Figures Of Speech

ⅶ.PERSONI-FICATIONBy definition,personifiCation is a figure Of SpeeCh that gives human formor feelngs to animals,or life and personal attributes tO inanimate objects,or to ideasand abStractions,e．g．

Figures of Speech

Hyperbole is the deliberate use of overstatement or exaggeration to achieve emphasis.

Analysis of Figures of Speech in English Subtitles of Corpse Bride

As a classic English movie in gothic style,English subtitles of Corpse Bride are of unique characteristics,featured with the beauty of rhyme,rhythm and rhetoric.The profound meaning of subtitles is very impressive.This study focuses on English rhetoric,analyzing figures of speech displayed in the subtitles from the perspectives of phonetics,syntax,semantics and logic.The analysis will help readers to better appreciate the charm and rhetorical effects of English subtitles in this movie.

The Comparative Study of Two Translated Texts on Huangdirent Translating Styles o'n s Internal Classics——Simple Analysis on the Diffe Culture-Specific Lexicon, Figure of Speech and Four-Chinese-Character Structures

Huangdi's Internal Classics(Neijin) is one of the most important ancient medical classics, which plays far-reaching influence in medical field. More and more domestic and overseas scholars published their translated texts on Neijing. Due to the diversity of editions and different understanding, the translating styles and contents are widely different. This study will focus on the different translating styles on culture-specific lexicon、figure of speech and four-Chinese-character structures in Neijin.

On Translation of Figure of Speech in Fortress Besieged From the Perspective of Eco-translatology

On the framework of eco- translatology, this thesis presents an introduction of the novel Fortress Besieged, the author and the translation work, and then gives an analysis of the translator's adaptation and selection of the translational eco-environment.

Grice＇s theory of conversational implicature

Understanding an utterance is far from proposition analysis and literal meaning interpretation. It is the unity of what is said and what is implicated. Grice＇s theory of conversational implicature provides some explicit account of how it is possible to mean more than what is literally expressed by the conventional sense of the linguistic expressions uttered. Using this theory, we can infer the speaker＇s real attention, appreciate figure of speech in literary work, and improve our communicative competence.

On the Application of Rhetoric in Flipped

Rhetoric is magic used by writers in their writings to arouse strong sentiments and to touch the heartstrings of readers.Wendelin Van Draanen gives full play of rhetoric in her best-seller Flipped and successfully created strong resonance for readers.

Utilization Frequency and Distributions of Drama Language Body Standard

In this paper, through the analysis of the language characteristics and the employment of the method of measurement statistics, the utilization frequency and distributions of drama language body standard are further summaried. There are rhetorical question, switching, repetition, apostrophe, etc. in the drama language body standard. Furthermore, the lower utilization frequency of the drama language body standard is revealed by comparison with the literature and art style. The figures of speech in the drama language are open and unlimited. The drama language is more emphasized on the using of the figures of speech than the colloquial style.

On Rhetorical Skills in English Newspaper Advertisement

Through a careful analysis and comparison of advertisements presented in English newspapers and magazines the paper makes an exploration of the rhetorical skills and stylistic features commonly used in English advertisements so as to help us appreciate and master the highlights of English newspaper advertisements.

The Stylistic Analysis of The Chaser

According to Leech and Short's method of stylistic analysis, The Chaser can be analyzed from four linguistic categories: lexical features, grammatical features, figures of speech, and cohesion and context, which, applied to the text of the story,are interpreted as the author's subtle choice of language, artful use of irony, masterly dialogues and remarkable instabilities. The four categories help to portray the characters, reveal the theme, endow the text with a kind of uniqueness and ultimately contribute to the interest and readability of this excellent short story.

The Unfinished Text or Literature as Palimpsest towards Lu Xun and His Relevance to the Present

The fact that Lu Xun is no longer regarded as the most important Chinese writer of the 20th century raises many questions. Is there only one benchmark for good literature, or are there different norms？ To what extent are these norms dictated by the market？ Questions like these relate to the issue of evaluation. Is literature still evaluated according to the internationally recognized definition of ＂modernity＂ that prevailed before World War II, or is it unfair to judge contemporary writers according to standards that dominated before 19497 The reason why contemporary Chinese literature （after 1949） might sometimes seem somehow lacking in comparison with modern Chinese literature （1912-49） might be found in historical changes in the role of the narrator in the novel. Literature after 1949 often returns to the omnipresent narrator, whose comments can be taken for granted. But, in the works of Lu Xun, the reader is often confronted with a narrator who is not reliable. In this way, the literature becomes ambivalent, and it is precisely this ambivalence that makes the literature ＂modern,＂ as the reader has to decide which voice he or she is going to trust. It is also ambivalence which turns a narrating ＇T＇ into a fictional character, which cannot be equated with the （real） author.