As China emerges as a global hegemon,one that possesses the ambition to establish a 21stcentury Maritime Silk Road（MSR）,the purpose of which will be to create trade routes connecting Chinese coasts with Africa,Europ...As China emerges as a global hegemon,one that possesses the ambition to establish a 21stcentury Maritime Silk Road（MSR）,the purpose of which will be to create trade routes connecting Chinese coasts with Africa,Europe,and Asia,it would be useful to take a glance at the rear view mirror展开更多
The paper examines how the British woman writer Angela Carter rewrites Charles Perrault＇s household fairy tale--＂Little Red Riding Hood＂ in her short story--＂The Company of Wolves.＂ This paper attempts to analyze...The paper examines how the British woman writer Angela Carter rewrites Charles Perrault＇s household fairy tale--＂Little Red Riding Hood＂ in her short story--＂The Company of Wolves.＂ This paper attempts to analyze the two distinctive narrative strategies--re-characterization and second-person narration, skillfully deployed by Carter in order to rewrite Perrault＇ s classic tale into a feminist story. In Carter＇s version, Little Red Riding Hood is represented as a witty new woman who embraces her own sexuality and regards herself as a subject rather than an object. Through the transposition between reader and character, Carter＇s tale produces a new subject position for readers, particularly for young female readers.展开更多
文摘As China emerges as a global hegemon,one that possesses the ambition to establish a 21stcentury Maritime Silk Road（MSR）,the purpose of which will be to create trade routes connecting Chinese coasts with Africa,Europe,and Asia,it would be useful to take a glance at the rear view mirror
文摘The paper examines how the British woman writer Angela Carter rewrites Charles Perrault＇s household fairy tale--＂Little Red Riding Hood＂ in her short story--＂The Company of Wolves.＂ This paper attempts to analyze the two distinctive narrative strategies--re-characterization and second-person narration, skillfully deployed by Carter in order to rewrite Perrault＇ s classic tale into a feminist story. In Carter＇s version, Little Red Riding Hood is represented as a witty new woman who embraces her own sexuality and regards herself as a subject rather than an object. Through the transposition between reader and character, Carter＇s tale produces a new subject position for readers, particularly for young female readers.
