This paper discusses the inheritance and application of Chinese character reverse contrast typeface style.It begins by analyzing the visual features of Western reverse contrast typeface styles,with a focus on Caslon I...This paper discusses the inheritance and application of Chinese character reverse contrast typeface style.It begins by analyzing the visual features of Western reverse contrast typeface styles,with a focus on Caslon Italian and French Clarendon,providing a Western perspective reference for subsequent Chinese character reverse contrast typeface style designs.The paper then traces the origins of the Chinese reverse contrast style,from the calligraphy style"Lacquer Script"to the earliest printing type"フワンテール形",exploring the historical background and cultural significance of the Chinese reverse contrast style.In the methodology section of Chinese character reverse contrast typeface style design,the discussion is conducted from two dimensions:inheritance and application.In terms of inheritance,through an in-depth analysis of"Lacquer Script"and"フワンテール形"typeface style,the paper summarizes three basic theories for modern Chinese character reverse contrast typeface style design.In the application section,it examines in detail the two most influential recent typeface styles,"Ribaasu"and"Basic Artistic",outlining three directions of application:extreme horizontal stroke variations,exaggerated contrast,and diverse decorative strokes,showcasing new directions and possibilities for Chinese character reverse contrast typeface style design.This paper not only reviews the developmental history of the Chinese character reverse contrast typeface style but also analyzes the design methodology of Chinese character reverse contrast typeface style through specific case studies.展开更多
Chinese calligraphy font design is based on Chinese characters as the carrier, and provides the modem people, the modem market, and the modem society with a font design by applying the modem technology conditions, com...Chinese calligraphy font design is based on Chinese characters as the carrier, and provides the modem people, the modem market, and the modem society with a font design by applying the modem technology conditions, combining with the modem design concept, and absorbing the traditional calligraphy form languages such as the midcourt line and structure. Along with the development of Chinese character information processing technology, the modem computer techology has been penetrated into every field of society, it has been very important in the field of the design to implement font design and application using the computer directly. In this paper, the application of Chinese calligraphy fonts to the modem design art is discussed from computer font design and the components of Chinese characters, development trend, and modem decoration design. Calligraphy font design will be applied to more design areas, and also will be penetrated into all aspects of people＇ s daily life.展开更多
Many-knot spline interpolating is a class of curves and surfaces fitting method presentedin 1974. Many-knot spline interpolating curves are suitable to computer aided geometric design anddata points interpolation. In ...Many-knot spline interpolating is a class of curves and surfaces fitting method presentedin 1974. Many-knot spline interpolating curves are suitable to computer aided geometric design anddata points interpolation. In this paped, the properties of many-knot spline interpolating curves arediscussed and their applications in font design are considered. The differences between many-knotspline interpolating curves and the curves genoaed by exceeding-lacking adjuStment algorithm aregiven.展开更多
This paper introduces a skeleton-based approach of automatically gener-ating DENG-XIAN, YUAN-TOU and HU-PO typefaces and discusses somealgorithms used in generating these fonts.
文摘This paper discusses the inheritance and application of Chinese character reverse contrast typeface style.It begins by analyzing the visual features of Western reverse contrast typeface styles,with a focus on Caslon Italian and French Clarendon,providing a Western perspective reference for subsequent Chinese character reverse contrast typeface style designs.The paper then traces the origins of the Chinese reverse contrast style,from the calligraphy style"Lacquer Script"to the earliest printing type"フワンテール形",exploring the historical background and cultural significance of the Chinese reverse contrast style.In the methodology section of Chinese character reverse contrast typeface style design,the discussion is conducted from two dimensions:inheritance and application.In terms of inheritance,through an in-depth analysis of"Lacquer Script"and"フワンテール形"typeface style,the paper summarizes three basic theories for modern Chinese character reverse contrast typeface style design.In the application section,it examines in detail the two most influential recent typeface styles,"Ribaasu"and"Basic Artistic",outlining three directions of application:extreme horizontal stroke variations,exaggerated contrast,and diverse decorative strokes,showcasing new directions and possibilities for Chinese character reverse contrast typeface style design.This paper not only reviews the developmental history of the Chinese character reverse contrast typeface style but also analyzes the design methodology of Chinese character reverse contrast typeface style through specific case studies.
文摘Chinese calligraphy font design is based on Chinese characters as the carrier, and provides the modem people, the modem market, and the modem society with a font design by applying the modem technology conditions, combining with the modem design concept, and absorbing the traditional calligraphy form languages such as the midcourt line and structure. Along with the development of Chinese character information processing technology, the modem computer techology has been penetrated into every field of society, it has been very important in the field of the design to implement font design and application using the computer directly. In this paper, the application of Chinese calligraphy fonts to the modem design art is discussed from computer font design and the components of Chinese characters, development trend, and modem decoration design. Calligraphy font design will be applied to more design areas, and also will be penetrated into all aspects of people＇ s daily life.
文摘Many-knot spline interpolating is a class of curves and surfaces fitting method presentedin 1974. Many-knot spline interpolating curves are suitable to computer aided geometric design anddata points interpolation. In this paped, the properties of many-knot spline interpolating curves arediscussed and their applications in font design are considered. The differences between many-knotspline interpolating curves and the curves genoaed by exceeding-lacking adjuStment algorithm aregiven.
文摘This paper introduces a skeleton-based approach of automatically gener-ating DENG-XIAN, YUAN-TOU and HU-PO typefaces and discusses somealgorithms used in generating these fonts.
