Understanding the Global Identification with China’s Stories: A Cross-Cultural Perspective

Cross-cultural storytelling is a primary way for humankind to seek mutual recognition of value orientations between cultures,which facilitates the ability to jointly address the problems of human existence in the context of globalization.In this study,we conducted an interview survey of 6,130 respondents who were college students or graduates from 107 countries.The results show that there were a number of cross-cultural values embodied in China’s stories seen by the respondents as part of a common vision for the future of humankind and widely identified guidance on collaborative responses to global challenges.These cross-cultural values are common prosperity,ecological harmony,individual-collective integration,the urgency of global peace,as well as respect for multicultural and indigenous development paths.

Writing the Silenced Female Body, Scrutinizing the Grand Narrative of Colonization and Decolonization: The Body in Zoë Wicomb’s David’s Story

David’s Story by Zoë Wicomb addresses the complexities of representing female suffering and the limitations of traditional historical narratives in capturing the experiences of marginalized bodies.It challenges the grand narratives of national history by emphasizing the indispensable role of women’s experiences.Through characters like Dulcie and Rachael,Wicomb portrays the female body as a site of resistance and resilience,highlighting the need for more nuanced and inclusive ways of documenting history.Underscoring the inexpressibility of trauma and the limitations of language and representation,the novel self-reflexively acknowledges its own aporia of completing the narrative,embodying the ongoing struggle to capture the full breadth of human experience.

A Survey of Feautures of Three English Versions of Lu Xun’s Short Stories

Lu Xun(1881-1936)has been acclaimed father of modern Chinese literature.He is the first writer to use the vernacular to write fiction.His stories have laid a solid foundation for the development of modern Chinese fiction.Call to Arms(1923)and Wandering(1926)represent the greatest achievement of Chinese story-writing at that time.Since the 1920’s,Lu Xun’s stories have been translated into various languages and published throughout the world,enjoying an international reputation.The three English versions chosen are different with various features,especially in dealing with Chinese traditional culture according to different purposes and towards different English readers.

A Survey of Major English Versions of Lu Xun’s Short Stories in the 20th Century

Lu Xun(1881-1936)has been acclaimed father of modern Chinese literature.He is the first writer to use the vernacular to write fiction.His stories have laid a solid foundation for the development of modern Chinese fiction.Call to Arms(1923)and Wandering(1926)represent the greatest achievement of Chinese story-writing at that time.His short stories are not only profound in thinking,but also worthy of admiration for their great value and innovation in art.Since the 1920’s,Lu Xun’s stories have been translated into various languages and published throughout the world,enjoying an international reputation.Only their English versions in the 20th century are discussed within this paper.These versions are different with various features,especially in dealing with Chinese traditional culture according to different purposes and towards different English readers.

My funny story on April Fool’s Day

Hi,everyone.Since the theme of this month is April,let’s talk about my funny story on April Fool’s Day.I remember that I was only 9 years old at that time,but I was very fond of pranks,so April Fool’s Day was a natural time for me to show off my skills.Sure enough。

Modem Iranian Literature： The Historical and Present Development of the Short Story Genre

The following article is about the historical overview of the Persian literature and the emergence and development of the short story as a literary genre and its prominent role in the modem literature of Iran. It discusses the origin of the short story in general and preconditions for the popularity of the new genre the Iranian literature of the 20th century, and also about the first successful collection of short stories that introduced it to the public. Also the development process of the short story and principle factors in every stage of its emergence as an independent genre of prose, as well as the thematic range are the main aspects among others to be analyzed in the article. It is historically documented that the Islamic state was established in 1979 after the fall of the Shah. And the very event had big impact not only on the social and political life of the country, but also on the cultural and literary life of the Iranians of the time. The significance of the revolution was such that it divided the literature to be known as the ＂pre-revolution＂ and ＂post-revolution＂ periods. Therefore this article is aimed to observe how this historic event had influenced the short story in particular and the distinct features of the works created during the two periods. The next period which stands out in the development of the short story is during the late 90s and the beginning of the 2000, where the genre experienced aesthetic innovations and experiments with new forms and styles. The distinct feature of the period is mainly in its topics it deals, among other the effects of the globalization and popular culture brought forth, isolated individual, urbanization, climate change and its destructive outcome and the social conflicts resulting from them. Such global issues caused the established writers to look out of their borders and open up to the concerns of the planet, and by doing so establishing new schools of thought and style among the writers of short story in modem Iranian literature. Finally the article will overview the role of the Iranian contemporary female short story writers, children＇s literature and the works of the immigrant Iranian authors that continue the traditions of the Persian literature outside Irma.

A Story About Mary's Family

The students were having an English class. "Today you can write a story about your family.I want you to tell me something about your parents and your brothers and sisters, "said Mr Shute. Mary raised her hand."What kind of thing shall I write about my parents? "she asked. "Well,"said Mr Shute. "Write about

The Construct of the Story Continuation Writing Task: Insights From the China’s Standards of English Language Ability

Although the story continuation writing task(SCWT) has attracted much research attention, few studies have investigated the construct of the task, particularly with respect to which language competence it focuses on. In addition, although some studies have demonstrated that China’s Standards of English Language Ability(CSE) provides comprehensive insights into the development of Chinese learners’ English language proficiency, little research has investigated the relationship between CSE and SCWT. This study drew upon the CSE to develop an SCWT language use inventory to address the above research gaps. A total of 358 high school students were asked to complete the questionnaire, of which 277 valid responses were analyzed. Exploratory factor analysis(EFA) on the CSE-based questionnaire revealed the presence of six factors, namely language correctness, language variety, task planning, connecting-and-generating, selecting-andmining, and organizing. The strategy of connecting-and-generating was the only significant predictor of the learners’ SCWT scores. The paper also discusses the findings relating to the SCWT rating and other integrated writing tasks.

立足教材基础 培养学生能力——三年级下册Unit 4 Where’s the bird? (Story time)教学设计

【教材简解】本单元的核心教学内容是"询问物品的位置"。要求学生在一定情景下能正确使用核心句型Where’s...?It’s....进行交谈。Story time共有七个场景,主要描述小鸟停在教室里的不同位置。在对话中出现了本单元的重点句型,即询问及回答地点。教学应与日常生活联系起来,培养学生的主动性思维和与人交流的能力。【目标预设】1.能初步感知新的语言知识:(1)单词:a bird,a desk,a chair,in,on,under。

以写促读,训练学生的扩写微技能——以A carpenter’s story教学为例

授课对象：新高二学生指导老师：刘洪（江苏省苏州市教科院高中英语教研员）王军起（苏州中学园区校英语学科组组长）一、教学分析与整体思路设计（一）教学内容分析教学内容是A carpenter’s story,课型是写作课。文章讲述了一个老木匠向雇主提出退休后,雇主让他造最后一座房子。因为急于享受退休生活,老木匠敷衍了事,匆匆完成了工作,却不曾想,最后雇主把这座房子送给了他。

基于阅读的写作课教学设计——以A carpenter’s story为例

授课对象：新高二学生指导老师：何锋（江苏省中小学教研室英语教研员）徐静芳（江苏省无锡市英语教研员）梅原（江苏省江阴市英语教研员）丁克威（江苏省特级教师）一、课例背景本课例曾在2016年江苏省高中英语评优课比赛中荣获一等奖,经江苏省中小学教研室推荐,在“第十届全国高中英语课堂教学优秀课展评现场说课比赛”中荣获一等奖及最佳课件使用奖。

A General Analysis of Lu Xun’s Short Stories

Father of modern Chinese literature,Lu Xun,is the first writer to use the vernacular to write fiction.In his short stories,he exposes the crimes of feudalism and describes the plight of the peasants,who have been economically exploited and spiritually enslaved.He also depicts the fate of the intellectuals who struggle in the intense social contradictions.His fiction has laid a solid foundation for the development of modern Chinese fiction.Lu Xun has created almost all the new forms for Chinese new literature,and enjoys the most prominent status in the Chinese literary development in the 20th century.His writings reflect the great achievements of the literary reform since the May Fourth Movement.

Kate Grenville's Reflection of Dark Places on Lillian's Story

Australian women writers have taken active roles in the literary field under the influence of the Feminist Movement around the world since the latter half of the 20 th century. Kate Grenville rose to fame for her early novel Lillian's Story representative of radical feminism. Ten years later in 1994,on reflection,she wrote Dark Places as a complementary work in the point viewof the very man,father and rapist,Albion,who appeared in the earlier novel. By reading the dark places,the inner heart of a patriarchal man and the undercurrent of misogyny in Albion's social world,the author sympathizes with and seeks to understand the inner nature of men,indicating her change in vision from initial radicalism to post- feminism which advocates understanding and harmony between men and women.

Globalization of China’s film industry through “telling China’s stories”

As is known to all,the globalization of China’s film industry plays as one important means in enhancing China’s national image and international voice.During the process of exporting externally,there exist some problems in its content production and marketing system.However,due to the"Belt and Road",the present film industry has ushered in new opportunities.In the essay,according to the author,only with strategies of ecological marketing in global market,China’s film industry could strengthen China’s cultural confidence through telling China’s stories,as so to shape China’s national image in the world.

Relevance Theory-based Cognitive Study on the Communication Effect of “China's Stories”

Telling the story of China and transmitting the voice of China has become a strategy to promote the national image and cultural soft power of China. Since its implementation in 2013, China has ushered in a significant change in communication ideas and approaches. This strategy also enriches the communication genres of "China's stories" and more importantly enhances its communication effect. In this context, it is necessary to understand and study the significance of this strategic practice, assess the value realization of "China's stories" during the communication process, and thereby establish a basis for future communication of more "China's stories." Based on the factors of relevance theory, this paper analyzes the ideas of and approaches to effective communication of "China's stories" and proposes corresponding strategies.

A Comparative Study on the Two English Versions of Lu Xun's Stories

The two English versions of Lu Xun's stories, translated by Julia Lovell and the Rangs, are to be studied from the ecotranslatological perspective. A comparative study of the two English versions is made to figure out how the two translators linguistically and culturally make adaptive selections in the process of translation of Lu Xun's stories—In other words, how the eco-environment has greatly influenced the two translators' decisions to make adaptations and choices in linguistic and cultural aspects.The thesis discovers that the eco-environment has greatly influenced the process of translating Lu Xun's stories into English and eco-translatology is feasible to analyze the two translations, that both the Yangs and Lovell have offered successful translations by making adaptive selections and selective transformations. Therefore, neither of the two translations is superior or inferior to one another in different translational eco- environments. Hopefully, the thesis may enrich current researches on the Yang's and Lovell's translations and may be useful for the further study of applying eco-translatology to studies on other translators and their works.

Symbols In HEMINGWAY'S “Hills Like White Elephants” Story commentary

HEMINGWAY’s story,“Hills Like White Elephants”,is about lovingrelationships between an American man and a girl.As lovers,they are in-timate,with the girl in the state of pregnancy.The story is told from the objective point of view.It takes place duringa 40-minute wait between trains.What lies behind them is indicated by thelabels on their bags.What lies ahead of them implies entire force and dir-ection of the story.It is at the station that a decision will be made