and their literary significance,“pragmatical dimension”refers to the use and interpretation of calligraphy.The study of the three dimensions of meaning in Chinese calligraphy reveals a complex and unique composition of sign meaning.Chinese calligraphy deforms the structure and form of Chinese characters while retaining their semantic invariance.In this way,calligraphy acquires more practical semantic and symbolic meanings through the carrier of Chinese characters which are also linguistic symbols at the same time.Chinese calligraphy is dominated by the meaning of sign forms,taking into account the linguistic reference and the use of sign,and the three dimensions of meaning interact and promote each other,building a dynamic and multidimensional space of sign meaning.

The Implantation Application of Traditional Chinese Calligraphy in Book Cover Design under Contemporary Aesthetic Trend

In the information age, the public’s aesthetic consciousness of art has changed dramatically, showing a new trend of pursuing abstraction and personalisation of art works. In this context, Chinese traditional calligraphy, which carries deep oriental cultural heritage and artistic taste, and is highly flexible and adaptable in terms of artistic form, has great application value in the field of book cover design. This paper first analyzes the trend characteristics of the development and transformation of public artistic aesthetic consciousness from the industrial era to the information age, and then explores the artistic form characteristics of traditional Chinese calligraphy, and proposes that traditional calligraphy has great application value in book cover design. Finally, several innovative and clever cases of incorporating traditional calligraphy into book cover design were highlighted, providing inspiration for design ideas and methods.

Relationship between Calligraphy and Meteorology

Since ancient times,calligraphy and meteorology have had an inseparable relationship.Wang Xizhi s Prologue to the Collection of Poems Composed at the Orchid Pavilion records the beautiful scenery of mild wind and bright sun,as well as the relaxed and joyful mood of people in such weather.Su Shi s Cold Food Calligraphy Copybook records the scenery of solar terms and the author s psychological changes during these solar terms through calligraphy.The Quick Snow and Clear Time Calligraphy Copybook also reflects the grandeur of snowy days and the customs of literati recording weather and sharing it with friends.In Sun Guoting s Shupu,it is clearly stated that the third element of the"five harmony and five obedience"refers to the clear sky,humid air,and pleasant climate,and excellent climatic conditions are conducive to writing.

The Aesthetic Connotation of Ancient Calligraphy

From the origin of writing to the formation of the writing system,the names and aesthetics of calligraphy have been evolving with time.Calligraphy has different mainstream writing styles across different eras and has been assigned different names,which also maps the aesthetic orientation of the times.Not only is calligraphy the evolution of the designation of successive generations but also in the continuous pursuit of“name”and“reality”of the unity of the ancient connotation of calligraphy and the era of aesthetic integration.This paper discusses the flavorful meaning behind the concept of ancient calligraphy,as well as its various forms of expression.

Application of Choquet Integral-Importance-Performance Analysis and TOPSIS Methods in Approaching the Preference Factors of Calligraphy and Seal Engraving Imagery

Classical Chinese characters,presented through calligraphy,seal engraving,or painting,can exhibit different aesthetics and essences of Chinese characters,making them the most important asset of the Chinese people.Calligraphy and seal engraving,as two closely related systems in traditional Chinese art,have developed through the ages.Due to changes in lifestyle and advancements in modern technology,their original functions of daily writing and verification have gradually diminished.Instead,they have increasingly played a significant role in commercial art.This study utilizes the Evaluation Grid Method(EGM)and the Analytic Hierarchy Process(AHP)to research the key preference factors in the application of calligraphy and seal engraving imagery.Different from the traditional 5-point equal interval semantic questionnaire,this study employs a non-equal interval semantic questionnaire with a golden ratio scale,distinguishing the importance ratio of adjacent semantic meanings and highlighting the weighted emphasis on visual aesthetics.Additionally,the study uses Importance-Performance Analysis(IPA)and Technique for Order Preference by Similarity to Ideal Solution(TOPSIS)to obtain the key preference sequence of calligraphy and seal engraving culture.Plus,the Choquet integral comprehensive evaluation is used as a reference for IPA comparison.It is hoped that this study can provide cultural imagery references and research methods,injecting further creativity into industrial design.

The Cultural Implication of Brick Carving Model Calligraphy in Shanxi Chang's Manor

Focusing on the unique style of brick carving model calligraphy in Shanxi Chang's manor,this research analyses the content and feature of the different parts of brick carving,and discuses the presenting cultural deposits.It reflects the deep Confucian culture of Shanxi Chang's manor,with the peculiar charming in culture and aesthetic value.

Human Machine Interface with Wearable Electronics Using Biodegradable Triboelectric Films for Calligraphy Practice and Correction

Letter handwriting,especially stroke correction,is of great importance for recording languages and expressing and exchanging ideas for individual behavior and the public.In this study,a biodegradable and conductive carboxymethyl chitosan-silk fibroin(CSF)film is prepared to design wearable triboelectric nanogenerator(denoted as CSF-TENG),which outputs of V_(oc)≈165 V,I_(sc)≈1.4μA,and Q_(sc)≈72 mW cm^(−2).Further,in vitro biodegradation of CSF film is performed through trypsin and lysozyme.The results show that trypsin and lysozyme have stable and favorable biodegradation properties,removing 63.1%of CSF film after degrading for 11 days.Further,the CSF-TENG-based human-machine interface(HMI)is designed to promptly track writing steps and access the accuracy of letters,resulting in a straightforward communication media of human and machine.The CSF-TENG-based HMI can automatically recognize and correct three representative letters(F,H,and K),which is benefited by HMI system for data processing and analysis.The CSF-TENG-based HMI can make decisions for the next stroke,highlighting the stroke in advance by replacing it with red,which can be a candidate for calligraphy practice and correction.Finally,various demonstrations are done in real-time to achieve virtual and real-world controls including writing,vehicle movements,and healthcare.

Robust visual servoing based Chinese calligraphy on a humanoid robot

A robust visual servoing system is investigated on a humanoid robot which grasps a brush in Chinese calligraphy task.The system is implemented based on uncalibrated visual servoing controller utilizing Kalman-Bucy filter,with the help of an object detector by continuously adaptive MeanShift(CAMShift) algorithm.Under this control scheme,a humanoid robot can satisfactorily grasp a brush without system modeling.The proposed method is shown to be robust and effective through a Chinese calligraphy task on a NAO robot.

Chinese Guqin Music and Calligraphy for Treating Symptoms of Primary Insomnia

Purpose:To investigate the intervention effiects of using traditional Chinese Guqin music and Chinese Calligraphy handwriting(CCH)for patients with Primary Insomnia.Methods:A total of ninety patients were assigned to control group,Guqin group,and calligraphy group for 8 weeks.For 5 days a week,patients’heart rate variability(HRV)and frontal midline(FZ)electroencephalographic signals were recorded in a clinic during interventional period while either listening to Guqin music or writing calligraphy.Patients in the control group remained in rest condition.Results:For the Guqin group,the higher low-frequency-range HRV of coherence was found with marginal significance(P=0.055),and heart rate was significantly reduced(P<0.05)during Hie 4^th week in listening to Guqin music compared to the prerest period.For listening to Guqin music or calligraphy intervention,FZδ,FZθ,and FZα waves in the 8^th week compared to the 0^th week(Pre Intervention)showed a significantly enhanced effect(.P<0.05).Between the three groups,for heart rate and FZδ and FZθ waves,calligraphy group showed significantly increased heart rate than the Guqin group(P<0.001)and the control group(P=0.004);increased FZδ wave than die Guqin group(P<0.001)and the control group(P<0.001);and increased FZθ wave than the Guqin group(P=0.024)and the control group(P=0.008)respectively.Conclusion:Positive intervention effects on 11RV coherence of Guqin music;FZδ,FZθ,and FZα waves of Guqin music and calligraphy proved that Guqin music together with calligraphy training helping to promote physical and mental health,thereby it contributes to the clinical application of TCM Psychology for patients with insomnia syndrome.

Chinese Calligraphy Word Spotting Using Elastic HOG Feature and Derivative Dynamic Time Warping

Chinese calligraphy is a very special style of handwriting and direct character recognition is very difficult. Content-based keyword spotting is more feasible than recognition-based retrieval for calligraphy document. In this paper,we propose a novel Elastic Histogram of Oriented Gradient( EHOG) descriptor for calligraphy word spotting. The presented feature is a modification of Histogram of Oriented Gradient( HOG), widely used in human detection. In our approach,the input word image is partitioned into non-uniform rectangular cells according to the calligraphy character pixel intensity,and then in each cell a histogram of orientation is accumulated dynamically. Moreover,we adopt Derivative Dynamic Time Warping( DDTW) for image feature matching,which achieves good performance in gesture recognition. Experiments demonstrate a very significant improvement when comparing our proposed feature with previously developed ones,and also show DDTW produces superior alignments between two calligraphy character feature series than DTW.

Contemporary Chinese Calligraphy Between Tradition and Innovation

Since the mid-1980s Chinese calligraphy art has undergone a radical change and has opened itself to experimentation. A vivid debate on CCC （Contemporary Chinese Calligraphy） （Zhongguo xiandai shufa） is involving art critics in China nowadays. WANG Dongling and the modernists think that, despite many changes and influences, we can still refer to the traditional calligraphic lexicon to describe the calligraphic production of contemporary Chinese art. They still remain deeply rooted in the signified system of Chinese writing, even if they break with the strict rules of Chinese classical aesthetic （contamination of Western elements and focus on the stylistic exploration）. WANG Nanming and the Avant-garde think that ＂contemporary calligraphy is not calligraphy yet＂： It is ＂anti-calligraphy＂, annihilates Chinese tradition, rejects the use of legible characters, experiments with new languages and new media within the idiom of international contemporary art. The result is the creation of works of art that could be assimilated to Abstract art, Abstract expressionism, Conceptual art, Performance art, Contemporary dance, Multimedia art, and even Street art. This paper aims at showing how still valid and extremely productive are both these two theoretical and creative/practical approaches to Chinese calligraphy in China nowadays. They turned the art of calligraphy into a medium for global comprehension and communication.

Development and Evolution of Papermaking in Ancient China based on the Uses and Forms of Paper

In the past,scholars have divided the history of Chinese papermaking into different stages based on the development of ancient papermaking technology,emphasizing the development and progress of papermaking in different historical periods but paying less attention to the changes in the form of paper.Here,the stages are defined based on changes in use and function rather than technological developments.When this approach is combined with the history of printing,books,calligraphy,and painting,the history of Chinese papermaking can be divided into the writing paper,writing and printing paper,printing paper,and calligraphy and painting paper periods.Different periods of paper have significant differences in texture,form,and performance owing to their different applications.This significant difference provides a reference for the identification of ancient papers and reveals the internal connection between the history of printing,books,calligraphy,painting,and papermaking.

What do We Learn from Advertisements

Our society has been filled with advertisements of all sorts. Advertisers and copy - writers are trying their best to sell their goods to us consumers. How are we tempted and persuaded to buy such things, especially sometimes they are the things we do not really need? Advertisers and copy - writers certainly have their ways. This paper will illustrate how they achieve their purposes by looking at the linguistic features of advertising language.

Treatment Effects of Acupuncture and Calligraphy Training on Cognitive Abilities in Senile Demented Patients

Purpose:This study compared the relative effectiveness of Chinese calligraphy handwriting(CCH)and acupuncture in the treatment of patients with senile dementia.Materials and Methods:A randomized controlled trial(RCT)with 17 mild-to-moderate dementia patients with an average age of 77.29 years were randomly assigned with 9 to the calligraphy handwriting group and 8 to the acupuncture treatment group for a month of consecutive treatment.The participants'cognitive abilities,as well as symptoms of senile dementia,were measured by the Chinese version of the Mini-mental State Examination(CMMSE)and the Chinese Medicine Quantitative Diagnostic Survey for Senile Dementia Symptoms,respectively,before and after the treatment.Results:The calligraphy group showed a significant increase in calculation and memory as well as a decline in the symptoms of senile dementia.Patients in the acupuncture group experienced a significant growth in total CMMSE scores and the subscales in orientation to time and place,behavioral operations,as well as reduced clinical symptoms.However,no significant changes were found in their memory and calculation abilities.Conclusion:Both CCH and acupuncture treatments were found significantly effective for,respectively,enhancing the patients'cognitive abilities and reducing their clinical symptoms.Further,calligraphy handwriting also improved the level of their attention and concentration,physical relaxation,and emotional stability.

Technical features in the Portal to CADAL

China-America Digital Academic Library Project (CADAL) is a collaborative project between universities and institutes in China and the USA, which aims to provide universal access to large scale digital resources and explore the ways of applying multimedia and virtual reality technologies to digital library. The distinct characteristic of the resources in CADAL is that it not only contains one million digital books of different languages, but also contains Terabyte level multimedia resources (image, video, and so on), which are utilized for education and research purposes. So, in the Portal to CADAL, both the traditional services of browsing and searching of digital books, and the services of quickly retrieving and structurally browsing of multimedia documents should be provided. In addition, the services of visual presentation of retrieved results are required too. In this paper, the underlying novel multimedia retrieval methods as well as visualization techniques, which are used in the CADAL portal, are investigated.

SRAFE:Siamese Regression Aesthetic Fusion Evaluation for Chinese Calligraphic Copy

Evaluation of calligraphic copy is the core of Chinese calligraphy appreciation and in-heritance.However,previous aesthetic evaluation studies often focussed on photos and paintings,with few attempts on Chinese calligraphy.To solve this problem,a Siamese regression aesthetic fusion method is proposed,named SRAFE,for Chinese calligraphy based on the combination of calligraphy aesthetics and deep learning.First,a dataset termed Evaluated Chinese Calligraphy Copies(E3C)is constructed for aesthetic evalu-ation.Second,12 hand‐crafted aesthetic features based on the shape,structure,and stroke of calligraphy are designed.Then,the Siamese regression network(SRN)is designed to extract the deep aesthetic representation of calligraphy.Finally,the SRAFE method is built by fusing the deep aesthetic features with the hand‐crafted aesthetic features.Experimental results show that scores given by SRAFE are similar to the aesthetic evaluation label of E3C,proving the effectiveness of the authors’method.

Research on Yang Xiong from a Calligraphic Perspective

Yang Xiong,a cultural celebrity in ancient China,is a well-known figure in the history of Chinese literature with abundant research on his literary achievements.However,little research has been done on the presentation of his name,former residence,and prose poems in Chinese calligraphy from an iconographic perspective.This paper intends to explore how“Yang Xiong,”“Yang Ziyun,”“Ziyun Pavilion in Xishu Prefecture,”and“Yang Xiong’s prose poems”are presented in the Chinese calligraphy,especially in calligraphies by Wang Xizhi,Su Dongpo,Huang Tingjian,Mi Fu,and other famous calligraphers in the previous dynasties.Research shows that Yang Xiong influenced not only Chinese literature but also Chinese calligraphy to a certain extent.

A Study on Quantitative Evaluation of Calligraphy Characters

In this study, a numerical method was proposed to evaluate the calligraphy work called calligraphy evaluation system. Four classical chirographies of ＂Kaisho＂, ＂Gyosho＂, ＂Sousho＂ and ＂Hiragana＂, and 47 characters for each chirography, were selected and analyzed by this system. The ＂Sumi＂ distribution of character was clarified from 12 directions and summarized into four parts of horizontal part, diagonal left part, vertical part and diagonal fight part. The character＇s contour line was converted to a signal data in order to calculate roundness index. The degree of character＇s radian was presented by roundness index. The smooth index was calculated at the same time. Additionally, width index, ＂Sumi＂ ratio, stability index also were calculated to contrast the features of each style. The main character points of four styles of ＂Kaisho＇, ＂Gyosho＂, ＂Sousho＂, ＂Hiragana＂ were extracted to compare each other, and provide a reference for learners. The learners could obtain the quantitative data to understand their work＇s characteristics. It can also be compared with other person＇s work by this system in order to improve learners＇ writing skill.