What is the estrangement of architecture?The concept has been incessantly mentioned by academics while there seems to be a lack of discussion systematically sorting out the significance,influence,and origins of estran...What is the estrangement of architecture?The concept has been incessantly mentioned by academics while there seems to be a lack of discussion systematically sorting out the significance,influence,and origins of estrangement asanarchitectural concept.Thiswork aims to discern the meaning of estrangement from the beginning and its process of entering the field of architecture.The first part is expected to answer the following questions:what is estrangement’s original meaning in the field of literature and its variantions?The second part determines what estrangement is in architecture and in what form estrangement is represented according to these arguments.The third part points out the difference during this translation fromliterature to architecture and demonstrates the reasonable inference thatmay actually compose the possibleway of applying the estranging technique in architecture.展开更多
The paper analyzes the femininity of Chinese intellectual women through reference to the historically estrangement. The paper explores what intellectual woman with an emphasis on and culturally significant concept of ...The paper analyzes the femininity of Chinese intellectual women through reference to the historically estrangement. The paper explores what intellectual woman with an emphasis on and culturally significant concept of it manes to be a contemporary Chinese how popular cultural images of Chinese intellectual women articulated particular, historically-conditioned tensions. The paper focuses on the theoretical construction of ＂estrangement,＂ an important concept in the fields of psychoanalysis, socialist feminism and French feminism. My discussion of ＂estrangement＂ centers on the way in which the femininity of intellectual women is constructed, in particular, the degree to which they are depicted as adhering to or becoming estranged from the norms for feminine behavior. I focus on the female writer Huang Beijia＇s novellas, published between 1981 and 1994. The paper concludes that estrangement constitutes a haunting motif that is used to represent/understand Chinese intellectual women in the contemporary context and that the contemporary intellectual woman＇s predicament is, in turn, a telling motif for understanding historical changes in Chinese gender relations.展开更多
Economic ＆ Philosophic Manuscripts of 1844 was regarded as the key text for studying Marx＇s aesthetics thoughts It was translated into Chinese in 1956 and then attracted Chinese scholars＇ attention. In the past hal...Economic ＆ Philosophic Manuscripts of 1844 was regarded as the key text for studying Marx＇s aesthetics thoughts It was translated into Chinese in 1956 and then attracted Chinese scholars＇ attention. In the past half century it was the main theory source of Chinese Marxism aesthetics. There were two large scale debates on aesthetics related to Economic ＆ Philosophic Manuscripts of 1844 in China. One was taken place in the late of 1950s to 1960s and the other was in 1980s. The main arguments concentrated on four issues in the Manuscripts of 1844： the relationship between practice and beauty, the meaning of the two standards and the law of beauty, whether estranged labour creates beauty or not, how to asses the Manuscripts.展开更多
文摘What is the estrangement of architecture?The concept has been incessantly mentioned by academics while there seems to be a lack of discussion systematically sorting out the significance,influence,and origins of estrangement asanarchitectural concept.Thiswork aims to discern the meaning of estrangement from the beginning and its process of entering the field of architecture.The first part is expected to answer the following questions:what is estrangement’s original meaning in the field of literature and its variantions?The second part determines what estrangement is in architecture and in what form estrangement is represented according to these arguments.The third part points out the difference during this translation fromliterature to architecture and demonstrates the reasonable inference thatmay actually compose the possibleway of applying the estranging technique in architecture.
文摘The paper analyzes the femininity of Chinese intellectual women through reference to the historically estrangement. The paper explores what intellectual woman with an emphasis on and culturally significant concept of it manes to be a contemporary Chinese how popular cultural images of Chinese intellectual women articulated particular, historically-conditioned tensions. The paper focuses on the theoretical construction of ＂estrangement,＂ an important concept in the fields of psychoanalysis, socialist feminism and French feminism. My discussion of ＂estrangement＂ centers on the way in which the femininity of intellectual women is constructed, in particular, the degree to which they are depicted as adhering to or becoming estranged from the norms for feminine behavior. I focus on the female writer Huang Beijia＇s novellas, published between 1981 and 1994. The paper concludes that estrangement constitutes a haunting motif that is used to represent/understand Chinese intellectual women in the contemporary context and that the contemporary intellectual woman＇s predicament is, in turn, a telling motif for understanding historical changes in Chinese gender relations.
基金Acknowledgements： This paper was sponsored by China National Social Science Foundation ＂Research on the Fundamental Problems of the Contemporary Aesthetics and Criticism Patterns＂ （15ZDB023）.
文摘Economic ＆ Philosophic Manuscripts of 1844 was regarded as the key text for studying Marx＇s aesthetics thoughts It was translated into Chinese in 1956 and then attracted Chinese scholars＇ attention. In the past half century it was the main theory source of Chinese Marxism aesthetics. There were two large scale debates on aesthetics related to Economic ＆ Philosophic Manuscripts of 1844 in China. One was taken place in the late of 1950s to 1960s and the other was in 1980s. The main arguments concentrated on four issues in the Manuscripts of 1844： the relationship between practice and beauty, the meaning of the two standards and the law of beauty, whether estranged labour creates beauty or not, how to asses the Manuscripts.
