In three-dimensional television (3DTV), an interactive free viewpoint selection application has received more attention so far. This paper presents a novel method that synthesizes a free-viewpoint based on multiple te...In three-dimensional television (3DTV), an interactive free viewpoint selection application has received more attention so far. This paper presents a novel method that synthesizes a free-viewpoint based on multiple textures and depth maps in multi-view camera configuration. This method solves the cracks and holes problem due to sampling rate by performing an inverse warping to retrieve texture images. This step allows a simple and accurate re-sampling of synthetic pixels. To enforce the spatial consistency of color and remove the pixels wrapped incorrectly because of inaccuracy depth maps, we propose some processing steps. The warped depth and warped texture images are used to classify pixels as stable, unstable and disoccluded pixels. The stable pixels are used to create an initial new view by weighted interpolation. To refine the new view, Graph cuts are used to select the best candidates for each unstable pixel. Finally, the remaining disoccluded regions are filled by our inpainting method based on depth information and texture neighboring pixel values. Our experiment on several multi-view data sets is encouraging in both subjective and objective results. Furthermore, our proposal can flexibly use more than two views in multi-view system to create a new view with higher quality.展开更多
Recently, the popularity of 3D content is on the rise because of its immersive experience to view- ers. While demands for 3D contents and 3D technologies increase, only a few copyright protection methods for 3D conten...Recently, the popularity of 3D content is on the rise because of its immersive experience to view- ers. While demands for 3D contents and 3D technologies increase, only a few copyright protection methods for 3D contents have been proposed. The simplest infringement is the illegal distribution of the single 2D image from 3D content. The leaked image is still valuable as 2D content and the leakage can be occurred in DIBR system. To detect the leaked image, we focus on the hole-filled region which is caused by the hole-filling procedure mandatory in DIBR system. To estimate the hole-filled regions, two different procedures are conducted to extract edges and to estimate 3D warping traces, respectively. After that, the hole-filled regions are estimated and the left-right-eye image discrimination (LR discrimination) is also conducted. Experimental results demonstrate the effectiveness of the proposed method using quantitative measures.展开更多
针对基于双向深度图像绘制技术(Double-sided Depth-Image Based Rendering,Double-sided DIBR)中产生的空洞、重采样、重叠问题,为提高虚拟图像的合成质量,提出一种改进的正反向映射技术。该技术主要有四点贡献。(1)提出一种深度差值...针对基于双向深度图像绘制技术(Double-sided Depth-Image Based Rendering,Double-sided DIBR)中产生的空洞、重采样、重叠问题,为提高虚拟图像的合成质量,提出一种改进的正反向映射技术。该技术主要有四点贡献。(1)提出一种深度差值估计法。(2)在3D-warping过程中使用改进的基于Z-buffer的OPFD算法,有效解决重采样和重叠问题。(3)对深度虚拟图像运用改进的基于背景空洞填补算法消除空洞。(4)改进反向映射过程,通过判断投影后的图像和辅助彩色参考图像被遮挡信息背景的一致性,选择不同的空洞填补算法填补彩色虚拟图像中的空洞,从而达到更好的填补效果。实验结果表明,改进技术在降低算法复杂度的同时,主观图像质量与客观峰值信噪比(Peak Signal to Noise Ratio,PSNR)以及结构相似(Structural SIMilarity,SSIM)都有所提高。展开更多
在自由视点视频系统中,如何能在视频终端得到高质量的视频图像已成为基于深度图的绘制(DIBR)技术所研究的主要任务,其中虚拟视点像素插值是该技术中影响绘制质量的一个重要环节。针对虚拟视点绘制标准方案中存在的问题,提出了一种基于...在自由视点视频系统中,如何能在视频终端得到高质量的视频图像已成为基于深度图的绘制(DIBR)技术所研究的主要任务,其中虚拟视点像素插值是该技术中影响绘制质量的一个重要环节。针对虚拟视点绘制标准方案中存在的问题,提出了一种基于空间加权的像素插值算法。它是通过对多个投影像素点的深度值和水平方向绝对距离进行加权操作来实现像素插值的。在插值过程中,该算法考虑了不同区域投影像素点个数对像素插值准确性的影响,从而剔除了部分失真像素点,并且在图像输出前还分别对左、右参考虚拟视点进行了失真检测和矫正。实验结果表明,该算法改善了绘制的主、客观质量,其中,PSNR平均提高0.30 d B,SSIM平均提高0.001 3。因此,该算法可以有效地抑制像素插值过程引入的噪声,提高像素插值的精度。展开更多
虚拟视点合成技术是实现自由视点电视和三维电影最主要的技术之一,已成为三维高效视频编码(3D High Efficiency Video Coding,3D-HEVC)实时渲染领域的研究热点。本文在介绍虚拟视点合成技术的基础上,综述虚拟视点合成技术的研究进展。...虚拟视点合成技术是实现自由视点电视和三维电影最主要的技术之一,已成为三维高效视频编码(3D High Efficiency Video Coding,3D-HEVC)实时渲染领域的研究热点。本文在介绍虚拟视点合成技术的基础上,综述虚拟视点合成技术的研究进展。总结了基于像素填充和基于样本填充方法在空洞填充中的应用,分析比较了不同滤波算法下深度图预处理对合成视图质量的影响以及帧间运动估计中的3种快速算法。展开更多
DIBR(Depth Image Based Rendering)算法的提出,使得3D视频只需要一个原始视点的纹理信息及其对应的深度信息就能绘制出新的虚拟视点,因此深度信息的精准与否将直接影响到绘制的虚拟视点质量。由于深度失真经常发生在前景与背景的过渡区...DIBR(Depth Image Based Rendering)算法的提出,使得3D视频只需要一个原始视点的纹理信息及其对应的深度信息就能绘制出新的虚拟视点,因此深度信息的精准与否将直接影响到绘制的虚拟视点质量。由于深度失真经常发生在前景与背景的过渡区域,本文对该区域像素定义为过渡像素,针对这种过渡像素的深度失真问题进行了分析,并提出了一种基于前景的过渡像素深度划归方法。主要思想是:通过阈值判断找出过渡像素的位置,然后将前景的深度值赋予过渡像素。实验表明,这种方法能够有效的减少绘制过程的失真,提高虚拟视点的质量。展开更多
Depth image based rendering (DIBR) is an effective approach for virtual view synthesis in free viewpoint television and 3D video.One of the important steps in DIBR is filling the holes caused by disoeclusion regions...Depth image based rendering (DIBR) is an effective approach for virtual view synthesis in free viewpoint television and 3D video.One of the important steps in DIBR is filling the holes caused by disoeclusion regions and wrong depth values.Most of the existing hole-filling methods work well in areas of low spatial activity but fail to obtain satisfactory results in high spatial activity regions.In this paper,we combine the depth based hole-filling and the adaptive recursive interpolation algorithm which is capable of handling edges passing through the missing areas.Accoring to the experimental results,we confirm that the depth based adaptive recursive interpolation algorithm can provide better rendering quality objectively and subjectively.展开更多
目的基于深度图的绘制(DIBR)是一种新型的虚拟视点生成技术,在诸多方面得到了广泛的应用。然而,该技术还不能满足实时性的绘制需求。为了在保证绘制质量不下降的前提下,尽可能地提高绘制速度,提出了一种高效的3D-Warping(3维坐标变换)...目的基于深度图的绘制(DIBR)是一种新型的虚拟视点生成技术,在诸多方面得到了广泛的应用。然而,该技术还不能满足实时性的绘制需求。为了在保证绘制质量不下降的前提下,尽可能地提高绘制速度,提出了一种高效的3D-Warping(3维坐标变换)算法。方法主要在以下3个方面进行了改进:1)引入了深度—视差映射表技术,避免了重复地进行视差求取操作。2)对深度平坦的像素块进行基于块的3D-Warping,减少了映射的次数。对深度非平坦像素块中的像素点采取传统的基于像素点的3D-Warping,保证了映射的准确性。3)针对两种不同的3D-Warping方式,分别提出了相应的插值算法。在水平方向上,改进的像素插值算法对紧邻插值和Splatting(散射)插值算法进行了折中,只在映射像素点与待插值像素点很近的情况下才进行紧邻插值,否则进行Splatting插值;在深度方向上,它对Z-Buffer(深度缓存)技术进行了改进,舍弃了与前景物体太远的映射像素点,而对其他映射像素点按深度值进行加权操作。结果实验结果表明,与标准绘制方案的整像素精度相比,绘制时间平均节省了72.05%;与标准绘制方案的半像素精度相比,PSNR平均提高了0.355 d B,SSIM平均提高了0.001 15。结论改进算法非常适用于水平设置相机系统的DIBR技术中的整像素精度绘制,对包含大量深度平坦区域的视频序列效果明显,不但能够提高绘制的速度,而且可以有效地改善绘制的客观质量。展开更多
文摘In three-dimensional television (3DTV), an interactive free viewpoint selection application has received more attention so far. This paper presents a novel method that synthesizes a free-viewpoint based on multiple textures and depth maps in multi-view camera configuration. This method solves the cracks and holes problem due to sampling rate by performing an inverse warping to retrieve texture images. This step allows a simple and accurate re-sampling of synthetic pixels. To enforce the spatial consistency of color and remove the pixels wrapped incorrectly because of inaccuracy depth maps, we propose some processing steps. The warped depth and warped texture images are used to classify pixels as stable, unstable and disoccluded pixels. The stable pixels are used to create an initial new view by weighted interpolation. To refine the new view, Graph cuts are used to select the best candidates for each unstable pixel. Finally, the remaining disoccluded regions are filled by our inpainting method based on depth information and texture neighboring pixel values. Our experiment on several multi-view data sets is encouraging in both subjective and objective results. Furthermore, our proposal can flexibly use more than two views in multi-view system to create a new view with higher quality.
文摘Recently, the popularity of 3D content is on the rise because of its immersive experience to view- ers. While demands for 3D contents and 3D technologies increase, only a few copyright protection methods for 3D contents have been proposed. The simplest infringement is the illegal distribution of the single 2D image from 3D content. The leaked image is still valuable as 2D content and the leakage can be occurred in DIBR system. To detect the leaked image, we focus on the hole-filled region which is caused by the hole-filling procedure mandatory in DIBR system. To estimate the hole-filled regions, two different procedures are conducted to extract edges and to estimate 3D warping traces, respectively. After that, the hole-filled regions are estimated and the left-right-eye image discrimination (LR discrimination) is also conducted. Experimental results demonstrate the effectiveness of the proposed method using quantitative measures.
文摘针对基于双向深度图像绘制技术(Double-sided Depth-Image Based Rendering,Double-sided DIBR)中产生的空洞、重采样、重叠问题,为提高虚拟图像的合成质量,提出一种改进的正反向映射技术。该技术主要有四点贡献。(1)提出一种深度差值估计法。(2)在3D-warping过程中使用改进的基于Z-buffer的OPFD算法,有效解决重采样和重叠问题。(3)对深度虚拟图像运用改进的基于背景空洞填补算法消除空洞。(4)改进反向映射过程,通过判断投影后的图像和辅助彩色参考图像被遮挡信息背景的一致性,选择不同的空洞填补算法填补彩色虚拟图像中的空洞,从而达到更好的填补效果。实验结果表明,改进技术在降低算法复杂度的同时,主观图像质量与客观峰值信噪比(Peak Signal to Noise Ratio,PSNR)以及结构相似(Structural SIMilarity,SSIM)都有所提高。
文摘在自由视点视频系统中,如何能在视频终端得到高质量的视频图像已成为基于深度图的绘制(DIBR)技术所研究的主要任务,其中虚拟视点像素插值是该技术中影响绘制质量的一个重要环节。针对虚拟视点绘制标准方案中存在的问题,提出了一种基于空间加权的像素插值算法。它是通过对多个投影像素点的深度值和水平方向绝对距离进行加权操作来实现像素插值的。在插值过程中,该算法考虑了不同区域投影像素点个数对像素插值准确性的影响,从而剔除了部分失真像素点,并且在图像输出前还分别对左、右参考虚拟视点进行了失真检测和矫正。实验结果表明,该算法改善了绘制的主、客观质量,其中,PSNR平均提高0.30 d B,SSIM平均提高0.001 3。因此,该算法可以有效地抑制像素插值过程引入的噪声,提高像素插值的精度。
文摘虚拟视点合成技术是实现自由视点电视和三维电影最主要的技术之一,已成为三维高效视频编码(3D High Efficiency Video Coding,3D-HEVC)实时渲染领域的研究热点。本文在介绍虚拟视点合成技术的基础上,综述虚拟视点合成技术的研究进展。总结了基于像素填充和基于样本填充方法在空洞填充中的应用,分析比较了不同滤波算法下深度图预处理对合成视图质量的影响以及帧间运动估计中的3种快速算法。
文摘DIBR(Depth Image Based Rendering)算法的提出,使得3D视频只需要一个原始视点的纹理信息及其对应的深度信息就能绘制出新的虚拟视点,因此深度信息的精准与否将直接影响到绘制的虚拟视点质量。由于深度失真经常发生在前景与背景的过渡区域,本文对该区域像素定义为过渡像素,针对这种过渡像素的深度失真问题进行了分析,并提出了一种基于前景的过渡像素深度划归方法。主要思想是:通过阈值判断找出过渡像素的位置,然后将前景的深度值赋予过渡像素。实验表明,这种方法能够有效的减少绘制过程的失真,提高虚拟视点的质量。
基金The MSIP(Ministry of Science,ICT & Future Planning),Korea,under the ITRC(Information Technology Research Center)support program(NIPA-2013-H0301-13-2006)supervised by the NIPA(National IT Industry Promotion Agency)
文摘Depth image based rendering (DIBR) is an effective approach for virtual view synthesis in free viewpoint television and 3D video.One of the important steps in DIBR is filling the holes caused by disoeclusion regions and wrong depth values.Most of the existing hole-filling methods work well in areas of low spatial activity but fail to obtain satisfactory results in high spatial activity regions.In this paper,we combine the depth based hole-filling and the adaptive recursive interpolation algorithm which is capable of handling edges passing through the missing areas.Accoring to the experimental results,we confirm that the depth based adaptive recursive interpolation algorithm can provide better rendering quality objectively and subjectively.
文摘提出了一种基于Kinect的实时深度提取算法和单纹理+深度的多视绘制方法。在采集端,使用Kinect提取场景纹理和深度,并针对Kinect输出深度图的空洞提出一种快速修复算法。在显示端,针对单纹理+深度的基于深度图像的绘制(DIBR,depth image based rendering)绘制产生的大空洞,采用一种基于背景估计和前景分割的绘制方法。实验结果表明,本文方法可实时提取质量良好的深度图,并有效修复了DIBR绘制过程中产生的大空洞,得到质量较好的多路虚拟视点图像。以所提出的深度获取和绘制算法为核心,实现了一种基于深度的立体视频系统,最终的虚拟视点交织立体显示的立体效果良好,进一步验证了本文算法的有效性。本文系统可用于实景的多视点立体视频录制与播放。
文摘目的基于深度图的绘制(DIBR)是一种新型的虚拟视点生成技术,在诸多方面得到了广泛的应用。然而,该技术还不能满足实时性的绘制需求。为了在保证绘制质量不下降的前提下,尽可能地提高绘制速度,提出了一种高效的3D-Warping(3维坐标变换)算法。方法主要在以下3个方面进行了改进:1)引入了深度—视差映射表技术,避免了重复地进行视差求取操作。2)对深度平坦的像素块进行基于块的3D-Warping,减少了映射的次数。对深度非平坦像素块中的像素点采取传统的基于像素点的3D-Warping,保证了映射的准确性。3)针对两种不同的3D-Warping方式,分别提出了相应的插值算法。在水平方向上,改进的像素插值算法对紧邻插值和Splatting(散射)插值算法进行了折中,只在映射像素点与待插值像素点很近的情况下才进行紧邻插值,否则进行Splatting插值;在深度方向上,它对Z-Buffer(深度缓存)技术进行了改进,舍弃了与前景物体太远的映射像素点,而对其他映射像素点按深度值进行加权操作。结果实验结果表明,与标准绘制方案的整像素精度相比,绘制时间平均节省了72.05%;与标准绘制方案的半像素精度相比,PSNR平均提高了0.355 d B,SSIM平均提高了0.001 15。结论改进算法非常适用于水平设置相机系统的DIBR技术中的整像素精度绘制,对包含大量深度平坦区域的视频序列效果明显,不但能够提高绘制的速度,而且可以有效地改善绘制的客观质量。