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Further study of sources of the imported cobalt-blue pigment used on Jingdezhen porcelain from late 13 to early 15 centuries 被引量:2
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作者 DU Feng1 & SU BaoRu2 1 Institute of Chemistry & Molecular Engineering, Qingdao University of Science & Technology, Qingdao 266000, China 2 College of Information Science Technology, Qingdao University of Science & Technology, Qingdao 266000, China 《Science China(Technological Sciences)》 SCIE EI CAS 2008年第3期249-259,共11页
Based on the conclusion of modern scientific analysis: the cobalt-blue pigment applied on Jingdezhen official porcelain during Yuan Dynasty and prior to Xuande reign of Ming Dynasty (1271―1425) contains high iron and... Based on the conclusion of modern scientific analysis: the cobalt-blue pigment applied on Jingdezhen official porcelain during Yuan Dynasty and prior to Xuande reign of Ming Dynasty (1271―1425) contains high iron and low manganese con- tents, and the cobalt during Xuande and after Xuande periods (after 1426) of Ming Dynasty contains high manganese and low iron contents, in combination with the traditional archaeological method, the related historical textual records were in- vestigated and analyzed, the imported cobalt employed on Jingdezhen official porcelain was studied comprehensively, systematically and logically. In fact, 'Su Ma Li Qing' (Samarra-blue) and 'Su Bo Ni Qing' (Sumatra-blue) are definitely different cobalt ores originated in different places, because of their very similar translitera- tions in Chinese, the confusion has appeared in ancient books for more than 400 years, which considered 'Su Ma Li Qing' and 'Su Bo Ni Qing' as the same co- balt-blue pigment. In this article the mistake was corrected, the possible producing places and the approximate eras of the two pigments imported to China and used at Jingdezhen were also suggested. 展开更多
关键词 IMPORTED cobalt-blue pigments employed on official blue-and-white porcelain Yuan Dynasty EARLY ming Dy- nasty Mn/Fe content ratio Su Ma Li QING (Samarra-blue) Su Bo Ni QING (Sumatra-blue) scientific archae- ological research transliteration
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江西纪年墓出土明代景德镇民窑青花瓷研究 被引量:5
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作者 彭明瀚 《故宫博物院院刊》 北大核心 2007年第1期24-47,共24页
本文在对江西各地出土的116件明代景德镇纪年青花瓷标本进行器物形制、胎质釉色、装饰纹样分析的基础上,提出民窑可按照其自身发展大致分为早、中、晚三期。
关键词 景德镇 明代纪年青花瓷 分期研究 江西 纪年墓
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明代纪年墓出土青白釉瓷器初步研究 被引量:1
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作者 陈扬 《中国国家博物馆馆刊》 CSSCI 北大核心 2020年第7期75-85,共11页
青白釉瓷器是景德镇窑宋元时期主要瓷器品种,发展至明代已经呈现衰微之势,但墓葬、遗址、窑址等考古资料证明,青白釉瓷器在明代并没有戛然而止,而是延续着一定的烧造规模和数量,生产中心仍在景德镇地区,辐射周边多个地区。明代青白釉瓷... 青白釉瓷器是景德镇窑宋元时期主要瓷器品种,发展至明代已经呈现衰微之势,但墓葬、遗址、窑址等考古资料证明,青白釉瓷器在明代并没有戛然而止,而是延续着一定的烧造规模和数量,生产中心仍在景德镇地区,辐射周边多个地区。明代青白釉瓷器的器型、纹饰都相当丰富,一方面继承宋元以来烧造传统,另一方面也在积极创造新风格,提高工艺水平,创新装饰方法。本文通过对明代纪年墓出土青白釉瓷器的梳理,对明代青白釉瓷器的器型、纹饰进行了整理,并做初步分期研究。根据纪年墓出土青白釉瓷器的特点和风格,初步将其分为两期,第一期为洪武至正德时期(14世纪中叶-16世纪初),第二期为嘉靖至崇祯时期(16世纪初-17世纪初)。嘉靖以后,青白釉瓷器逐渐退出陶瓷生产的历史舞台。 展开更多
关键词 明代 青白釉 瓷器 纪年墓
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