Analysis of Viewing Paintings from the Perspective of Iconography

Distinguished from purely formalistic research methods,iconography pursues the interpretation of the hidden historical and humanistic connotations behind artworks,and is a discipline that combines visual text and content analysis methods.Combining the three stages of iconography proposed by Panofsky,the paper studies Shizeng Chen’s Viewing Paintings from the perspective of iconography,summarizing the formation and change of the images and contents of the artworks in the cultural system and civilization at that time,as well as their implied ideology,and analyzing the hidden spirit of the times and the historical significance behind them,so as to expound their iconographic significance.Through an in-depth discussion at three levels:pre-pictorial iconographic description,iconographic analysis,and iconographic interpretation,the facts and surface contents reproduced in the images,the traditional level of literary,artistic,and cultural knowledge,as well as the interpretation of the potential meanings are revealed.

Chinese Sources for AfterWards:From Premodern Poetry,Paintings,and Medical Texts to Modern Novels,Film,and Documentaries

This paper focuses on Chinese sources suggested for a narrative medicine(NM)program,called AfterWards.Dr Lauren Small established AfterWards in 2014 and has been coordinating it since out of the Pediatrics Department at Johns Hopkins Medicine.In early 2019,she started giving a series of lectures and workshops about AfterWards to Chinese medical educators and clinicians in Beijing and Shanghai.She created an AfterWards Facilitator’s Guide based on Western-language sources for workshop participants.She also started to organize with Jiang Yuhong(Peking Union Medical College)a workshop for Chinese colleagues to be held at Johns Hopkins Medicine in October 2019.They invited the author to participate.The idea was hatched then to develop Chinese source materials following the AfterWards structure for an updated Facilitator’s Guide that Dr Small had initially written.A typical one-hour AfterWards session consists of a specific five-part structure:a literary text or artwork,an associated theme,discussion topics,a writing exercise,and shared reflection.While the content of the program always changes from session to session,the basic structure remains the same.This paper summarizes the types of Chinese sources and their related narrative-medicine themes that were originally selected for inclusion in the updated AfterWards Facilitator’s Guide intended for Chinese colleagues.These sources about coping with sick family members,aging,and illness ranged from the textual(classical Chinese poems on aging and diagnostic forms for training students)and visual(premodern Chinese paintings and murals of medical encounters)to the fictive(novels)and performative(contemporary Asian-American film in English and Chinese-language film and documentaries).

Aesthetic Utopia,Revolution in Daily Life and Identity Construction of Peasant Paintings

Peasant painting is a kind of painting created by farmers as creative subject,bearing rich significance.According to the historical development of peasant painting in reality,the types of meaning it carried could be divided into three types in chronological order:political ideological significance,folk life significance,and creative fashion significance.These three types of meaning gave rise to three types of aesthetic utopia,namely political aesthetic utopia,folk aesthetic utopia and fashion aesthetic utopia.The three types of aesthetic utopia reflected three forms of negation and revolution of daily life.What the political aesthetic utopia resisted was the alienation force of material desire.What folk aesthetic utopia resisted was the desire for material and the binding of political ideology.The fashion aesthetic utopia opposed the relatively narrow localism.Through these three forms of resistance,the public also constructed three identities:the interpreter of their own aesthetic interpretation of political ideology,the interpreter of their own aesthetic interpretation of real life from perspective of local feelings,and the interpreter of their own aesthetic interpretation of real life from perspective of the relationship between themselves and the world.

Indoor Formaldehyde Removal Techniques through Paints: Review

Due to its ability to cause illnesses and discomfort even at low concentrations, formaldehyde pollution of indoor air poses a significant risk to human health. Sources of formaldehyde in indoor environments include textiles, paints, wallpapers, glues, adhesives, varnishes, and lacquers;furniture and wooden products like particleboard, plywood, and medium-density fiberboard that contain formaldehyde-based resins;shoe products;cosmetics;electronic devices;and other consumer goods like paper products and insecticides. According to the World Health Organisation, indoor formaldehyde concentrations shouldn’t exceed 0.1 mg/m3. The methods include membrane separation, plasma, photocatalytic decomposition, physisorption, chemisorption, biological and botanical filtration, and catalytic oxidation. Materials based on metal oxides and supported noble metals work as oxidation catalysts. Consequently, a paint that passively eliminates aldehydes from buildings can be developed by adding absorbents and formaldehyde scavengers to the latex composition. It will be crucial to develop techniques for the careful detection and removal of formaldehyde in the future. Additionally, microbial decomposition is less expensive and produces fewer pollutants. The main goal of future research will be to develop a biological air quality control system that will boost the effectiveness of formaldehyde elimination. The various methods of removing formaldehyde through paints have been reviewed here, including the use of mixed metal oxides, formaldehyde-absorbing emulsions, nano titanium dioxide, catalytic oxidation, and aromatic formaldehyde abating materials that can improve indoor air quality.

Co-pyrolysis of Sewage Sludge with Paint Sludge: Kinetics and Thermodynamic Analysis via Iso-conversional Methods

This study explored the synergistic interaction of sewage sludge(SS)and automotive paint sludge(PS)during co-pyrolysis for the optimized treatment of sewage sludge in cement kiln systems,utilizing thermogravimetric analysis(TGA)and thermogravimetric-mass spectrometry(TGA-MS).The result reveals the coexisting synergistic and antagonistic effects in the co-pyrolysis of SS/PS.The synergistic effect arises from hydrogen free radicals in SS and catalytic components in PS,while the main source of the antagonistic effect is that,during the mechanical mixing process,the SS/PS is converted from the particulate form into a dough-like rubbery which contributes to the film-forming effect,hindering the volatilization of volatile components.SS/PS co-pyrolysis reduces the yielding of tar production while increasing coke and gas.This study will provide some in-depth insights into the co-pyrolysis of SS/PS,and offer theoretical support for the subsequent research on the collaborative disposal processes in cement kilns.

Research on the Development of Kindergarten-Based Curriculum with Tongyu New Year’s Paintings as Curriculum Resource

With the rapid development of modern society,the protection and inheritance of traditional culture are becoming increasingly important.As a part of Chinese traditional culture,Tongyu New Year’s Paintings,with their unique artistic style and rich cultural connotation,have become an excellent resource for exploring the beauty of tradition and inspiring creativity.Based on this,LH Kindergarten in Baicheng City,Jilin Province,has utilized Tongyu New Year’s Paintings as a curriculum resource to develop a school-based curriculum,“The Beauty of Tongyu New Year’s Paintings:Artistic Exploration for Teachers and Children.”Through diversified learning styles,teachers and children will learn about the history of New Year’s paintings,incorporate certain features of the paintings into their art activities,and cultivate creativity and the spirit of teamwork,so as to pass on the precious essence of traditional culture to children and carry forward the spirit of teamwork in their hearts.This program will lead children to experience the treasures of traditional culture and the rich connotations behind Chinese New Year’s paintings,laying a solid foundation for their growth and lifelong learning.

Improved Scatter Search Algorithm for Multi-skilled Personnel Scheduling of Ship Block Painting

This paper focuses on the optimization method for multi-skilled painting personnel scheduling.The budget working time analysis is carried out considering the influence of operating area,difficulty of spraying area,multi-skilled workers,and worker’s efficiency,then a mathematical model is established to minimize the completion time. The constraints of task priority,paint preparation,pump management,and neighbor avoidance in the ship block painting production are considered. Based on this model,an improved scatter search(ISS)algorithm is designed,and the hybrid approximate dynamic programming(ADP)algorithm is used to improve search efficiency. In addition,the two solution combination methods of path-relinking and task sequence combination are used to enhance the search breadth and depth. The numerical experimental results show that ISS has a significant advantage in solving efficiency compared with the solver in small scale instances;Compared with the scatter search algorithm and genetic algorithm,ISS can stably improve the solution quality. Verified by the production example,ISS effectively shortens the total completion time of the production,which is suitable for scheduling problems in the actual painting production of the shipyard.

The Study of “Imitation” Aesthetics in Ancient Painting Theory-Taking the Chinese and Western Sources as an Example

The theory of“imitation”in painting occupies a leading position in western art,which originated from the theory of“imitation”in ancient Greece,and has become one of the art theories affecting the world through the continuous development of later generations.Through the exploration of the source of“imitation”in China and the West,there are some comments on the meaning of“imitation”in Chinese classical painting theory,such as“transfer model writing”and“image form”,which is obvious differences from the west.Traditional Chinese painting is a combination of careful observation of natural things and subjective emotions to express their own aesthetic feelings,and ultimately form a vivid artistic conception.Modern imitation is borrowed from Western imitation.In fact,imitation in traditional painting has its own meaning,which contains Chinese aesthetic thought.“Imitation”aesthetics is unique in traditional Chinese painting and is the most important form of painting art.

Analysis of Color and Artistic Conception in Painting Art

The charm of painting,as a bright pearl in the treasure house of culture,lies in its visual language constructed through colors and lines,which conveys the artist’s unique perception of life and profound emotions.Color,as the most intuitive and expressive language in painting,is not only a simple reproduction of material colors but also a projection of the artist’s inner world.Artistic conception,as a core concept in traditional Chinese painting theory,refers to the emotional atmosphere and spiritual mood embedded in paintings.The purpose of this paper is to discuss the interaction between color and mood in painting art,to analyze the techniques of using color in different painting styles and their influence on the creation of mood,and to provide new perspectives and methods for the creation of paintings.

Color Expression and Mood Creation in Imagery Oil Painting

Oil painting is a traditional Western painting form.With the introduction of China and the influence of China’s traditional painting and aesthetics,the painting style became more distinctive,expanding a new development direction of oil painting,and thus imagery oil painting came into being.Color,as the most important element in imagery oil painting,mainly plays the role of mood creation and emotional expression.Many creators are good at injecting their thoughts and emotions into the paintings through color matching,so as to enhance the artistic expression of the paintings.This paper analyzes the color expression characteristics of imagery oil painting and explores the color expression techniques in imagery oil painting and mood creation of imagery oil painting from several aspects.

Discussion on the Relation between Garden Landscape Constitution and Ancient Chinese Poetry and Paintings

From the perspective of culture-based source,the author considered that the ancient Chinese poetry and paintings not only embodied the harmony and unity thought of man and nature,but also were the emotional attachment of Chinese literati.As a diverse and comprehensive aesthetic art,landscape expressed material and spiritual culture doubly,the spiritual connotation of which was inextricably linked within ancient Chinese poetry and paintings.In addition,ancient Chinese poetry and paintings can be directly used in landscape composition,such as the widely used in plaques,inscriptions,couplets,poems and inscriptions,carved beams and painted pillars,painting with words and so on.Chinese literati integrated the ethereal realm of poetry and paintings into garden art,making landscape endow with poetic charm.Therefore,the landscape revealed the traces of literature and arts in aesthetic idea and taste,pushing Chinese garden to a higher aesthetic realm.This study pointed the right way to the future of modern landscape which advocated ecological and harmonious development.

Rock Engravings and Paintings: Rethinking of the Cupules, Gongs, and Grinding Hollows of Siuyu and Ughaugha in Singida East (Tanzania)

Our recent archaeological expeditions in the Siuyu and Ughaugha wards of Singida eastern province have recuperated the very compelling rock engravings (petroglyphs) that weren’t reported in Tanzania before. Archaeologically, Singida’s fame emanated from her endowments of rock paintings. However;during this research, we did discover rock cupules, gongs, and grinding hollows art together with rock paintings (pictographs) that have opened up a new avenue for rock art studies in Tanzania. We carried out intensive site surveys around four sites namely Siuyu, Ngaghe, Misimbwa and Ughaugha B with the aims of solely examining, recording, and documenting archaeological artifacts on the surface in order to research the cultural and behavioural patterns of early humans in the Singida region. Surveys also enabled us to locate suitable areas where future excavations would be established. In some cases, ethnographic enquiries were employed to get supplementary information on the present-day use of rock art sites. Besides, we interviewed local people to assess their general understanding of the presence of more sites or helping in locating, and discovering new sites. Through ethnographic inquiries, we discovered several sites with substantial number of rock engravings that were never document by any researcher. On top of that, this study reports other archaeological potentials of the region by describing in detail their significances for future research undertakings. Additionally, this paper article reports on the occurrence of Middle Stone Age (MSA) archaeological assemblages from the open-air site and the presence of grinding hollows and rock cupules (Siuyu complexes) in central Tanzania for the first time.

Investigation of paint removal by atmospheric pressure plasma jet

Acrylic polyurethane paint on the surface of 2A12 Al alloy was cleaned utilizing an atmospheric pressure plasma jet in this work.The dynamic evolution of the paint removal process during plasma treatment with time was explored through analysis of morphology and chemical states.The results showed that although the thickness of paint could be reduced effectively with an increase in cleaning time,the removal rate of paint gradually decreased with time.During the initial cleaning process range,its original smooth morphology of paint turned rugged quickly and was almost unchanged with further plasma treatment.Element and chemical state analysis showed that the content of C in the paint layer decreased obviously after plasma treatment.In contrast,the O content increased remarkably.The cleaning mechanism could be mainly attributed to the reaction between active O-containing species in air plasma and organic components in the paint.After removal of superficial organic matter,residue inorganic metal oxide substances aggregated on the base.The exposed metal oxides on the one hand elevated the superficial O content,but on the other hand hindered further plasma penetration,resulting in a gradual decrease in cleaning rate with cleaning time.Therefore,physical wiping was proposed to be incorporated with the plasma method and effective removal of paint was realized.

Cognitive Translation of Paintings of Lijiang Painting School Under the Guidance of Rewriting Theory

It is an important task to communicate Chinese culture with other countries in the more conflicting global world.Lijiang Painting School plays a very important part in Chinese art,and it greatly influences the painters of various periods in China.In this context,some representative paintings of Lijiang Painting School in different periods were collected in this paper as the research objects.The rewriting theory was applied in the study because Chinese readers and English readers have different cultural backgrounds and diverse thinking.Based on the rewriting theory,these representative paintings were translated and the explained in English.In the study,it is found that as an intersemiotic translation,the translation of the representative paintings of Lijiang Painting School should be focused on those target readers who can’t comprehend directly from the paintings.In addition,the artistic integrity should be considered first before details in paintings.Therefore,the overall perception of target readers gaining from the translations should be paid more attention to rather than metaphrase.The translation under the guidance of rewriting theory will be helpful for the target readers to understand the connotation of source culture with some cultural images of target readers.

Discussion on the Appraisal of Ancient Chinese Calligraphies and Paintings

Throughout Chinese history there have been many outstanding calligraphers and painters who have left behind numerous masterpieces.There have also been endless copycats,forgeries and ghost-creations bringing much trouble and chaos to the appreciation and study of ancient Chinese calligraphies and paintings.Based on certain theories and practices of calligraphy and painting appraisals,this paper summarizes eight basic approaches to the appraisal of ancient Chinese calligraphies and paintings used to separate the true from the false.

Visual order of Chinese ink paintings

Visual order is one of the key factors influencing the aesthetic judgment of artworks.This paper reports the results of evaluating the influence of extracted features on visual order in Chinese ink paintings,using a regression model.We use nine contemporary artists’paintings as examples and extract features related to the visual order of their paintings.A questionnaire survey is conducted to collect people’s rating scores on the visual order.Via regression modeling,our research analyzes the significance of each feature and validates the influences of the features on the visual order.

Charm and Beauty——A Comparison of Two Aesthetic Categories in Chinese and Western Paintings

Aesthetics in China is different from that in the West which is centered on the logical approach to the concept of "beauty," and is highly typified by chewing, tasting, and pondering, a process full of intuition and contemplation. Instead of "beauty," "charm" is the central category in Chinese painting, presenting a different aesthetic system from that in the western world.

100 Most Beautiful Chinese Paintings: Fishing Village in an Autumn Clear Day and Retreat in the Qingbian Mountains

Editor's note: In cooperation with the Art Project by Google Cultural Institute, CCAD launched the online exhibition of " 100 Most Beautiful Chinese Paintings"? With CCAD as the leading academic team, the task force has selected 100 Chinese paintings from the millennia-long history of Chinese civilization;these works are not only the masterpieces best representing different stages of the Chinese paintin& but also true pictures of the society and history of different historical periods, ranging from the Stone Age to modern times.

100 Most Beautiful Chinese Paintings: Singing and Dancing

Editor's note:In cooperation with the Art Project by Google Cultural Institute,CCAD launched the online exhibition of "100 Most Beautiful Chinese Paintings".With CCAD as the leading academic team,the task force has selected 100 Chinese paintings from the millennia-long history of Chinese civilization;these works are not only the masterpieces best representing different stages of the Chinese painting,but also true pictures of the society and history of different historical periods,ranging from the Stone Age to modern times.

Inspirations from Western Paintings Lyu Sibai and French Painter Puvis de Chavannes

In 1 933, Xu Beihong went to the Jeu de Paume Museum in Paris to hold an exhibition of contemporary Chinese painting, which contributed to the upsurge of studying in France in the 1930s. Lyu Sibai (1905-1973) was one of the important students. In the 1 920s, Lyu Sibai went to France to study. When studying at National School of Fine Arts of Lyon, he chose Puvis de Chavannes (1824-1898), a large-scale mural painter in Lyon with far-reaching influence in France, as his learning model. Through a large number of copies, he combined the ideal poetical scene of Chavannes with Oriental aesthetic appeal in his paintings.