Construction of Farmland Water Conservancy in Guanzhong Region during the Sui and Tang Dynasties in China

The achievements of Guanzhong farmland water conservancy construction before the Sui and Tang dynasties were outstanding.But after the warlord wars at the end of the Eastern Han Dynasty and the division of the Wei,Jin and North and South Dynasties,a large number of water conservancy projects were destroyed and abandoned,which provided space for the construction of Guanzhong farmland water conservancy in the Sui and Tang dynasties.During the Sui and Tang dynasties,not only the original three major irrigation aqueduct systems were restored,developed and expanded,but also the technological breakthroughs of the Yellow River Diversion Irrigation Project were realised,which enabled the further development of the agricultural economy in the economic zone centred on Guanzhong in Shaanxi at that time.

A Study on the“Social Behavior”of Zen Poetry Culture:A Case Study of the Sui and Tang Dynasties

During the Sui and Tang dynasties,Buddhism and Zen poetry underwent great development.Zen poetry is diverse in form,strong in personality,and high in achievement.Among the types of Zen poetry are poems,lyrics,and prose,some of which have social attributes closely related to the development of Chinese Buddhism.An analysis reveals that the viewpoints and information conveyed in these poems,lyrics,and prose are positively correlated with the attitudes of the emperors towards Buddhism.When the attitude of the emperor towards Buddhism reached its peak of positivity during the Tang dynasty,there was a change towards a negative correlation with the viewpoints expressed in poetry.

The Spread of Chinese-character Culture on the Silk Road During the Tang Dynasty

The spread of Chinese characters and Chinese classic works during the Tang Dynasty presented diversified discourses of acceptance and development in different periods and regions. This was due to the differences in commercial, economic, political, religious, and cultural environments proportional to the real environment's demand for Chinese characters and Chinese classical works. Chinese characters were introduced to Gaochang, Qiuci, Khotan, Korea, Japan, and Vietnam as early as the Han Dynasty, with different development paths in these regions. It is easy to form a long lasting culture spread by Chinese language and characters, as long as official languages are consistent with national or religious languages of the regions. It is difficult to form a long lasting culture spread by official languages and characters if the official languages and characters are inconsistent with either languages of daily life or religious languages. Once there is replacement of official languages and characters, or a change in religious belief, it would cause incompatibility between official languages and daily life languages, Chinese-character culture is bound to decline and gradually fade way. But if there are Han people, they will retain the use of Chinese characters.

Garden Features in Tang Dynasty and Urban Planning and Construction of Xi'an City

By taking gardens in Tang Dynasty which play an important historical role in Chinese garden development history as case study,garden features in Tang Dynasty had been described from the aspects of cultural,ecological and planning characteristics,so as to explore the development trace of Tang garden culture,based on which relevant problems in urban planning and construction of Xi'an were discussed;and some countermeasures and suggestions on cultural,ecological and planning construction in the preservation of this ancient city were put forward.

Inspiration and Genius: Characteristics of Li Bai’s Wine Poems

As important in Chinese literary history as Shakespeare is to people in Britain,Li Bai (courtesy name Taibai) has its poems widely recognized and studied by many scholars.Among his abundant and brilliant poetic works,wine poems stand out as an individual school?with peculiar characteristics.Acclaimed as Shi Xian (the immortal of poems) and Jiu Xian (the immortal of wine),and accompanied by poems and wine all his life,Li Bai is a genius and a romantic figure who took traditional Chinese poetic forms to new heights.His wine poems enjoy extraordinary status in Chinese poetry and wine literature,covering themes including his political ideal,fleeting melancholy due to unfulfilled ambitions,optimistic attitude towards life,sincere and profound friendship,courageous chivalry and dissatisfaction with social reality,all of which have strike a chord with the literati class.

Historical Changes of Ginkgo Biloba L. Culture

Ginkgo Biloba L.is a rare species endemic to China,strengthening the study of Ginkgo culture is of great significance to eco-economic development.This paper uses the historical research methods to study the Ginkgo and its cultural development process in China.According to the characteristics of the development of Ginkgo culture,the process can be divided into three stages:Shang and Zhou Dynasties to the Northern and Southern Dynasties(which is named theological era),Sui and Tang Dynasties to early Qing Dynasty(which is named the literature era),and the modern China which is named the scientific era.The history of Ginkgo culture is a history of Ginkgo being gradually recognized,and the Ginkgo culture's connotation and extension are gradually deepened and developed.The construction of Ginkgo today's culture should be in the inheritance of historical culture,and combined with the needs of the times comprehensive innovation,take the science and human harmonious development road.

基于考古发现谈晋唐时期新疆饮食文化——以阿斯塔那古墓为例

新疆自古以来族群活动频繁,又因古丝绸之路成为东西方文化交流的中心,这促成当地文化的多样性。新疆阿斯塔那墓地出土了晋唐时期与饮食有关的诸多器物,展现了晋唐时期新疆民众的生活方式和饮食习惯,既是晋唐时期新疆地区社会发展与经济繁荣的直接体现,更呈现了晋唐时期丝绸之路文化交流的重要影响。研究基于历史文物的信息记载功能,为学界展示晋唐新疆的历史发展及丝绸之路的意义与价值。

李商隐诗技形成的社会文化考察

从社会文化视角考察李商隐诗技形成的原因,可以发现李商隐的历史处境与文学创作之间有更深层次的关联:其诗堆积典故,来自当时社会由上而下的“以知识为外饰”的好尚,李商隐以写作幕府公文为出路,亦有追随公共风气的必要,这也影响了他的诗作;其诗辞藻精美,是因为李商隐以结撰文辞的才华在幕府立足,有着钻研文字技巧性与游戏性的需求;而诗的曲折表意,和科举以诗取士“表意清晰”的创作要求相悖,体现着他在社会进取道路以外寻求的自我排遣。从社会文化视角考察诗人特定诗歌技艺的形成,可以关注到宏大历史中的个人境遇,进而对经典作品获得更加立体的认识。

隋及唐初敦煌艺术对外来影响的吸收与创新

敦煌隋代彩塑受到印度笈多艺术风格的影响,及至唐代,彩塑已形成了中国式的表现手法与风格,既保持了雕塑的写实性,又体现出气韵生动的精神。壁画也同样,隋至唐初的人物造型中,常常出现典型的印度风格晕染法,比起北朝壁画更接近印度绘画的特点,表明当时确有一部分画家擅长画外来风格。但随着唐前期艺术的发展,画家们对外来晕染法不断改造,使之与传统的线描进行了完美的结合。从壁画的装饰图案中,我们也可看到对外来艺术的改造,如隋至唐初流行的联珠纹、石榴纹、葡萄纹等纹样在不断地被吸收改造,最后都融入了形态更为丰富的卷草纹中。

粤剧《柳毅传书》对唐传奇《柳毅传》的改编与创新

中唐李朝威的《柳毅传》是优秀的唐传奇作品,后世文人将之改编成戏曲者层出不穷。从唐传奇《柳毅传》到粤剧《柳毅传书》,作品故事、人物随着时代的变迁而不断地得到丰富和发展。本文将粤剧《柳毅传书》与原作唐传奇《柳毅传》在主题、人物塑造、情节改编三方面进行分析比较,研究两者之间的异同,进一步探讨不同时代社会主流文化价值观对于男女两性人格和社会地位认知模式变化的作用和影响。

唐朝马球运动军事功用的历史探赜

回溯马球运动在大唐王朝的兴盛繁荣历程,探究马球在训练提升军队骑兵战力方面的价值功用,有助于从一个侧面或者视角审视一项体育运动对唐王朝军事武备与尚武风气的深远影响。运用历史考证、文本分析等方法,从文物、文献与文化遗存等证据链互补的视角展开论证。研究认为,马球由我国古代蹴鞠演变而来,繁荣兴盛于唐朝并逐渐形成完备的训练与竞赛体系。唐朝时期国家富强、社会稳定和文化繁荣,为马球在朝野广泛开展奠定了物质与文化基础,而其间不断发生的战事与外敌威胁,也为马球成为军队训练将士的重要手段提供了条件。结论显示,作为一项竞技性很强的运动项目,马球不仅是王公贵族和民众娱乐之戏,还是军队骑兵的重要科目。唐朝军中经常举行马球比赛活动,因此在增强士兵体能素质与马上对敌作战技巧,提高骑兵之骑术和马上砍杀技术,锻炼马匹作战对抗与奔袭能力等方面具有鲜明的军事功能,同时在塑造整个社会尚武精神、增进唐朝军事外交、增进中西文化交流等方面亦发挥了重要作用。

以敦煌吐鲁番文书为中心探讨中古时期民间医疗行为

通过分析敦煌吐鲁番相关出土文献,探讨我国中古时期疾病谱,以及民间常见疾病的诊疗方法,为相关研究奠定基础。认为这一时期官方医疗机构设置较为完备,普通百姓患病后仍然以自治为主要治疗方法,官方在一定程度上介入了重大疾病的诊治,此外物理疗法、心理疗法、其他疗法也广泛运用于疾病的诊治过程中。

大唐气象、文化自信与时代表达:以《长安三万里》为例

大唐气象是根植于盛唐时期精神风貌的文化自信表达与美学意象。《长安三万里》是近年来以传统文化为题材的国产动画电影的优秀代表,它通过对大唐气象的浪漫主义表现,以李白、高适两位诗人的人生历程为双线条的叙事结构,再造了“长安”作为盛世理想的空间符号和“三万里”的宏阔历史时空,“以诗为史”重现气象恢宏的大唐史诗画卷,映射出当代中华民族伟大复兴的时代气象。《长安三万里》将大唐气象融入中华民族伟大复兴的时代叙事,对于新时代推动优秀传统文化创新表达有诸多启示:一是找准历史与当代的精神契合,二是实现技术与美学的融合创新,三是引发价值与情感的深层共鸣,通过中华文明历史叙事塑造新时代大国气象,建设中华民族现代文明。

隋唐时期中央王朝对于阗的治理

隋代,于阗名义上处于西突厥的统治下,实际上与其离心离德,祈盼早日恢复与中原王朝的统属关系。隋炀帝时,于阗与中原地区建立了密切的联系。唐初,于阗心向中原主动归附唐朝,唐朝在此设毗沙都督府,管理当地居民。随着镇防体制强化,于阗逐步走向军镇化。唐朝在于阗实行乡里制度,同时辅之以村坊制。于阗在安西四镇中占据着特殊的地位。

魏晋南北朝至隋唐时期亡佚字书研究综述

魏晋南北朝至隋唐时期的字书,大部分已亡佚,但其佚文材料十分宝贵,一些学者对此展开研究且成果丰厚。所指亡佚字书为有辑本的古佚字书(以龙璋《小学搜逸》为基础),对其研究成果进行搜集整理,从辑佚类与研究类两方面展开论述:辑佚类主要包括清人辑本、今人辑本和域外辑本三类;研究类主要以20世纪80年代以来的期刊、硕博论文为研究对象,将研究成果分为字书专书研究、古文献引字书研究以及字书对比研究三类。在此基础上分析当前亡佚字书研究现状的不足,并对今后的研究进行展望。

汉唐体育文化的突出特性与铸牢中华民族共同体意识

汉唐体育文化是中华传统文化的重要组成,具有突出的连续性、创新性、统一性、包容性、和平性特性。汉唐体育文化突出的“连续性”坚实了中华民族绵延不绝的文明道路,是铸牢中华民族共同体意识的历史根底;突出的“创新性”塑造出中华民族革故鼎新的进取精神,是铸牢中华民族共同体意识的精神根底;突出的“统一性”决定着中华民族团结统一的坚定信念,是铸牢中华民族共同体意识的疆域根底;突出的“包容性”确保了中华民族多元一体的格局体系,是铸牢中华民族共同体意识的文化根底;突出的“和平性”体现出中华民族与生俱来的美好夙愿,是铸牢中华民族共同体意识的发展根底。

唐代铜镜纹饰的现代转化与设计应用

目的唐代铜镜纹饰中蕴含着丰富的文化内涵,挖掘其中的精准寓意,结合对应文创产品形式,展现中华民族精神与文化自信。方法基于研究背景、明确研究流程,提出文物向文创产品转换中存在的问题,同时分点阐述现代文创产品选择唐代铜镜的理由、分析调研问卷反馈信息,针对问卷结果为设计作品提供方向指引。先对资料进行整理归类,形成唐代铜镜纹饰素材库,将所有已知素材分为几何纹、花卉纹、花鸟纹和走兽纹、人物故事和神话传说纹四大部分,并将其逐一编号。再分析唐代铜镜纹饰的艺术内涵。结果将现代转化方法与四大纹样结合,得出相应文创产品,即“镜怡”化妆品包装设计、“恋念”系列首饰、“鹤骨松姿”文房四宝系列文创、“嫦娥仙子的月宫小日常”——人物盲盒文创产品四件作品。结论将唐代铜镜纹饰各部分重新排列组合,形成新的文创产品。它们不仅形意结合,更符合现代消费者的审美。潜移默化地将传统文化融入进日常生活,让艺术与生活水乳交融,让文化传承更加高效可靠。

隋唐河东地方家族变迁略探——以襄垣浩喆家族为例

根据近年考古发现及石刻文献探讨北朝至隋唐潞州襄垣浩喆家族的兴衰变迁史,发现目前出土的五方浩喆家族墓志中书写的其先祖及本人官职真伪参半,其中一些较为显赫的官职多为其家族成员为炫耀家族政治地位而编造,他们实际上主要在潞州襄垣本地任职,以州、县僚佐为主,同时也有一些没有实职的版授官。这类官职虽然在中央官僚体系中微不足道,却为其家族在地方上积累了一定的政治资源,使他们成为襄垣地方较有势力的家族。然而其家族在文化方面的素养不高,在九品中正制取消之后,他们无法通过参加科举获得更高的政治地位,其势力范围只能局限于潞州襄垣本地,难有向上发展的机会,导致其家族历史随墓志记载至唐中宗时期戛然而止,在一定程度上说明其家族入唐以后在政治上并未取得突破性发展。虽然有证据表明唐宋时期潞州地区仍有不少浩氏聚居于此,但似乎再未有类似于浩喆家族的地方家族出现。以浩喆家族作为考察对象,从不同视角探讨隋唐废止乡长对地方家族及地方社会的影响,研究结论认为隋唐乡里制度的改变导致地方家族难以有上升空间,地方社会也因此在政治方面表现得更具限制性、封闭性,这是造成中晚唐藩镇割据局面出现的根源之一。

汉唐文脉下的“古代和田艺术模式”考析

大夏美术造型样式沿丝绸之路进入塔里木盆地后形成古代和田派艺术模式,这种艺术样式在尼雅、达玛沟、约特干等遗址中都有着生动的体现。丝绸之路使得汉唐文脉下的造型艺术体系得以确立,中原文化对西域的影响从视觉图式扩展至风俗礼仪的各个环节之中。20世纪80年代出土于和田的布扎克彩棺,棺上面绘制的青龙、白虎、朱雀、玄武反映出西域与中原地区密切的文化交流。和田木雕在装饰范围、表现形式及雕刻技艺等方面都有了很大发展,镂雕、平雕等技法被广泛应用,作品中渗透了现实气息,造型上趋向真实,并在二维平面的基础上强化装饰风格,体现出鲜明的汉风风格。