Between the City and Images:An Analysis of Mainstream Media’s Paths of Constructing the Cultural Memory of a City:Taking Chengdu Radio and Television’s“Hi Chengdu”as an Example

Mainstream media play a crucial role in constructing the cultural memory of a city.This study used 319 short videos released by“Hi Chengdu,”a new media product of Chengdu Radio and Television,as samples.Based on the grounded theory,a research framework encompassing“content,technology,and discourse”was established to explore the paths through which mainstream media construct the cultural memory.Regarding content,this paper emphasized temporal and spatial contexts and urban spaces,delving deep into the themes of the cultural memory and vehicles for it.In terms of technology,this paper discussed the practice of leveraging audio/visual-mode discourse to stitch together the impressions of a city and evoke emotional resonance to create a“flow”of memory.As for discourse,this paper looked at the performance of a communication ritual to frame concepts and shape urban identity.It is essential to break free from conventional thinking and leverage local culture as the primary driving force to further boost a city’s productivity,in order to excel in cultural communication.

In the Labyrinth of Memory Cultural Representations About the Warsaw Rising of 1945 in Polish Film and Media Narration

The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil （as it often perceived in Western Europe） but that in fact three sides, each with different goals, were involved--two totalitarian systems and the world of Western democracies. Memory is a phenomenon that is directly related to the present; our perception of the past is always influenced by the present. The aim of the author＇s presentation is to examine how the collective memory of Polish people about the Warsaw Rising was changing. The author would argue that the remembrance of this event is situated between the communicative memory and cultural memory. To prove it, the author will examine two movies： Sewer （1956） by Andrzej Wajda, Eroica （1956） by Andrzej Munk, and the narrative exhibition of the Warsaw Rising Museum.

Integrating HPWS and Organisational Memory for Enhanced Employee Performance

This research paper investigates the relationship between high-performance work systems(HPWS),organisational memory,and employee in-role performance,focus-ing on the direct impact of HPWS on different dimensions of organisational memory and employee in-role performance,as well as the mediating role of organisational memory in this relationship.Utilizing a sample of employees working in the tele-communications industry,the study employed structural equation modelling to ana-lyse the relationships among HPWS,organisational memory,and employee in-role performance.The findings revealed that HPWS positively influence all three dimen-sions of organisational memory and employee in-role performance,with organisa-tional memory partially mediating the relationship between HPWS and employee in-role performance.However,the study was limited to the telecommunications industry and Dhofar region and did not examine the potential moderating effects of individual-level or contextual factors on the relationships among HPWS,organisa-tional memory,and employee in-role performance.The study offers practical impli-cations for organizations seeking to improve employee performance and overall effectiveness by highlighting the importance of implementing high-performance work systems and managing organisational memory effectively.This study contrib-utes to the literature on the relationships among HPWS,organisational memory,and employee in-role performance,providing valuable insights into the dynamics of organisational effectiveness.

＂They Are Married to kunqu＂ ——Cultural Studies Inspired by a Chinese Traditional Theatre

In recent decades, a new type of cultural upsurge surrounding kunqu1 has arisen in Chinese language sphere, though respectively due to different reasons in China's Mainland, Hong Kong, Taiwan and other Chinese diaspora. Against the global trend of culture heritage nationalization context, via the new media platform, the performative staging of individual emotions and reverie in the market society2, the longings to redeem various alienation in a vertical modernity3, as well as the yearnings for emotional balance in a burgeoning feministic modernity, all integrate with each other and together generate a restless transforming memory for kunqu. Just like a misty veil, this complex, contentious, contradictory and long-lasting collective memory-making process blurs kunqu＇s appearance, expands its layers, and ultimately generates a cultural myth. With detailed case studies this paper aims to reflect upon the deep reasons for the kunqu myth and to probe the transformative powers of a performative space in enabling remembrance and/or forgetting.

The sustainability cycle of historic houses and cultural memory: Controversy between historic preservation and heritage conservation

Historic preservation and heritage conservation are two mainstream concepts related to the sustainability and renewal of historic houses.With the aim of enhancing the sustainability of historic houses,this article criticizes the view of historic preservation that insists on preserving historic houses with their old appearances,which does not fully develop their sustainability.In contrast,the article provides support for the view of heritage conservation that aims to promote the sustainability of historic houses and related legislation.In the second and third parts,this article examines the theoretical origin of historic preservation,which emphasizes and summarizes the one-way protection of cultural memory via historic houses.In the fourth part,the article turns to heritage conservation,highlights the sustainable cycle between historic houses and cultural memory,and underlines the advantages of this sustainable cycle.In the fifth part,this article presents a sustainable approach to heritage conservation and related legal safeguards by taking the renewal of historic houses in China’s Bagua Village(or"Eight Diagrams Village")as an example.In the last part,this paper summarizes the theoretical value,practical value and limitations of this article.The findings can facilitate the UN’s sustainable development of social inclusion,economic growth,and environmental protection to promote the heritage legislation and policy of present and future generations.

From Cultural Memory to Poetic Memory： Ancient Greek Practices of History Beyond the ＂Great Divide＂

In a recent comparative confrontation between the Peloponnesian war and the Polynesian war, the anthropologist Marshall Sahlins asked for the agents of history： individuals？ communities？ the social classes？ the economic structures？ the social structures？ Actually, for the American anthropologist, ＂no history without culture.＂ But the question is to focus on the different discursive forms which transforms the events of history in historiography, in a （referential and not fictional） story; these different （often poetic） forms of historiography shape a collective and cultural memory. The Greek case is particularly significant under that point of view as far as historiography is always situated between oral tradition and written tradition （Jack Goody）, between poetic forms and forms of prose, with an important political, social, religious, and ideological impact.

Worlds of World Literature and Worlds of Literary Scholarship

In this interview,David Damrosch ties the ends of his prolific and relevant contribution to literary studies.From the modern development of the concept of world literature to the organization of ambitious projects of World Literature anthologies;from the embracing of many worlds of world literary scholarship to the consideration of the emergence of A.I.and its possible consequences for the literary experience.

Lost Libraries:A Lesson for the Notion of World Literature

Literature,with its diverse and broad spectrum of platform,medium,and delivery,has long been an indicator of a civilization's culture.How the literature of various cultures was either preserved,lost,or shared has shaped the modern conception of World Literature.Libraries have been central to the collection,preservation,and access to literature throughout time,and their dependence on political and/or religious leadership has shaped the notion of"world literature"in fundamental ways.To increase awareness of marginalized literature and to broaden the understanding of World Literature is to seek out and share the lessons learned by librarians who all too frequently lost their libraries.

New era writers： aesthetic choices and the generation gap

Since the 1990s, the generation gap among three important groups of writers born in the 1950s, 1960s and 1970s has become ever more evident. Not only do they show a tendency toward the weakening of grand narrative and sense of responsibility and the strengthening of individual aspirations, they also show different aesthetic traits in terms of narrative form. Some advocate a realist style, while others pursue modernist techniques or are enamored of fragmentary details. At the same time, each generation projects its own aesthetic ideas. From the viewpoint of cultural anthropology, this kind Of generation gap essentially implies the effect of the latent protocols of different historical-cultural contexts and memories of growing up on the human spirit. Although the generation gap is an expression of a plural cultural scene, the question of how to strengthen intellectual interaction between different generations of writers and effectively overcome the limitations of each generation remains an important aspect of the promotion of the healthy development of modern Chinese literature.

The Transmission of Household Objects from the National Socialist Era to the Present in Germany and Austria： A Local Conversation Within a Globalized Discourse

Increasingly, scholars of Holocaust memory stress its globalization： the ways in which the Holocaust has become a model or reference point for remembered events that belong to quite different historical and cultural contexts. The best of this literature acknowledges the ways in which the local, national, and global are in continual dialogue. This article looks at an instance in which memory remains stubbornly local and national even in contexts in which it is ostensibly internationalized. The article is concerned with history exhibitions about the Nazi era in Germany and Austria and examines one particular set of museum objects： household possessions that have been stored in homes since 1945 and that are typically presented by the museum as having ＂resurfaced＂ in the present. These objects are used to concretize abstract processes of remembering and forgetting, communication and silence, in the years from 1945 to the end of the twentieth century. As such, they form part of ongoing debates about how family memory operated during that period in Germany and Austria.