In the era of cultural economy or aesthetic capitalism, the relationship between humanities and science has undergone great changes that include four aspects： （1） the humanities are compatible with and dependent on...In the era of cultural economy or aesthetic capitalism, the relationship between humanities and science has undergone great changes that include four aspects： （1） the humanities are compatible with and dependent on science rather than antagonism and conflict; （2） the content and form of humanities have so greatly changed that the new humanities discipline has appeared; （3） in contemporary scientific and cultural development pattern, new humanities have gradually become the principal discipline; （4） aesthetics and art gradually highlight its importance. Based on the thoughts of Karl Marx＇s Economic and Philosophic Manuscripts of 1844, this paper intends to discuss the essence and significances of the modernity problem in contemporary society. And then, it analyzes ＂how to think about the future＂ in the era of aesthetic capitalism or cultural economy. In the last part of the paper, several characteristics of the new humanities are studied from the perspective of contemporary aesthetics.展开更多
Raymond Williams is one of the representative figures of British cultural Marxism and British cultural research.His cultural research,especially mass culture research,focuses on literary criticism.Among them,drama cri...Raymond Williams is one of the representative figures of British cultural Marxism and British cultural research.His cultural research,especially mass culture research,focuses on literary criticism.Among them,drama criticism is one of Williams'most important forms of cultural criticism methodology.Williams'drama criticism is based on drama history criticism.Through the historical analysis of drama content and form as well as the synchronic analysis of modem drama in different historical periods,including the ongoing drama history,Williams proposed the notion of"structures of feeling"The emergence of this concept opened up the social critical dimension of Williams'drama criticism.Drama criticism has become a window for examining,analyzing,and grasping the current social emotional structure or social culture.Furthermore,by implanting tragic plots in the drama,a potential practical strategy of social and cultural revolution can be realized.展开更多
基金Acknowledgements： This paper was sponsored by China National Social Science Foundation ＂Research on the Fundamental Problems of the Contemporary Aesthetics and Criticism Patterns＂ （15ZDB023）.
文摘In the era of cultural economy or aesthetic capitalism, the relationship between humanities and science has undergone great changes that include four aspects： （1） the humanities are compatible with and dependent on science rather than antagonism and conflict; （2） the content and form of humanities have so greatly changed that the new humanities discipline has appeared; （3） in contemporary scientific and cultural development pattern, new humanities have gradually become the principal discipline; （4） aesthetics and art gradually highlight its importance. Based on the thoughts of Karl Marx＇s Economic and Philosophic Manuscripts of 1844, this paper intends to discuss the essence and significances of the modernity problem in contemporary society. And then, it analyzes ＂how to think about the future＂ in the era of aesthetic capitalism or cultural economy. In the last part of the paper, several characteristics of the new humanities are studied from the perspective of contemporary aesthetics.
文摘Raymond Williams is one of the representative figures of British cultural Marxism and British cultural research.His cultural research,especially mass culture research,focuses on literary criticism.Among them,drama criticism is one of Williams'most important forms of cultural criticism methodology.Williams'drama criticism is based on drama history criticism.Through the historical analysis of drama content and form as well as the synchronic analysis of modem drama in different historical periods,including the ongoing drama history,Williams proposed the notion of"structures of feeling"The emergence of this concept opened up the social critical dimension of Williams'drama criticism.Drama criticism has become a window for examining,analyzing,and grasping the current social emotional structure or social culture.Furthermore,by implanting tragic plots in the drama,a potential practical strategy of social and cultural revolution can be realized.
