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From The Serenity Dwelling Collection to The Tea Smoke Pavilion Collection:ANew Discussion on the Guiding Principle behind Zhu Yizun's Object-Depicting Lyrics
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作者 MIN Feng 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2024年第2期182-211,共30页
The Lyric Collection on Objects of the Tea Smoke Pavilion is an anthology that Zhu Yizun compiled in his later years by carefully selecting object-depicting lyrics he composed throughout his life.Approximately 70 perc... The Lyric Collection on Objects of the Tea Smoke Pavilion is an anthology that Zhu Yizun compiled in his later years by carefully selecting object-depicting lyrics he composed throughout his life.Approximately 70 percent of the works were created before he participated in the imperial examination in 1679.This indicates that this anthology does not fully reflect the characteristics of the lyrics he penned in his later years.The collection title"Tea Smoke Pavilion,"as revealed in The Lyric Collection of the Serenity Dwelling,reflects the poet's distinctive approach to expressing emotions through depicting objects.A detailed examination of Zhu's works from the perspectives of textual structure,language,tone pattern and rhyming demonstrates that Zhu has consistently adhered to the same guiding principle when composing object-depicting lyrics.He has elevated the technique of“objectification,”pioneered by the poets of the Southern Song Dynasty to a new realm,crafting a unique beauty in object-depicting lyrics,which is different from the beauty of Song lyrics.His success is rooted in his emotional experiences depicted in The Serenity Dwelling Collection.His relentless exploration in artistic forms has provided a source of inspiration for scholars of later generations to explore how to convey personal sentiments.It also offers an opportunity to reflect on the merits and demerits regarding the development of object-depicting lyrics during the Qing Dynasty. 展开更多
关键词 the Lyric Collection on Objects of the Tea Smoke Pavilion Serenity Dwelling expressing emotions through depicting objects objectification conveying personal sentiments
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秋风犹解世间情,江山万里同乡月——评《塞外恋歌》的艺术特色
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作者 贾知洵 张志慧 田秀平 《河北北方学院学报(社会科学版)》 2008年第2期8-9,13,共3页
塞汉词在承继了中国传统诗词韵味的同时,又融入了现代的精神气韵,达到古典美与现代美的完美融合。其词在内容上涵盖了咏史怀古、写景抒情等多种题材;在艺术表现手法上,能够做到化用前人词意,融入当代气息,而不显生涩,并以代人笔法委婉... 塞汉词在承继了中国传统诗词韵味的同时,又融入了现代的精神气韵,达到古典美与现代美的完美融合。其词在内容上涵盖了咏史怀古、写景抒情等多种题材;在艺术表现手法上,能够做到化用前人词意,融入当代气息,而不显生涩,并以代人笔法委婉地表情达意,展现出诗人真挚而又细腻的情感世界。 展开更多
关键词 塞汉 《塞外恋歌》 咏史怀古 写景抒情 化用词意 代人笔法
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