China Tourism and Culture Week Adds Glamour to Cultural Exchanges Between China and Mauritius

The China Tourism and Culture Week in Mauritius was held from May 26 to June 2? Mauritian people experienced a variety of Chinese tourism and cultural activities in this week, including the traditional kite making and flying, Tianjin acrobatics, folk music, songs, Dalian intangible cultural heritage food, tour scenery, dragon boat racing and tasting Zongzi, with nearly 100,000 people participated? Thousands of years of skills spread far Mauritius has a harmonious coexistence of multi-cultures, and Chinese culture is one of the endless streams with a long history and rich cultural deposits. Flying a kite is also one of the traditional entertainment activities that the Mauritian people love. On May 26, the " Co 1 orfu 1 Kites Flying of China Tourism and Culture Week 2019 - Weifang Kite Exhibition and the Cultural Interactive Experience Activity" was jointly held by the Embassy of the PRC in the Republic of Mauritius, China Cultural Center in Mauritius , the Department of Arts and Culture of Mauritius, the Network of International Culturalink Entities and the Mauritius Chinese Culture Promotion Company? All-round cultural(Jhina Tourism and (kilture Week Adds Glamour to (killural Exchanges Between China and Mauritius.

Witness of Cultural Exchanges between China and Nepal:THE COMBINED STATUE OF RISONG GONGPO IN KYIRONG

At the southwest border of the Tibet Autonomous Region in China, there is a famous ancient site known as Gungthang, which is situated in the territory of today’s Kyirong County in Shigatse. This ancient city dates back to the period of the Tubo Kingdom, by which time it served as a key link between China and Nepal. From Mt.

Changes of China’s Status in the Global System and Its Influencing Factors:A Multiple Contact Networks Perspective

Clarifying China’s position in the global system is an important logical basis for developing national diplomacy.Although much research has been done on China’s development status,most studies have been based on country comparisons or institutional en-vironment.In today’s networked era in which the global economy,trade,personnel,and information are closely connected,studies on China’s global position and its status changes and influencing factors in multiple contact networks are still insufficient.In this study,from the perspective of diverse global contact networks,we constructed economic,cultural,and political influence indices to explore the changes and influencing factors on China’s status in the global system from 2005 to 2018.The results show that during the study period,China’s global influence in the fields of economic ties,cultural exchanges,and political contacts increased significantly,but its influ-ence in the fields of cultural exchanges and political contacts lagged far economic ties.The pattern of China’s economic influence on various economies around the world has shown a transformation from an‘upright pyramid’to an‘inverted pyramid’structure.The proportion of these economies in low-influence zones has decreased from more than 60%in 2005 to less than 20%in 2018.China’s cultural and political influence on various economies around the world has increased significantly;however,for the former,the percentage of high-influence areas is still less than 20%,whereas for the latter the percentage of these economies in medium-and high-influence areas is still less than 50%.Analyses such as a scatter plot matrix show that geographical proximity,economic globalization,close cooperation with developing countries,and a proactive and peaceful foreign policy are important factors in improving China’s status in the diverse global network system.

Artwork Diplomacy A Chinese art lover and museum curator promotes cultural exchanges between China and Africa

Within the walls of the Interna tional Museum of African Art （IMAA）. thousands of artworks from many African tribes are preserved and exhibited, including wood, stone and bronze carvings, pottery, clothing,jewelry and paintings, among others.

On Chinese Traditional Culture from the Perspective of Cultural Exchange between China and the West

With the strengthening of globalization and closer ties between countries,all-round exchanges and cooperation have become an inevitable trend.In the new era,the cultural exchange between China and the West presents an unprecedented depth and breadth.Chinese traditional culture,which has made great contributions to Oriental culture and even the world culture,has been developed,in the process of constant conflict,digestion,and absorption while entering other countries in the world.The inclusiveness of Chinese traditional culture has made it survive and thrive in absorbing the quintessence of foreign culture,which makes it contain new contents.In the process of Chinese and Western cultural exchanges,some parts of the essence traditional Chinese culture which are ignored should be given certain inclination in policy and guided by strengthening the education of Chinese traditional culture.

China's Regulations on Cultural Exchanges with Foreign Countries

China's cultural exchanges with foreign countries follow cen- tralized administration by the Ministry of Culture.On June 27,1997,the Ministry of Culture promul- gated the Regulations on Foreign Cultural and Artistic Performances and Exhibi-

中外体育人文交流现状与运行机制研究

运用文献资料法和逻辑分析法,对中外体育人文交流的现状与运行机制进行研究。研究认为:中外体育人文交流的机制化水平不断提高,但缺乏宏观性战略引领;交流主体日益多元化,但非政府组织力量发挥不足;交流内容不断丰富,但创新性不够。笔者从动力机制、决策机制、执行机制和保障机制4个方面探究了中外体育人文交流的运行机制,并提出推进策略:宏观层面加强顶层设计,增强交流的驱动力;中观层面加强协同性,提升交流的决策力;微观层面强调多元化,形成交流的合力;注重交流质量,保障交流的有效供给。

论西藏带柄铜镜的东、西两系

西藏发现过多面青铜带柄铜镜,近年来也有新的传世品被发现。这些青铜镜的发现,反映了西藏在早期文明发展过程中与周边文化之间多方面的交流。总体上看,可将现有的西藏带柄铜镜分为东、西两系,在流行时代、流行地域上各有特点。青铜带柄镜在北方欧亚草原文化、南亚及中亚地区青铜时代遗存中也多有发现,中国西南和西北地区也曾流行过不同形制的带柄铜镜,其背后隐藏着不同族群之间在青藏高原通过“高原丝绸之路”流动与交往的历史背景,也是青铜时代至早期铁器时代不同区域考古学文化之间远距离、跨区域互动的一个生动例证。

来华留学生思想文化教育模式探索——以山西医科大学为例

随着国际地位的不断提高,中国已成为最大的外国留学生目的国。思想文化教育是来华留学生教育中的关键一环,是当前高等学校教育工作重中之重。来华留学研究,关注点都在知识传授和课程建设方面,对留学生本身的跨文化适应问题和思想文化教育问题缺乏重视。基于问题,山西医科大学在国际学生培养理念、思想教育体系、教育方式等方面进行多重探索,形成了以“FAMILY”为核心的教育模式,产出了一批国际学生理解中国、融入中国、传播中国的典型事例,成为省内来华留学生教育研究的领跑者。

18—20世纪中国文化在塞尔维亚的传播

在全球史观视野下,文化交流成为历史研究的一个重要课题,重新审视和演绎中国与东欧国家的文化交流史也被赋予了新的意义。本文从塞尔维亚出版和发表的有关中国研究的专著、论文、报刊文章以及翻译的相关研究文献着手,考证并梳理自18世纪至20世纪末南斯拉夫解体这三百年里各不同历史阶段,中国文化在塞尔维亚传播的轨迹以及塞尔维亚中国研究的发展历程。此外还着重介绍在塞尔维亚和中国文化关系史上具有重大影响的出版物。

文化“汇流”:华人艺术家周文中与中华文化对外传播途径研究

努力提高中华文化的国际影响力是目前及未来一段时间我国对外传播工作的重中之重。而要提高国际影响力就要打破世界文化舞台上的“西方中心主义”,为中华文化的对外交流与传播创造有利条件。在这个问题上,著名美籍华人作曲家周文中倡导并践行的东西方文化“汇流”理念具有重要的借鉴意义。首先,传统与现代的汇流推动东西融合、古今一体,促进传统文化创新性发展。其次,经验与情感的汇流可以增进认知,建立好感,营造顺畅、有利的传播环境。最后,本土与国际的汇流有助于培养重视艺术传统、具备国际视野、贯通中西的艺术接班人。据此,以周文中为代表的华人艺术家借助中西方在“知识上”和“情感上”的共通之处,破除了“西方中心主义”并为中华文化更好地“走出去”创造了条件。其有益经验为不同文明交流互鉴、共同发展及当代中华文化对外传播提供了借鉴。

中越陶瓷技术与文化交流综述

文章基于历史文献与考古资料,深入剖析了中越两国在陶瓷器型、纹饰及工艺技术等方面的异同,并系统阐述了两国陶瓷技术与文化的交流互鉴历程。中越陶瓷交流可追溯至唐代,历经单向输出、主动定制、互相借鉴至各有特色的阶段。越南陶瓷在制瓷技术、产品风格及文化传播上深受中国影响,并在后续发展中不断融合本土文化元素,创造出具有鲜明特色的陶瓷艺术,对东南亚地区的制瓷业产生了重要影响。研究可为深化对中越历史交往、文化交融等方面的认识与理解提供资料借鉴。