Dynamical behaviors and stability properties of a flat space Friedmann-Robertson-Walker universe filled with pressureless dark matter and viscous dark energy are studied in the context of standard classical and loop q...Dynamical behaviors and stability properties of a flat space Friedmann-Robertson-Walker universe filled with pressureless dark matter and viscous dark energy are studied in the context of standard classical and loop quantum cosmology. Assuming that the dark energy has a constant bulk viscosity, it is found that the bulk viscosity effects influence only the quintessence model case leading to the existence of a viscous late time attractor solution of de- Sitter type, whereas the quantum geometry effects influence the phantom model case where the big rip singularity is removed. Moreover, our results of the Hubble parameter as a function of the redshift are in good agreement with the more recent data.展开更多
Sigalit Landau is an international sculpture,video,installation,and performance artist,born in Jerusalem,and raised also in the USA and the UK.The infernal main space in her installation“The Dining Hall”(2007,KW Ins...Sigalit Landau is an international sculpture,video,installation,and performance artist,born in Jerusalem,and raised also in the USA and the UK.The infernal main space in her installation“The Dining Hall”(2007,KW Institute for Contemporary Art,Berlin)is filled with images resembling human remains engaged in riotous consumption from huge iron pots,in physical circus-like tricks,and copulation,surrounded by huge fleshy-like constructions.While the immediate association may be that of an apocalyptic catastrophe in relation to the Holocaust,the reference is multifaceted,as this study seeks to show.There is a strong connotation of corporeality,gluttony,digestion,decay,and abjection combined with licentiousness,and a proximity between death and pleasure.This multiplicity of contexts is embedded in the term décadence,in its connection with Antiquity and mostly with ancient Rome,and calls to mind the Roman Menippean 1st century CE text Satyricon by Petronius.A comparative analysis of Landau’s installation in relation to Satyricon opens up the way to a broad interpretation,revealing much topical and conceptual parallelism that reveals Landau’s engagement with a kind of decadence typical to the contemporary condition and that of Israel in particular.A prominent feature of her installation is that of victimhood and its influence on the Israeli occupation policy and conduct.Consequently,Landau’s installation is interpreted here as an allegory of a particular state of mind,reflecting both decadence and victimhood.展开更多
We need to start from the approach to classical annotation of jingxue(Conflician classical studies),with its long history and experience,and to make use of the fine resources of contemporary Western hermeneutics,so as...We need to start from the approach to classical annotation of jingxue(Conflician classical studies),with its long history and experience,and to make use of the fine resources of contemporary Western hermeneutics,so as to build a universal classical hermeneutics that will bridge Chinese and foreign thought in the past and the present.This is a necessary path to opening up and innovating China's fine traditional culture.To carry out this important academic project of universal classical hermeneutics,it is necessary to gain an in-depth understanding of the developmental history of Western hermeneutics and contemporary philosophical hermeneutics,and especially to fully grasp Gadamer’s hermeneutical thought and theories and their contemporary development.In addition,it is necessary to comprehensively organize the vast experience and long history of jingxue and its branches,such as exegesis,textual studies,philology,bibliography and hermeneutics,and to take the modernization of jingxue as a starting point for establishing a type of universal classical hermeneutics that is different from traditional Chinese jingxue but also superior to Western hermeneutics.Only in this way can we base ourselves on China,learn from foreign countries,excavate history and grasp the contemporary,so as to fully reflect the "Chinese style and manner"and characteristics in disciplinary,academic and discourse systems.展开更多
基金Supported by the Algerian Ministry of Education and ResearchDGRSDT
文摘Dynamical behaviors and stability properties of a flat space Friedmann-Robertson-Walker universe filled with pressureless dark matter and viscous dark energy are studied in the context of standard classical and loop quantum cosmology. Assuming that the dark energy has a constant bulk viscosity, it is found that the bulk viscosity effects influence only the quintessence model case leading to the existence of a viscous late time attractor solution of de- Sitter type, whereas the quantum geometry effects influence the phantom model case where the big rip singularity is removed. Moreover, our results of the Hubble parameter as a function of the redshift are in good agreement with the more recent data.
文摘Sigalit Landau is an international sculpture,video,installation,and performance artist,born in Jerusalem,and raised also in the USA and the UK.The infernal main space in her installation“The Dining Hall”(2007,KW Institute for Contemporary Art,Berlin)is filled with images resembling human remains engaged in riotous consumption from huge iron pots,in physical circus-like tricks,and copulation,surrounded by huge fleshy-like constructions.While the immediate association may be that of an apocalyptic catastrophe in relation to the Holocaust,the reference is multifaceted,as this study seeks to show.There is a strong connotation of corporeality,gluttony,digestion,decay,and abjection combined with licentiousness,and a proximity between death and pleasure.This multiplicity of contexts is embedded in the term décadence,in its connection with Antiquity and mostly with ancient Rome,and calls to mind the Roman Menippean 1st century CE text Satyricon by Petronius.A comparative analysis of Landau’s installation in relation to Satyricon opens up the way to a broad interpretation,revealing much topical and conceptual parallelism that reveals Landau’s engagement with a kind of decadence typical to the contemporary condition and that of Israel in particular.A prominent feature of her installation is that of victimhood and its influence on the Israeli occupation policy and conduct.Consequently,Landau’s installation is interpreted here as an allegory of a particular state of mind,reflecting both decadence and victimhood.
基金the key project of the National Social Science Fund of China,"Chinese Translation of and Research on Gadamer's Works"(15ZDB026).
文摘We need to start from the approach to classical annotation of jingxue(Conflician classical studies),with its long history and experience,and to make use of the fine resources of contemporary Western hermeneutics,so as to build a universal classical hermeneutics that will bridge Chinese and foreign thought in the past and the present.This is a necessary path to opening up and innovating China's fine traditional culture.To carry out this important academic project of universal classical hermeneutics,it is necessary to gain an in-depth understanding of the developmental history of Western hermeneutics and contemporary philosophical hermeneutics,and especially to fully grasp Gadamer’s hermeneutical thought and theories and their contemporary development.In addition,it is necessary to comprehensively organize the vast experience and long history of jingxue and its branches,such as exegesis,textual studies,philology,bibliography and hermeneutics,and to take the modernization of jingxue as a starting point for establishing a type of universal classical hermeneutics that is different from traditional Chinese jingxue but also superior to Western hermeneutics.Only in this way can we base ourselves on China,learn from foreign countries,excavate history and grasp the contemporary,so as to fully reflect the "Chinese style and manner"and characteristics in disciplinary,academic and discourse systems.
