As one of the many traditional Chinese medicine journals in the Republic of China(ROC)era,the journal"Chinese Medicine Pillar Monthly"had been published for 11 consecutive years.It has rich content and cover...As one of the many traditional Chinese medicine journals in the Republic of China(ROC)era,the journal"Chinese Medicine Pillar Monthly"had been published for 11 consecutive years.It has rich content and covers a wide range of topics.It has important reference value for studying the direction of cultural development,political dynamics,and development trends of Chinese and Western medicine during the ROC era,and the journal was intended to spread the classics and clinical experience of traditional Chinese medicine,making it a medical treasure house.This paper mainly introduces the current status of the journal,the date of its inception,and its main content,features and contributions.展开更多
The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some f...The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some formal or ceremonial costumes such as wedding dress will also beincluded.This study will use Chinese costumes and textiles from many museums to fill in theblanks left by previous research and to give a more detailed and accurate description.It will alsouse historical documents to find the original names of these items and to illustrate a general conceptof their usage on different occasions.The different categories of women’s wear will be described in the following order:①robes orcoats;②jackets;③waistcoats or vests;④skirts;⑤pants and leggings;⑥shoes and socks;⑦headdresses;and⑧others.Of every category,the textiles,decoration,cut,form,style,colourand motif will be discussed.The way in which these items were combined will also be discussed.The comparison between women’s wear and men’s wear,women’s and children’s informal andformal dress will be given.Here are some tentative conclusions.First,the Manchu and Han style coexisted and mixedwith each other and were worn by both Manchu and Han women.Second,the basic silhouettesand cuts were relatively stable and conventional,while the decorations and details(openings,fasten-ings,pleats,vents,collars and hemlines)were different.The former represented accepted socialstandards while the latter could be a matter of personal taste.Third,women’s wear in that periodwere highly stylized,miscellaneous,elaborate,detailed,multicolored and multi-thematic.展开更多
The goal of this research is to describe and analyze Shanghai’s fashion during Republic Period. Shanghai’s fashion during Republic Period plays a special role in fashion history of China and Shanghai history. In the...The goal of this research is to describe and analyze Shanghai’s fashion during Republic Period. Shanghai’s fashion during Republic Period plays a special role in fashion history of China and Shanghai history. In the paper, three aspects including the fashion centre of China as well as Far East, men’s fashion and women’s fashion in Shanghai are discussed. The style, textiles, color, decoration and combination of clothing are described. Many costumes from the Clothing Museum at Donghua University and private collections as well as some historical writings, photographs and publications are elucidated and corroborated to give a more detailed description about Shanghai’s fashion during that period.Here are some tentative conclusions. Firstly, Shanghai had always been the fashion center in China even Far East during Republic Period. Modeng was the main reflection of Shanghai fashion. Secondly, the traditional clothing exerted less influence and was less widely used, some kinds and combinations were out of fashion gradually. The fashion was described to be highly stylized, exquisite and concise. Thirdly, the influence of Western Style was further greater. The fashion in Shanghai was almost synchronous with fashion of Paris. Some western clothing was directly used in daily life and the elements of Western Style had an increasingly wide utilization. Fourthly, the New Chinese Style whose representatives were Qipao and Zhongshan Zhuang appeared and popularized in Shanghai. The fashion of Qipao changed frequently. Finally, the fashion in Shanghai called Shanghai Style could be summarized fashionable, exquisite, rapidly changeable, which is harmonious of both ancient and modern, Chinese and foreign.展开更多
基金Shaanxi Provincial Natural Science Basic Research Program(Science and Technology Innovation and Entrepreneurship"Double Mentor System")project"Research on Chinese Medicine Health Culture Based on Chinese Medicine Literature"(2018JM7156)Research on the Inheritance and Development of Characteristic Culture of Traditional Chinese Medicine in the Characteristic Faculty Project of Philosophy and Social Sciences in Shaanxi Universities(Shaanxi Teaching Position[2009]No.6)Shaanxi Provincial Administration of Traditional Chinese Medicine Key Discipline of Traditional Chinese Medicine History and Literature(Shaanxi Traditional Chinese Medicine Development[2018]No.21)。
文摘As one of the many traditional Chinese medicine journals in the Republic of China(ROC)era,the journal"Chinese Medicine Pillar Monthly"had been published for 11 consecutive years.It has rich content and covers a wide range of topics.It has important reference value for studying the direction of cultural development,political dynamics,and development trends of Chinese and Western medicine during the ROC era,and the journal was intended to spread the classics and clinical experience of traditional Chinese medicine,making it a medical treasure house.This paper mainly introduces the current status of the journal,the date of its inception,and its main content,features and contributions.
文摘The goal of this research is to describe and analyze women’s wear in the late Qing Dynasty andearly Republic Period(late 19th c.—early 20th c.),with an emphasis on the daily informal orsemi-formal wear,though some formal or ceremonial costumes such as wedding dress will also beincluded.This study will use Chinese costumes and textiles from many museums to fill in theblanks left by previous research and to give a more detailed and accurate description.It will alsouse historical documents to find the original names of these items and to illustrate a general conceptof their usage on different occasions.The different categories of women’s wear will be described in the following order:①robes orcoats;②jackets;③waistcoats or vests;④skirts;⑤pants and leggings;⑥shoes and socks;⑦headdresses;and⑧others.Of every category,the textiles,decoration,cut,form,style,colourand motif will be discussed.The way in which these items were combined will also be discussed.The comparison between women’s wear and men’s wear,women’s and children’s informal andformal dress will be given.Here are some tentative conclusions.First,the Manchu and Han style coexisted and mixedwith each other and were worn by both Manchu and Han women.Second,the basic silhouettesand cuts were relatively stable and conventional,while the decorations and details(openings,fasten-ings,pleats,vents,collars and hemlines)were different.The former represented accepted socialstandards while the latter could be a matter of personal taste.Third,women’s wear in that periodwere highly stylized,miscellaneous,elaborate,detailed,multicolored and multi-thematic.
文摘The goal of this research is to describe and analyze Shanghai’s fashion during Republic Period. Shanghai’s fashion during Republic Period plays a special role in fashion history of China and Shanghai history. In the paper, three aspects including the fashion centre of China as well as Far East, men’s fashion and women’s fashion in Shanghai are discussed. The style, textiles, color, decoration and combination of clothing are described. Many costumes from the Clothing Museum at Donghua University and private collections as well as some historical writings, photographs and publications are elucidated and corroborated to give a more detailed description about Shanghai’s fashion during that period.Here are some tentative conclusions. Firstly, Shanghai had always been the fashion center in China even Far East during Republic Period. Modeng was the main reflection of Shanghai fashion. Secondly, the traditional clothing exerted less influence and was less widely used, some kinds and combinations were out of fashion gradually. The fashion was described to be highly stylized, exquisite and concise. Thirdly, the influence of Western Style was further greater. The fashion in Shanghai was almost synchronous with fashion of Paris. Some western clothing was directly used in daily life and the elements of Western Style had an increasingly wide utilization. Fourthly, the New Chinese Style whose representatives were Qipao and Zhongshan Zhuang appeared and popularized in Shanghai. The fashion of Qipao changed frequently. Finally, the fashion in Shanghai called Shanghai Style could be summarized fashionable, exquisite, rapidly changeable, which is harmonious of both ancient and modern, Chinese and foreign.
