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“We” and “They”: On Gesar Culture and Ethnic Boundaries of Rebgong Khre-Tse Sde-Bzhi
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作者 ZHOU Mao-xian 《Journal of Literature and Art Studies》 2020年第10期886-894,共9页
The Gesar Epic is not only a literary work and cultural icon of the Tibetan people but a symbol of maintaining ethnic boundaries.In particular,in the community mixed with both Hor and Tibetan residents,the cultural me... The Gesar Epic is not only a literary work and cultural icon of the Tibetan people but a symbol of maintaining ethnic boundaries.In particular,in the community mixed with both Hor and Tibetan residents,the cultural memory of Gesar is considered as one of the greatest distinguishing factors to tell the Self Group from the Other-Group.Khre-Tse Sde-Bzhi(referring to the four villages),a marginal group in Tibetan-inhabited area of Rebgong,is called Hor or DorDo by local Tibetans.When it comes to ethnic identification,the ethnic group is commonly recognized as Tu ethnicity.In fact,in the community of Khre-Tse Sde-Bzhi,local residents are distinguished by whether they are Hor(a branch of Mongolian language family)or Bod(Tibetan);moreover,there remains a relatively obvious sense of ethnic identity.And yet,in addition to the dominant characteristics of local languages,it is the Gesar culture that has become one of the main features to differentiate between Bod and Hor.More importantly,people of Bod and Hor identify themselves by whether the others tell the complete version of the Gesar Epic or whether they have the authentic King Gesar enshrined,in order to determine their cultural identity. 展开更多
关键词 ethnic boundary gesar culture ethnic identity four villages Khre-Tse Sde-Bzhi
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