Collaboration in large projects is a major challenge for contemporary architectural practice and this paper presents a notation for describing and analyzing how these collaborations can take place.Based on an extensiv...Collaboration in large projects is a major challenge for contemporary architectural practice and this paper presents a notation for describing and analyzing how these collaborations can take place.Based on an extensive literature review some opportunities were found for the development of a notation that combined three particular aspects:network diagrams,Euler diagrams and a model from architectural design.An exploratory case study was conducted based on the collaboration during a complex architectural project,which combined three approaches:document analysis,semi-structured interviews with key stakeholders and a comparison of the documents with results from the interviews.The notation demonstrated to be suitable for two purposes:to improve the understanding of particular design events and as support material for presenting and exploring collaborations.Results indicate that the notation was suitable,comprehensible and flexible,and it demonstrated good value when used in speculative ways,such as an intermediary design artifact that supports discussion and improvements in the collaboration process,which indicates promising future directions.It can also be argued that,similar to a sketch,the notation can also support the process of planning and“designing”the interaction between teams in design fields and even in other project-based organizations.展开更多
Rhythm in design, as explored in this research, is proposed to be the result of cognitive performance generated stylistically by creators and recognized consciously by beholders. This study describes the phenomenon of...Rhythm in design, as explored in this research, is proposed to be the result of cognitive performance generated stylistically by creators and recognized consciously by beholders. This study describes the phenomenon of rhythm; how it is created; the factors that comprise rhythm; the types of rhythms created by human cognition of repetition, and why repetition is recognized as a part of human cognition. Images of seven buildings designed by Alvar Aalto are used to demonstrate the creation and expression of rhythm in building compositions. Evidence gathered in this research explains that rhythm in design is a result of the design method consciously applied by human cognition of repetition. Rules of generating the phenomena of rhythm are also summarized. Designers could apply these rules to generate harmonious patterns through the effective usage of repetition. In sum, rhythm is ingrained in the human conscience and therefore should be a key component of design applied universally.展开更多
基金supported by process No.2018/12304-8,FAPESP(Sao Paulo Research Foundation).
文摘Collaboration in large projects is a major challenge for contemporary architectural practice and this paper presents a notation for describing and analyzing how these collaborations can take place.Based on an extensive literature review some opportunities were found for the development of a notation that combined three particular aspects:network diagrams,Euler diagrams and a model from architectural design.An exploratory case study was conducted based on the collaboration during a complex architectural project,which combined three approaches:document analysis,semi-structured interviews with key stakeholders and a comparison of the documents with results from the interviews.The notation demonstrated to be suitable for two purposes:to improve the understanding of particular design events and as support material for presenting and exploring collaborations.Results indicate that the notation was suitable,comprehensible and flexible,and it demonstrated good value when used in speculative ways,such as an intermediary design artifact that supports discussion and improvements in the collaboration process,which indicates promising future directions.It can also be argued that,similar to a sketch,the notation can also support the process of planning and“designing”the interaction between teams in design fields and even in other project-based organizations.
文摘Rhythm in design, as explored in this research, is proposed to be the result of cognitive performance generated stylistically by creators and recognized consciously by beholders. This study describes the phenomenon of rhythm; how it is created; the factors that comprise rhythm; the types of rhythms created by human cognition of repetition, and why repetition is recognized as a part of human cognition. Images of seven buildings designed by Alvar Aalto are used to demonstrate the creation and expression of rhythm in building compositions. Evidence gathered in this research explains that rhythm in design is a result of the design method consciously applied by human cognition of repetition. Rules of generating the phenomena of rhythm are also summarized. Designers could apply these rules to generate harmonious patterns through the effective usage of repetition. In sum, rhythm is ingrained in the human conscience and therefore should be a key component of design applied universally.
