TrueType Font Symbol Library for Cartography of Emergency Situations

This contribution deals with the process of creation of symbol libraries for emergency situations cartography. The libraries were created as a TrueType font files. Two symbol libraries were created. The first one is a set of symbols for description of map orientation （compass roses and north arrows） with correct national （in this case Czech） description. The second one is a set of symbols for description of CBRN （chemical, biological, radiological, and nuclear） threats and another CBRN issues. The TrueType font files are used as symbol libraries in various ESRI products. The font libraries created in this form are easily transferable between various operating systems and GIS programs and also can be easily converted into various different vector graphics formats. The whole process of font creation has taken place under Linux environment. Fortunately main programs used in this process are multiplatform and could be used under Linux, MS Windows and other various computer operating was part of Ubuntu repository and it was obtained free of charge. systems. All software used during the process of font creation

The Application of Chinese Calligraphy Fonts to the Modem Art Design

Chinese calligraphy font design is based on Chinese characters as the carrier, and provides the modem people, the modem market, and the modem society with a font design by applying the modem technology conditions, combining with the modem design concept, and absorbing the traditional calligraphy form languages such as the midcourt line and structure. Along with the development of Chinese character information processing technology, the modem computer techology has been penetrated into every field of society, it has been very important in the field of the design to implement font design and application using the computer directly. In this paper, the application of Chinese calligraphy fonts to the modem design art is discussed from computer font design and the components of Chinese characters, development trend, and modem decoration design. Calligraphy font design will be applied to more design areas, and also will be penetrated into all aspects of people＇ s daily life.

基于字形动态描述库的Webfont汉字生成方法

现有的Webfont汉字生成方法,需要设计专门的字库,工作量大且灵活性差。针对这一问题,将汉字特征点用字形动态描述库记录,在此基础上提出一种新的Webfont汉字的自动生成方法。研究基于特征点描述的汉字笔画提取、连接和优化方法,并对比基于B样条曲线和贝塞尔曲线的字形优化效果。为方便用户进行个性化字体生成,设计了用户自定义字形优化方法。实验结果证明,基于汉字字形动态描述库,用户无需下载字库,即可以在网页上生成符合自身需求的Webfont汉字。

在林业计算机制图中运用FontCreator软件制作点状图符号的方法

以LY/T 2009-2012《县级林地保护利用规划制图规范》中所示的点状符号制作为例,从创建符号文件、添加编辑符号文件、保存安装符号文件、使用符号文件等方面阐述FontCreator软件在地图符号制作中的应用,认为FontCreator软件制作专题图符简便、快捷,图符清晰规范,符合要求。

AB004.The dyslexia font OpenDyslexic facilitates visual processing of text and improves reading comprehension in adult dyslexia

Background:Proficient literacy skills and reading comprehension are crucial skills for participation and success in everyday life.One group that regularly falls short in demonstrating good reading skills are people with dyslexia.This group suffers from a range of visual deficits including the pattern of ocular movements,and distorted,blurred and reversed(or mirrored)vision of letters during reading.However,only recently designers started to develop affordable and easily implementable remedies that are supposed to reduce the visual symptoms of dyslexia such as specific dyslexia fonts.These fonts incorporate properties aimed at improving the visual and behavioural reading performance of people with dyslexia by using larger intra-and inter-word whitespace,unique letter shapes and no serifs.To date,empirical evidence about the efficacy of these fonts is contradictory,and their effects on adult dyslexics’eye movements and cognitive processing during longer reading tasks remains elusive.Methods:To bridge this gap,we measured the eye movements of adults with and without dyslexia during the reading of a set of standardised texts from the international reading speed texts(IReST;Trauzettel-Klosinski&Dietz,2012)reading battery coupled with validated comprehension questions.These texts and questions were presented either in the traditional font Times New Roman or the specific dyslexia font OpenDyslexic.Results:Here,we found that OpenDyslexic led to improvements in reading comprehension in dyslexics and non-dyslexics.These improvements were larger for dyslexics.Contrarily,participants’reading speed was unaffected by OpenDyslexic.Our eye-tracking data showed that OpenDyslexic resulted in a higher number of eye movements,reduced visual search intensity,and longer median fixation duration across participants.Particularly,median fixation duration,as a measure of cognitive load,was predictive of reading comprehension across groups.Among dyslexics,OpenDyslexic yielded increases in visual search intensity and visual ease in the form of decreases in median fixation duration and fixation to saccade ratio as well as a smaller number of falsely programmed forward saccades.Conclusions:Our findings illustrate that OpenDyslexic results in a different visual reading strategy.These findings provide empirical evidence for the efficacy of OpenDyslexic in longer standardised texts and suggest its use in everyday documents,education materials,and online sources.

按需索取的中文Web Fonts技术研究

为了使网页支持更多的字体类型,尤其是中文字体类型,提出两种基于按需索取的中文Web Fonts解决方案。对现有英文Web Fonts技术进行探讨,分析方案存在的问题,并对其浏览器兼容性进行测试。在此基础上,针对中文字体文件过大的问题,对@ font-face和Typeface.js两种方案进行优化,通过把中文字体库上传到Web服务器上,根据请求参数,按需索取字体文件和字形轮廓信息。最后通过搭建一个实际网络环境,验证了方案的有效性。

灵感工厂Handmade Font工艺：爱沙尼亚设计公司Handmade Font的Maksim Loginov分享新字体设计的创作过程

通常我们采用的材料决定着我们使用它们的方式。许多材料只能以某种方式进行弯曲或切削，因此我们尽量寻找最佳的形态。为了创作我们的这些字体．我们借助了手边所有可用的资源——铁锤、火柴、剪刀——任何可以剪．锯或完成我们要做设计的东西。

字体管理终结者——Font Reserve 3．1终结字体管理的烦恼

Font Reserve 3．1是一款由Diamondsoft公司开发的字体管理软件，它将为用户管理字体提供一种新选择。Font Reserve 3．1支持所有流行的Macintosh字体格式，包括：PostScript Type 1．PostScript Multiple Master，True Type GX，TypeOne GX，Apple’s dFonts，Windows TrueType，OpenType及双字节字体，有了它用户将再不用在管理字体中苦苦。

加泰罗尼亚的蓝盒子 巴塞罗那Font 6公寓

本住宅改造项目位于巴塞罗那圣家族大教堂旁一条安静的小巷子里。建筑师希望在尽可能多地保留住宅内原有加泰罗尼亚新艺术运动时期的现代主义元素的前提下,将其改造为一个除拥有主卧室外,至少包含一间客房的休息寓所。改造过程中,建筑师保留了住宅入口处两间现状良好的卧室,其余部分予以重新建造。从入口到起居室,依然维持了入口处原有的彩色地板.

Many-Knot Spline Interpolating Curves and Their Applications in Font Design

Many-knot spline interpolating is a class of curves and surfaces fitting method presentedin 1974. Many-knot spline interpolating curves are suitable to computer aided geometric design anddata points interpolation. In this paped, the properties of many-knot spline interpolating curves arediscussed and their applications in font design are considered. The differences between many-knotspline interpolating curves and the curves genoaed by exceeding-lacking adjuStment algorithm aregiven.

The Inheritance and Application of Chinese Reverse Contrast Typeface Style

This paper discusses the inheritance and application of Chinese character reverse contrast typeface style.It begins by analyzing the visual features of Western reverse contrast typeface styles,with a focus on Caslon Italian and French Clarendon,providing a Western perspective reference for subsequent Chinese character reverse contrast typeface style designs.The paper then traces the origins of the Chinese reverse contrast style,from the calligraphy style"Lacquer Script"to the earliest printing type"フワンテール形",exploring the historical background and cultural significance of the Chinese reverse contrast style.In the methodology section of Chinese character reverse contrast typeface style design,the discussion is conducted from two dimensions:inheritance and application.In terms of inheritance,through an in-depth analysis of"Lacquer Script"and"フワンテール形"typeface style,the paper summarizes three basic theories for modern Chinese character reverse contrast typeface style design.In the application section,it examines in detail the two most influential recent typeface styles,"Ribaasu"and"Basic Artistic",outlining three directions of application:extreme horizontal stroke variations,exaggerated contrast,and diverse decorative strokes,showcasing new directions and possibilities for Chinese character reverse contrast typeface style design.This paper not only reviews the developmental history of the Chinese character reverse contrast typeface style but also analyzes the design methodology of Chinese character reverse contrast typeface style through specific case studies.

基于GAN的场景文本艺术风格转换

图像风格转移是将风格样式迁移到源图像中的目标区域以创建艺术排版的任务,论文研究如何对场景文本图像中的文字区域进行风格转换,以实现自动对广告或海报中的文字进行风格转换,降低艺术创作的成本并提高艺术风格的多样性。由于场景文本图像中不同因素之间存在复杂的相互作用,先前很少有在保留原始文字内容和背景的同时进行文本风格转换的工作。该文提出了一个三阶段的框架,这是首个直接在原图进行程度可控的风格转换的网络,将原本对单个二值化字符进行风格转换的方法扩展到场景文本图像上的文字,并涉及到了图像修复的相关知识。首先使用风格转换网络只对场景文本图像中的文本风格进行转换,后利用字符擦除网络擦除原始字符重建背景图像,最后融合部分利用生成的前景图像和擦除字符后的背景图像生成最终风格转换后的结果图像。论文通过大量实验证明了该方法的有效性。

海报设计中书法字体的情感化表达形式探微

运用情感化设计理论对海报设计中书法字体的艺术内涵及审美价值进行分析,在探讨海报设计中书法字体情感化表达必要性的同时,总结出海报设计书法情感化表达的原则和路径,为当前书法艺术在海报设计中的运用提供新的设计思路。

西湖龙井茶“狮、龙、云、虎、梅”字号的历史形成及其分布

历史上“狮、龙、云、虎、梅”老字号产区是西湖龙井茶核心产区,茶园主要分布在龙井、翁家山、杨梅岭、满觉陇、梅家坞等村落,其字号大致形成于清末民国期间,尤其是民国期间其产地细分已较为详细和明确。1949年后,老字号进行归并,形成了“狮峰龙井”“梅坞龙井”“西湖龙井”3个品类,目前加上后来新增的产地品类,统称为西湖龙井茶。

Interpretation of Geological and Gravity Data from the Bamiléké Plateau (West-Cameroon): Implication for the Understanding of Its Underground Lithotectonic Geometry

The Bamiléké Plateau represents a key domain in the understanding of the geodynamics associated with the central Cameroon shear. The study aimed to highlight the subsurface architecture of the plateaus basement setting with focus on high potential areas for hydrogeological and mining development projects. To this end, geological field observations were carried out. Since the structures sought were near-surface, a separation approach based on the upward continuation method was applied to the Bouguer anomaly grid. A set of processing techniques, including vertical derivative or DZ, analytical signal or SA and categorization of gravity signatures, was applied to generate the residual map. The synthesis geological model, obtained from analysis and interpretation of the various transformed maps and 2.5D modeling of two gravity profiles P1 and P2 highlights the following features: 1) intrusions of steep-sided granitic batholiths from Dschang to Bandjoun (profile P1), increasing in width from NW (Dschang) to SE (Bandjoun);2) larger volume batholiths with moderate sides located at Bafang and Bangangté (profile P1). These plutonic massifs were weakened by brittle deformation, which favored the emplacement of phonolite or anorthosite dykes within them. The emplacement of these dykes was accompanied by compressional faults with high dip between Dschang and Bandjoun and extensional faults with medium dip between Bafang and Bangangté. These fault zones (trending N85E to N95E) are ideal for hydrogeological investigations in a basement setting, as well as a series of dyke networks that could potentially be preferred zones for the circulation and accumulation of useful substances. The resulting geological sections P1 and P2 highlight the influence of granitic intrusions in the geological system of the study area, as well as the structural control associated with the various dyke intrusions. All the models obtained can serve as fundamental references for hydrogeological and mining exploration project on the Bamiléké Plateau.

传承与创新视角下的金农“漆书”字库字体及延展应用设计

目的 分析金农“漆书”的审美特征,并应用到当代汉字设计中,使所设计的字库产品既有金农书法的金石气韵,又符合当代的应用语境,以此促进金农“漆书”艺术的传承和字库风格多元化的发展。方法 从诸多博物馆调研金农“漆书”作品并分析整理,以南京博物院典藏金农“漆书”作品《盛仲交小传》为蓝本,其他作品为参考,从分析造型中的点、横、竖、撇、捺、折、钩等笔画元素入手,凝练与总结“漆书”视觉符号和文化内涵;除了遵循字库字体的基本原则外,还运用“完全复现法”“旧字新构法”“异字结合法”“形意合一法”的创新与传承性的原则与方法,对提取的元素进行重构、融合、创新,最后结合用户思维的研发策略进行设计应用。结论 结合金农“漆书”书法元素进行字库字体设计,可以提升字库产品的文化内涵与价值,让人们更多地了解金农的“漆书”艺术,有利于书法艺术传承与创新,有助于探讨解决书法艺术与当代字体设计之间的矛盾关系,为书法艺术在字库字体设计中的应用实践提供有益参考。

基于多层次通道注意力网络的少样本字体生成

为提升字体生成的图像质量,减少字体设计的人工成本,提出基于多层次通道注意力网络的少样本字体生成的方法。首先,该方法通过风格感知注意力模块获取重要的局部特征;然后设计了一个多层次的注意力机制,较浅的层只能观察图像的局部特征,而较深的层可以观察到图像的全部特征,通过聚合不同层次的局部特征来构建新的风格特征。最后,使用了内容损失函数、风格损失函数和L 1损失函数优化模型的参数,稳定网络的训练,使生成图像在内容和风格上与目标字体保持一致。实验结果表明,该方法在未知样式的字体和未知内容的字体具有很强的泛化性。相比于其他方法,所提出的方法表现出更好的实验结果,能保持内容结构的完整和字形风格的准确性。

针式打印字体电离层垂测数据自动提取技术

对于针式打印字体电离层垂测数据扫描图片的像素偏低、字体不连通、文本行粘连无法检测等问题,提出了一种基于CRNN深度学习框架的数据自动提取技术,该技术主要包括图像预处理、文本检测、序列文本识别和识别结果版面处理4个模块。首先,对于3种不同行间距类型的针式打印字体垂测数据扫描图片采用图像模板匹配、降噪处理和倾斜矫正等方法进行图像预处理。然后对预处理后的图片利用投影法进行文本检测加以分割,其中投影分割检测算法中加入了垂直投影、水平投影和检测候选框修正功能,可有效处理粘连文本区域,提高检测精度。最后,考虑到图片数组长度不一,避免切分字符,所以将分割后的文本识别问题转化为序列学习问题,利用CRNN深度学习算法进行文本识别,再通过坐标融合算法,将识别结果保存成Excel标准化格式,从而实现数据自动提取保存。实验结果表明,本研究所提出的算法,文本检测召回率97.7%,文本识别综合评价指标F值就单个字符识别率97.49%,整组字符识别率94.78%,并与其他算法进行了比较,验证了其有效性,因此本文所提算法具有较高的实用性,能满足工程应用实际需求.

基于少样本学习的书籍装帧手写字体生成

手写字体具有一定的亲和度,尤其在书籍装帧设计中更具人性化和表达力,但手工设计字体流程烦琐且专业程度要求高。通过基于人工智能的手写字体生成算法帮助设计是解决这一问题的有效途径。本研究采用少样本字体生成网络,其中在特征提取方面采用了多子编码器提取了多个特征,可更好地捕捉不同的局部概念;在样本训练方面采用端到端的训练方法,可以显著减少训练时间,提高字体生成效率。采用定性与定量分析相结合的方式,对多种字体生成方法进行了深入比较。相较于其他方法,本研究所提出方法的FID与LPIPS值更低,这充分证明了本研究方法在生成效果上的优越性,生成的字体更加清晰且高度逼真。该方法为书籍装帧设计提供了更快、更有效的解决方案,简化了字体设计的烦琐过程,提升了设计效率。未来的研究可进一步优化生成字体的质量和多样性,以满足不同书籍装帧设计的需求。

汉语词切分和字号对阅读知觉广度的影响:眼动的证据

本研究采用移动窗口范式,探讨汉语词切分线索和字号对阅读知觉广度的影响,采用3(词切分线索:不切分、正确词切分、错误词切分)×2(字号:大、小)×4(窗口:L1R2、L1R3、L1R4、整行)的被试内实验设计。结果发现,字号与窗口交互作用不显著,词切分线索、字号与窗口的交互作用也不显著。结果表明,字号对汉语阅读知觉广度的影响可能非常有限,词切分线索也不调节字号对汉语阅读知觉广度的影响。