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On the Teaching of Decorative Painting for the Major of Visual Communication Design
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作者 ZHU Haishan 《Journal of Landscape Research》 2018年第4期163-165,共3页
On the basis of analyzing chafactetistics of decorative painting, this paper analyzed problems in the teaching of decorative painting in the major of visual communication design, and proposed correspon.correspondin... On the basis of analyzing chafactetistics of decorative painting, this paper analyzed problems in the teaching of decorative painting in the major of visual communication design, and proposed correspon.corresponding strategies of adjusting teaching contents, changing the mode of teaching, and updating the teaching thought Moreover; all teachers are expected to adapt to the development of the times, enhance the cultivation of thdr own qualities besides the professions and also the trainkig of relevant design skills, imptove the teaching quality,atfange the teaching contents and divisions pfopedy as well as homewotk flexibly, and cultivate students5 abilities of applying decorative paintings into the visual communication design, so as to improve their cultural quality and aesthetic capacity. 展开更多
关键词 Visual communication design decorative painting Teaching DOI
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Homesickness (Decorative Painting)
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作者 YAO SHAOPING 《Women of China》 1995年第1期30-30,共1页
Traditionally. nchly colored Chinese painting is widely recognized for its line and rhythm. As early as 1.1000 years ago. the Dunhuang frescos of the Tang Dynasty (618907) reached a high level. "Homesickness"... Traditionally. nchly colored Chinese painting is widely recognized for its line and rhythm. As early as 1.1000 years ago. the Dunhuang frescos of the Tang Dynasty (618907) reached a high level. "Homesickness" represents a female figure thinking about the motherland. The painter uses traditional painting techniques in reference to linn and color. The dragon and phoenix motif in the background represents the 5.000 year-old cultural history 展开更多
关键词 AS decorative painting HOMESICKNESS
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The Historical Information of the Decorative Polychrome Painting in the Hall of Mental Cultivation Complex,Forbidden City
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作者 Hong Yang Jiawei Xie Lifang Ji 《Built Heritage》 2018年第1期19-38,共20页
This paper analyses the decorative polychrome painting of architectural members(caihua)that has sur­vived in the Hall of Mental Cultivation(Yangxindian)in the Forbidden City,Beijing.Beginning with the Yongzheng e... This paper analyses the decorative polychrome painting of architectural members(caihua)that has sur­vived in the Hall of Mental Cultivation(Yangxindian)in the Forbidden City,Beijing.Beginning with the Yongzheng emperor,the Hall of Mental Cultivation was the residence and centre of daily governance for Chinese emperors.Combining information gained through on-site surveys and scaled drawings executed during a recent conservation project with evidence from historical records and other sources,this study finds that the remaining decorative poly­chrome painting can be dated to four different historical phases:the reign of the Jiajing emperor;the late Ming and early Qing dynasties;the reign of the Qianlong emperor;and the late Qing Dynasty and beginning of the Republic of China.It reveals that the designs of decorative polychrome painting on architectural members are closely related to changes in the functions of the buildings and imperial use.As part of an investigative conservation project,the study aims to provide a reliable basis for the conservation and repair work in the next step. 展开更多
关键词 historical information decorative polychrome painting of architectural members(caihua) Hall of Mental Cultivation(Yangxindian) Forbidden City caihua under the Ming caihua under the Qing
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