With the continuous development of social economy in our country,communication between international culture,artistic and other aspects is also increasingly frequent.The improvement of material life inevitably bring t...With the continuous development of social economy in our country,communication between international culture,artistic and other aspects is also increasingly frequent.The improvement of material life inevitably bring the change of mental life.As a cross discipline between musical aesthetics and artistic aesthetics,vocal music aesthetics has gradually become the core content of vocal music art,and has been paid more and more attention by experts and scholars,the research on vocal music aesthetics has become an important subject in the ？ eld of theoretical research.By discussing the value of vocal music aesthetics in vocal music art,this paper further explores the connotation and function of vocal music aesthetics,in order to make a contribution to the prosperity and development of vocal music art of our country.展开更多
This paper presents the conceptual challenges to an aesthetic model of living plants based in embodied interaction with flora through smell, taste, touch, sound and sight. I argue that the science of aesthetics is det...This paper presents the conceptual challenges to an aesthetic model of living plants based in embodied interaction with flora through smell, taste, touch, sound and sight. I argue that the science of aesthetics is deterministically visual. Drawing from theories of landscape aesthetics put forth by Carlson and Berleant, I outline four primary obstacles to an embodied aesthetics： plants as objects of sight, plants as objects of art, plants as objects of disinterestedness and plants as objects of scientific discourse. A multi-sensorial aesthetics of flora requires auto-centric proximity and degrees of intersubjectivity between the appreciator and the appreciated plant that raise important philosophical questions about aesthetic experience of the natural world.展开更多
This paper explores embodied perception and its relation to aesthetic experience based on French phenomenologist Maurice Merleau-Ponty＇s philosophy of painting. The discussion draws cases from both Western art, post-...This paper explores embodied perception and its relation to aesthetic experience based on French phenomenologist Maurice Merleau-Ponty＇s philosophy of painting. The discussion draws cases from both Western art, post-impressionist Paul Cezanne （1839-1906） and non-Western art, Chinese landscape paintings from the Northern Song Dynasty （960-1127）. As I argue, their general vision for the primacy of embodiment in perception is similar; artists in both practices aim at a balance between representing visible forms of nature and interpreting their invisible, yet deeper meanings for human existence. Further, I will argue, a focus on Chinese aesthetic thought helps us recognize the aesthetics of moral existence and hence contributes significantly to self-cultivation. Influenced by Chinese philosophical traditions, Chinese landscape paintings, compared with Cezanne＇s works, exemplify more strongly the indispensable role of the human body and indicate more explicitly a link between embodiment and moral ethics. The latter suggestion of the moral underpinnings in aesthetic perception and experience is particularly significant since Merleau-Ponty has not elaborated upon this point in any explicit manner.展开更多
作为一种新兴的美学形态,身体美学跳出了后现代解构一切的思维方式,将"身体"翻新后重置入美学的核心,形成了对传统美学的拓展而非解构:通过增强身体经验,促使传统美学走出自律的理论困境;通过提升身体意识、践行身体训练,开...作为一种新兴的美学形态,身体美学跳出了后现代解构一切的思维方式,将"身体"翻新后重置入美学的核心,形成了对传统美学的拓展而非解构:通过增强身体经验,促使传统美学走出自律的理论困境;通过提升身体意识、践行身体训练,开拓了传统美学新的研究空间。同时,身体美学"通过身体思考"(Thinking Through the Body)激活了中西方文化中丰富多彩的"身体"资源,为重构美学谱系奠定了基础。此外,身体美学还与生态美学、生活美学等诸多新兴学科领域形成了理论互动,共同影响并建构着国内美学生态的新景观。展开更多
文摘With the continuous development of social economy in our country,communication between international culture,artistic and other aspects is also increasingly frequent.The improvement of material life inevitably bring the change of mental life.As a cross discipline between musical aesthetics and artistic aesthetics,vocal music aesthetics has gradually become the core content of vocal music art,and has been paid more and more attention by experts and scholars,the research on vocal music aesthetics has become an important subject in the ？ eld of theoretical research.By discussing the value of vocal music aesthetics in vocal music art,this paper further explores the connotation and function of vocal music aesthetics,in order to make a contribution to the prosperity and development of vocal music art of our country.
文摘This paper presents the conceptual challenges to an aesthetic model of living plants based in embodied interaction with flora through smell, taste, touch, sound and sight. I argue that the science of aesthetics is deterministically visual. Drawing from theories of landscape aesthetics put forth by Carlson and Berleant, I outline four primary obstacles to an embodied aesthetics： plants as objects of sight, plants as objects of art, plants as objects of disinterestedness and plants as objects of scientific discourse. A multi-sensorial aesthetics of flora requires auto-centric proximity and degrees of intersubjectivity between the appreciator and the appreciated plant that raise important philosophical questions about aesthetic experience of the natural world.
文摘This paper explores embodied perception and its relation to aesthetic experience based on French phenomenologist Maurice Merleau-Ponty＇s philosophy of painting. The discussion draws cases from both Western art, post-impressionist Paul Cezanne （1839-1906） and non-Western art, Chinese landscape paintings from the Northern Song Dynasty （960-1127）. As I argue, their general vision for the primacy of embodiment in perception is similar; artists in both practices aim at a balance between representing visible forms of nature and interpreting their invisible, yet deeper meanings for human existence. Further, I will argue, a focus on Chinese aesthetic thought helps us recognize the aesthetics of moral existence and hence contributes significantly to self-cultivation. Influenced by Chinese philosophical traditions, Chinese landscape paintings, compared with Cezanne＇s works, exemplify more strongly the indispensable role of the human body and indicate more explicitly a link between embodiment and moral ethics. The latter suggestion of the moral underpinnings in aesthetic perception and experience is particularly significant since Merleau-Ponty has not elaborated upon this point in any explicit manner.
文摘作为一种新兴的美学形态,身体美学跳出了后现代解构一切的思维方式,将"身体"翻新后重置入美学的核心,形成了对传统美学的拓展而非解构:通过增强身体经验,促使传统美学走出自律的理论困境;通过提升身体意识、践行身体训练,开拓了传统美学新的研究空间。同时,身体美学"通过身体思考"(Thinking Through the Body)激活了中西方文化中丰富多彩的"身体"资源,为重构美学谱系奠定了基础。此外,身体美学还与生态美学、生活美学等诸多新兴学科领域形成了理论互动,共同影响并建构着国内美学生态的新景观。
