Publicity documentaries play an important role in shaping the image of one country during the international communication.Seasons of China is a publicity documentary introducing the traditional Chinese culture 24 sola...Publicity documentaries play an important role in shaping the image of one country during the international communication.Seasons of China is a publicity documentary introducing the traditional Chinese culture 24 solar terms.Under the guidance of the framework of Harmonious Discourse Analysis,this thesis uses a combination of quantitative and qualitative methods to analyze the harmonious discourse of this documentary based on the transitivity system.The research finds that the discourse of Seasons of China conveys the China’s ecological concept of respecting,following and protecting the nature,while telling the stories of Chinese traditional culture 24 solar terms,highlighting the image of China as a responsible country for ecological civilization construction.展开更多
Based on Fillmore’s frame theory, this paper examines the translator’s cognitive frame operation in the English subtitle translation of Quanzhou’s World Heritage application documentary. It analyzes and discusses h...Based on Fillmore’s frame theory, this paper examines the translator’s cognitive frame operation in the English subtitle translation of Quanzhou’s World Heritage application documentary. It analyzes and discusses how the translator maximizes translation effect between the source language and the target language, so as to enhance the readability of documentary subtitles and promote the spread of traditional Chinese culture. The findings are as follows: Firstly, in the translation process, the frame operations used by the translator include frame correspondence, intra-frame operations, frame replacement, frame perspective shift and frame transplantation. Secondly, cultural documentaries are full of culture-loaded words, for which the translator usually uses frame transplantation. Thirdly, due to the instantaneous nature of subtitles, intra-frame operations and frame replacement are applied in terms of cultural background of the target language audience. Besides, in order to enhance the audience’s reading experience, there may be some changes of narrative perspective in the English translation of cultural documentaries.展开更多
This paper deals with the translation strategies of Chinese Culture-Loaded Words from the perspective of adaptation theory.It is based on the translation text of the sixth episode“Silk Road”and the seventh episode“...This paper deals with the translation strategies of Chinese Culture-Loaded Words from the perspective of adaptation theory.It is based on the translation text of the sixth episode“Silk Road”and the seventh episode“Dunhuang”of the documentary Hexi Corridor.Many words with Chinese cultural connotations appear in the subtitles of this documentary.This paper will be divided into four parts.The first part and the second part deal with the basic theories,i.e.,definition of Chinese Culture-Loaded Words and of adaptation theory.The original text is analysed in the third part.This part deals with the background and specifics of the language of the documentary film Hexi Corridor.The fourth part deals with the difficulties encountered by the author in translation practice and the corresponding solutions adopted by the author.The translation difficulties are solved by five translation methods,namely transliteration,loan translation,substitution,interpretation,and adaptation.展开更多
This paper studies the four-character frame in the subtitle of the documentary Daming Palace, aiming to provide a reference for the translation of the documentary four-character case as well as better spread Chinese c...This paper studies the four-character frame in the subtitle of the documentary Daming Palace, aiming to provide a reference for the translation of the documentary four-character case as well as better spread Chinese culture. By analyzing, researching and summarizing the subtitle of Daming Palace and reading a lot of literature, the author has found that in Daming Palace the four-character frame is characterized by the use of the absolute four-character frames and the recurrence of some four-character frames, and that C-E translation methods of the four-character frame are mainly literal translation, free translation, provincial translation and concise translation.展开更多
Documentary is an important form of audiovisual works with the characteristics of both authenticity and artistry, which plays a significant role in the spread of culture and knowledge. Reception aesthetics is a theory...Documentary is an important form of audiovisual works with the characteristics of both authenticity and artistry, which plays a significant role in the spread of culture and knowledge. Reception aesthetics is a theory of literary criticism raised by the German literature theoretician and aesthetician Hans Robert Jauss in the 1960 s, in which the focus of literary studies is shifted from the author and text to the reader. It emphasizes reader's participation and acceptance during the text understanding, by shifting the central position of studies from the author and work to the reader. It claims that only the works that have been comprehended and delivered by readers possess artistic value and meaning. With the characteristic of audience-centered, documentary happens to coincide with reception aesthetics theory which takes readers' horizon of expectation into consideration. Applying the theory of reception aesthetics as its interpretive framework, this paper makes an effort to study subtitle translation of documentary films.展开更多
Instead of attempting to provide a survey of Taiwan documentary, this article focuses on a few critical moments in its long and uneven history and proposes a potentially productive site for understanding its formal ma...Instead of attempting to provide a survey of Taiwan documentary, this article focuses on a few critical moments in its long and uneven history and proposes a potentially productive site for understanding its formal manifestations of representational politics. By honing in on the uses of sounds and words, I show that the principle of a unitary voice--voice understood both as the utterances of sound and the politico-cultural meaning of such utterances-- organizes the earlier periods of the colonial and authoritarian rules and shapes later iterations of and formal reactions to them. Be it voice-over narration or captions and inter-titles, this article provides a historiographical lens through which the politics of representation in Taiwan documentary may be rethought. Furthermore, this article takes documentary not merely as a genre of non-fiction filmmaking. Rather, it insists on documentary as a mode, and indeed modes, of representation that do not belong exclusively to the non-fiction. Notions of ＂documentability＂ are considered together with the corollary tendency to ＂fictionalize＂ in cinema, fiction and non-fiction. Taiwan, with its complex histories in general and the specific context within which the polyglossiac practices of New Taiwan Documentary have blossomed in recent decades in particular, is a productive site to investigate the questions of ＂sound＂ in cinematic form and ＂voice＂ in representational politics.展开更多
A five-part documentary Expo’s Meaning, Shanghai’s Mission will air on China Central Television (CCTV)’s news channel during prime time on August 10-14,representing a major step for the channel toward international...A five-part documentary Expo’s Meaning, Shanghai’s Mission will air on China Central Television (CCTV)’s news channel during prime time on August 10-14,representing a major step for the channel toward international co-production.展开更多
A major documentary film—Traditional Chinese Medicine,New Stories—has been released to promote traditional Chinese medicine around the world.The film,which was created by the Chinese People’s Association for Friend...A major documentary film—Traditional Chinese Medicine,New Stories—has been released to promote traditional Chinese medicine around the world.The film,which was created by the Chinese People’s Association for Friendship with Foreign Countries,the Central Newsreel and Documentary Film Studio and the Beijing Eleven Culture Development Co,is part of a planned international touring exhibition of TCM culture.展开更多
Virtual Reality is a new technology which has been used into different subjects.The combination of Virtual reality and documentary making has showed different characteristic.The traditional narrative method has change...Virtual Reality is a new technology which has been used into different subjects.The combination of Virtual reality and documentary making has showed different characteristic.The traditional narrative method has changed and has different problems compared with traditional documentary making.This article compares the difference of VR documentary and traditional documentary in narrative method,audience experience,point out the problems of VR documentary and give advice.展开更多
The work presented in this article focuses on document forgery. Document fraud is a generic term used to designate a fraud, a falsification of a document. The said falsification can be observed in several sectors of e...The work presented in this article focuses on document forgery. Document fraud is a generic term used to designate a fraud, a falsification of a document. The said falsification can be observed in several sectors of everyday life. For a better illustration, let’s consider a system for producing civil status forms. The birth certificate is generally the basis of any individual’s life, and if this document is falsified, it can have repercussions at several levels, particularly in the academic field, where false diplomas, false national identity cards, false passports, false marriage certificates, etc. are obtained. It is therefore demonstrated that a secure production unit for civil status forms can be beneficial to both developed and developing countries. In addition, smart contract is proposed using a private Hyperledger fabric blockchain for validation of civil status documents, and a non-state public key management infrastructure is also proposed to authenticate the nodes that will validate the transactions. This improved blockchain solves the problem of falsification of civil status documents, as false nodes can contribute to the validation of a transaction. The contribution of such a hybrid system is of paramount importance for the identity of civil status documents on the one hand and for the identity of documents in general, and the blockchain to guarantee the distributed, unforgeable, non-repudiation, transparency and disintermediation character.展开更多
This paper focuses on Chinese sources suggested for a narrative medicine(NM)program,called AfterWards.Dr Lauren Small established AfterWards in 2014 and has been coordinating it since out of the Pediatrics Department ...This paper focuses on Chinese sources suggested for a narrative medicine(NM)program,called AfterWards.Dr Lauren Small established AfterWards in 2014 and has been coordinating it since out of the Pediatrics Department at Johns Hopkins Medicine.In early 2019,she started giving a series of lectures and workshops about AfterWards to Chinese medical educators and clinicians in Beijing and Shanghai.She created an AfterWards Facilitator’s Guide based on Western-language sources for workshop participants.She also started to organize with Jiang Yuhong(Peking Union Medical College)a workshop for Chinese colleagues to be held at Johns Hopkins Medicine in October 2019.They invited the author to participate.The idea was hatched then to develop Chinese source materials following the AfterWards structure for an updated Facilitator’s Guide that Dr Small had initially written.A typical one-hour AfterWards session consists of a specific five-part structure:a literary text or artwork,an associated theme,discussion topics,a writing exercise,and shared reflection.While the content of the program always changes from session to session,the basic structure remains the same.This paper summarizes the types of Chinese sources and their related narrative-medicine themes that were originally selected for inclusion in the updated AfterWards Facilitator’s Guide intended for Chinese colleagues.These sources about coping with sick family members,aging,and illness ranged from the textual(classical Chinese poems on aging and diagnostic forms for training students)and visual(premodern Chinese paintings and murals of medical encounters)to the fictive(novels)and performative(contemporary Asian-American film in English and Chinese-language film and documentaries).展开更多
Allusions are very common in Chinese tourism texts. When translating them, translators should make the translated version both understandable and acceptable. With Nord's documentary translation and instrumental tr...Allusions are very common in Chinese tourism texts. When translating them, translators should make the translated version both understandable and acceptable. With Nord's documentary translation and instrumental translation, this paper explores how to apply these two translation processes to the translation of allusions in Chinese tourism texts.展开更多
文摘Publicity documentaries play an important role in shaping the image of one country during the international communication.Seasons of China is a publicity documentary introducing the traditional Chinese culture 24 solar terms.Under the guidance of the framework of Harmonious Discourse Analysis,this thesis uses a combination of quantitative and qualitative methods to analyze the harmonious discourse of this documentary based on the transitivity system.The research finds that the discourse of Seasons of China conveys the China’s ecological concept of respecting,following and protecting the nature,while telling the stories of Chinese traditional culture 24 solar terms,highlighting the image of China as a responsible country for ecological civilization construction.
文摘Based on Fillmore’s frame theory, this paper examines the translator’s cognitive frame operation in the English subtitle translation of Quanzhou’s World Heritage application documentary. It analyzes and discusses how the translator maximizes translation effect between the source language and the target language, so as to enhance the readability of documentary subtitles and promote the spread of traditional Chinese culture. The findings are as follows: Firstly, in the translation process, the frame operations used by the translator include frame correspondence, intra-frame operations, frame replacement, frame perspective shift and frame transplantation. Secondly, cultural documentaries are full of culture-loaded words, for which the translator usually uses frame transplantation. Thirdly, due to the instantaneous nature of subtitles, intra-frame operations and frame replacement are applied in terms of cultural background of the target language audience. Besides, in order to enhance the audience’s reading experience, there may be some changes of narrative perspective in the English translation of cultural documentaries.
基金Research Startup Project for Doctors at the School of Foreign Languages,University of Shanghai for Science and Technology(Fund Project No.:1F-21-305-101).
文摘This paper deals with the translation strategies of Chinese Culture-Loaded Words from the perspective of adaptation theory.It is based on the translation text of the sixth episode“Silk Road”and the seventh episode“Dunhuang”of the documentary Hexi Corridor.Many words with Chinese cultural connotations appear in the subtitles of this documentary.This paper will be divided into four parts.The first part and the second part deal with the basic theories,i.e.,definition of Chinese Culture-Loaded Words and of adaptation theory.The original text is analysed in the third part.This part deals with the background and specifics of the language of the documentary film Hexi Corridor.The fourth part deals with the difficulties encountered by the author in translation practice and the corresponding solutions adopted by the author.The translation difficulties are solved by five translation methods,namely transliteration,loan translation,substitution,interpretation,and adaptation.
文摘This paper studies the four-character frame in the subtitle of the documentary Daming Palace, aiming to provide a reference for the translation of the documentary four-character case as well as better spread Chinese culture. By analyzing, researching and summarizing the subtitle of Daming Palace and reading a lot of literature, the author has found that in Daming Palace the four-character frame is characterized by the use of the absolute four-character frames and the recurrence of some four-character frames, and that C-E translation methods of the four-character frame are mainly literal translation, free translation, provincial translation and concise translation.
文摘Documentary is an important form of audiovisual works with the characteristics of both authenticity and artistry, which plays a significant role in the spread of culture and knowledge. Reception aesthetics is a theory of literary criticism raised by the German literature theoretician and aesthetician Hans Robert Jauss in the 1960 s, in which the focus of literary studies is shifted from the author and text to the reader. It emphasizes reader's participation and acceptance during the text understanding, by shifting the central position of studies from the author and work to the reader. It claims that only the works that have been comprehended and delivered by readers possess artistic value and meaning. With the characteristic of audience-centered, documentary happens to coincide with reception aesthetics theory which takes readers' horizon of expectation into consideration. Applying the theory of reception aesthetics as its interpretive framework, this paper makes an effort to study subtitle translation of documentary films.
文摘Instead of attempting to provide a survey of Taiwan documentary, this article focuses on a few critical moments in its long and uneven history and proposes a potentially productive site for understanding its formal manifestations of representational politics. By honing in on the uses of sounds and words, I show that the principle of a unitary voice--voice understood both as the utterances of sound and the politico-cultural meaning of such utterances-- organizes the earlier periods of the colonial and authoritarian rules and shapes later iterations of and formal reactions to them. Be it voice-over narration or captions and inter-titles, this article provides a historiographical lens through which the politics of representation in Taiwan documentary may be rethought. Furthermore, this article takes documentary not merely as a genre of non-fiction filmmaking. Rather, it insists on documentary as a mode, and indeed modes, of representation that do not belong exclusively to the non-fiction. Notions of ＂documentability＂ are considered together with the corollary tendency to ＂fictionalize＂ in cinema, fiction and non-fiction. Taiwan, with its complex histories in general and the specific context within which the polyglossiac practices of New Taiwan Documentary have blossomed in recent decades in particular, is a productive site to investigate the questions of ＂sound＂ in cinematic form and ＂voice＂ in representational politics.
文摘A five-part documentary Expo’s Meaning, Shanghai’s Mission will air on China Central Television (CCTV)’s news channel during prime time on August 10-14,representing a major step for the channel toward international co-production.
文摘A major documentary film—Traditional Chinese Medicine,New Stories—has been released to promote traditional Chinese medicine around the world.The film,which was created by the Chinese People’s Association for Friendship with Foreign Countries,the Central Newsreel and Documentary Film Studio and the Beijing Eleven Culture Development Co,is part of a planned international touring exhibition of TCM culture.
文摘Virtual Reality is a new technology which has been used into different subjects.The combination of Virtual reality and documentary making has showed different characteristic.The traditional narrative method has changed and has different problems compared with traditional documentary making.This article compares the difference of VR documentary and traditional documentary in narrative method,audience experience,point out the problems of VR documentary and give advice.
文摘The work presented in this article focuses on document forgery. Document fraud is a generic term used to designate a fraud, a falsification of a document. The said falsification can be observed in several sectors of everyday life. For a better illustration, let’s consider a system for producing civil status forms. The birth certificate is generally the basis of any individual’s life, and if this document is falsified, it can have repercussions at several levels, particularly in the academic field, where false diplomas, false national identity cards, false passports, false marriage certificates, etc. are obtained. It is therefore demonstrated that a secure production unit for civil status forms can be beneficial to both developed and developing countries. In addition, smart contract is proposed using a private Hyperledger fabric blockchain for validation of civil status documents, and a non-state public key management infrastructure is also proposed to authenticate the nodes that will validate the transactions. This improved blockchain solves the problem of falsification of civil status documents, as false nodes can contribute to the validation of a transaction. The contribution of such a hybrid system is of paramount importance for the identity of civil status documents on the one hand and for the identity of documents in general, and the blockchain to guarantee the distributed, unforgeable, non-repudiation, transparency and disintermediation character.
基金supported by a Visiting Scholar Fellowship at Max Planck Institute for the History of Science, Berlin
文摘This paper focuses on Chinese sources suggested for a narrative medicine(NM)program,called AfterWards.Dr Lauren Small established AfterWards in 2014 and has been coordinating it since out of the Pediatrics Department at Johns Hopkins Medicine.In early 2019,she started giving a series of lectures and workshops about AfterWards to Chinese medical educators and clinicians in Beijing and Shanghai.She created an AfterWards Facilitator’s Guide based on Western-language sources for workshop participants.She also started to organize with Jiang Yuhong(Peking Union Medical College)a workshop for Chinese colleagues to be held at Johns Hopkins Medicine in October 2019.They invited the author to participate.The idea was hatched then to develop Chinese source materials following the AfterWards structure for an updated Facilitator’s Guide that Dr Small had initially written.A typical one-hour AfterWards session consists of a specific five-part structure:a literary text or artwork,an associated theme,discussion topics,a writing exercise,and shared reflection.While the content of the program always changes from session to session,the basic structure remains the same.This paper summarizes the types of Chinese sources and their related narrative-medicine themes that were originally selected for inclusion in the updated AfterWards Facilitator’s Guide intended for Chinese colleagues.These sources about coping with sick family members,aging,and illness ranged from the textual(classical Chinese poems on aging and diagnostic forms for training students)and visual(premodern Chinese paintings and murals of medical encounters)to the fictive(novels)and performative(contemporary Asian-American film in English and Chinese-language film and documentaries).
文摘Allusions are very common in Chinese tourism texts. When translating them, translators should make the translated version both understandable and acceptable. With Nord's documentary translation and instrumental translation, this paper explores how to apply these two translation processes to the translation of allusions in Chinese tourism texts.
